“When I was dying. I screamed. Because it hurt so much. Then he wrote on the piece of paper. He said I would scream a lot. And I screamed. Because it hurt so much.”

The voice was faint as it uttered the final words, and I felt the presence behind me disappear. I bent my head so that the beam of the torch shone on the keyboard. Thirty-six innocent pieces of black and white plastic. Now I understood how I had mistaken the notes for terrified voices.

Bengt Karlsson, the musician who took it badly, had made musical notes out of the most horrific sound imaginable, the tortured screams of a dying child. And these notes. opened the door.

How can a person bear it?

I struggled to my feet and pressed my knuckles against my temples as I staggered among the rocks. How can a person bear it? The dampness, the mist, the dark tree trunks, the evil contained within the very warp and weft of existence. How? I watched myself strike the rough surface of a rock with the palms of my hands until the blood flowed.

The pain woke me up. I gazed at my bleeding hands. Then I glanced up. All the rocks looked the same, and I no longer knew where the dead children were.

When I played the first note on the synthesiser, my finger left a dark streak on the white plastic. By the time I had played the whole melody, the keys were soiled with blood and a few of them resisted when I pressed them. Soon it would be impossible to play.

I found the button that said REC and pushed it down, then I played the whole melody again and pressed REC STOP. Then PLAY. I laughed out loud as the toy synthesiser carried on playing the melody all by itself, over and over again.

Dum, di-dum, daa.

I slipped the instrument round to the side so that I was comfortable, and it went on playing the melody as I set off for home and the tool shed.

A dirty grey dawn had found its tentative way among the tree trunks by the time my work was finished. The blood from my hands had been absorbed by the spade’s wooden handle, spread itself over the dark iron of the crowbar. The synthesiser’s batteries were running out, and the sound of the melody was growing ever fainter as I walked back from the forest, opened the front door and went into the hallway.

I picked up the duct tape which was still lying on the piano. The notes from the synthesiser were now so weak that they were drowned out by the creaking of the kitchen floor as I crossed the threshold. But the incomplete melody playing inside my head was all the stronger, and I noticed without surprise that Bengt Karlsson was sitting at the kitchen table with his hands neatly folded on top of one another.

The black line around his neck became visible when he nodded to me, and I nodded back in mutual understanding. We were men who knew what must be done. He had been unable to bear it. Now it was time for me to take over.

Robin didn’t wake up until I had secured his hands behind his back with the tape, and I placed a strip over his mouth before he had time to start yelling. I would have to remove it later, of course, but at the moment it would be troublesome to have him screaming. I held his legs firmly so that I could secure his ankles, then slipped my arm beneath the back of his knees and heaved him up over my shoulder.

The melody continued to play as I carried him through the kitchen, softly, softly as a whisper it played, and I hummed along. My body was aching with a feverish longing for the missing notes, desperate to hear the completed melody.

Robin twisted and turned over my shoulder, and his under — pants rubbed against my ear as I carried him across the lawn. The skin on his bare legs turned to gooseflesh in the chill of the winter dawn. I could hear him panting and snuffling behind my back as snot spurted out of his nose, and from the muffled sounds he was making I guessed that he was crying. It didn’t matter. Soon it would be over. Concluded.

The pale light of dawn made the tree trunks step forward out of the mist like dark silhouettes, a silently observing group of spectators with no knowledge of right or wrong, good or evil. Only the blind laws of nature and the circle of life and death, life and death. And the door between them.

I laid Robin down in the hollow I had dug next to a rock. I no longer knew whether the music I could hear existed only inside my head. Robin twitched and jerked, his fair skin in sharp contrast to the dark earth. His head moved from side to side and his eyes were wide open as he tried to scream through the duct tape.

“Hush,” I said. “Hush. ”

I ripped off the gag, and without paying attention to his pleading sobs I concentrated on the crowbar which I had driven into the ground on the other side of the rock. I calculated that it would take just one decent push forwards to make the rock tip over into the hollow. I rubbed my hands, which were covered in flakes of coagulated blood, and set to work.

As I grabbed hold of the crowbar I was aware of a movement out of the corner of my eye. Instinctively I looked over and saw a child. Its age was difficult to determine, because the face was so sunken that the cheekbones stood out. It was dressed in the remains of silky red pyjamas patterned with yellow teddy bears, and its chest was visible through the torn material. A number of ribs were crushed, and sharp fragments of bone had pierced the skin in several places.

The child raised its hands to its face. The nails were long and broken from scratching at rocks. And behind the fingers, the eyes. I looked into those eyes and they were not eyes at all, but black wells of hatred and pain.

Only then did I realise what I had done.

Before I had time to close my eyes or grab hold of the crowbar again, another small body hurled itself onto my back. I bent over and the child in pyjamas leapt up and seized me around the neck, burying its fingers just above my shoulder blades.

The body on my back ran its hands over my forehead, and then I felt jagged nails moving over my eyelids. I screamed as the sharp edges penetrated the skin on either side of the top of my nose, and blood ran down into my mouth. The child let out a single sharp hiss, then jerked its hands outwards.

Both my eyeballs were ripped out of my skull, and the last thing I heard before I lost consciousness was the viscous, moist sound of the optical nerves tearing, then a grunting, smacking noise as the children chewed on my eyes.

I don’t know how long I was out. When I came round I could no longer see any light, and I had no idea of the sun’s progress across the sky. There were empty holes in my head where my eyes had been, and my cheeks were sticky with the remains of my eyelids and optical nerves. The pain was like a series of nails being hammered into my face.

I pulled myself up onto my knees. Total darkness. And silence. The synthesiser’s batteries had given up. I fumbled around and found the crowbar, traced the surface of the rock until I reached the edge of the hollow, and was rewarded with the only sound that was of any importance now.

“Dad. Dad. ”

I crawled down to Robin. I bit through the tape around his wrists and ankles. I tore off my jacket and shirt and wrapped them around him. I wept without being able to shed any tears, and I fumbled in the darkness until he took my hand and led me back to the house.

Then he made a call. I couldn’t use the phone, and had forgotten every number. I was frightened when he spoke to someone whose voice I couldn’t hear. I groped my way to bed and sought refuge beneath the covers. That’s where they found me.

They say I’m on the road to recovery. I will never regain my sight, but my sanity has begun to return. They say I will be allowed out of here. That I will learn to adapt.

Robin comes to see me less and less often. He says he’s happy with his foster family. He says they’re nice. He says he doesn’t spend so much time playing games these days. He’s stopped talking about how things will be when I get out.

And I don’t think I will get out, because I don’t want to leave.

Food at fixed times and a bed that is made every day. I move blindly through the stations of each day. I have my routines, and the days pass. No, I shouldn’t be let out.

Because when I sit in the silence of my room or lie in my bed at night, I can hear the notes. My fingers extend in empty space, moving over an invisible keyboard, and I dream of playing.

Of replaying everything. Getting Annelie to visit me again and embracing her in the darkness, paying no heed

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