put down to some lucky quirk, an error in accounting, if you like, between one version of reality and another.
Once my initial nervousness had begun to wear off my biggest fear was meeting myself. It was the kind of nightmare you read about in H.G. Wells, but Owen Andrews had not mentioned it and in any case it did not happen. I began to wonder if each reality was like Schrodinger’s theoretical box, its contents uncertain until it was actually opened. I thought that perhaps the very act of me entering this world somehow negated any previous existence I had had within it.
Such thoughts were unnerving yet fascinating, the kind of ideas I would have liked to discuss with Owen Andrews. But so far as I could determine Andrews did not exist here.
I returned to what I was good at, which was buying and selling. I was still nervous in those early days, afraid to expose myself through some stupid mistake, and so instead of applying for a job with an estate agent I decided to set up by myself selling watches and clocks. I enjoyed reading up on the subject and it wasn’t long before I had a lucrative little business. I had learned long ago that even during the worst times there are still rich people, and what do the rich have to do but spend their money on expensive luxuries? I had never lost sleep over this; rather I made good use of it. I was amused to find that some of my clients were people I knew from before, men whose houses I had once sold for them, or their sons or daughters, or people who looked very like them. None of them recognised me.
The only thing I had left from my old life was the photograph of Miranda that I had always carried in my wallet. It was a snapshot taken of her on Brighton beach soon after we married. Her topaz eyes were lifted towards the camera, her heart-shaped face partially obscured by silvery corkscrewed wisps of her windblown hair. It was like an answered prayer, to have her with me. There were no traces of her death now, no evidence of what had happened. All that remained was my knowledge of my love for her and this last precious image of her face.
One evening in September I left a probate sale I had been attending in Camden and walked towards the tube station at St John’s Wood. It was growing dusk, and I stopped for a moment to enjoy the view from the top of Primrose Hill. The sky in the west was a fierce red, what I took to be the afterglow of sunset, but later, at home, when I put on the radio I discovered there had been a fire. The report said that underground fuel stores at the old army hospital at Shooter’s Hill had mysteriously ignited, causing them to explode. The resulting conflagration had been visible for twenty miles.
The police suspected arson and had already sent in their teams of investigators. I wished them luck in their search. I supposed they would find something eventually, some loose circuitry or faulty shielding, but felt certain that unless they were experts in tracking a crime from one region of reality to another they would never find out the real truth of what had happened.
What I believed was that the resistance fighters Andrews told me about had finally found a way to destroy the hospital. The blast had been so strong it had ripped through the time stasis, wiping the building off the map in all versions of reality simultaneously.
Or in the neighbouring zones, at least. For a moment I had a vision of the great hotel lobby of time Andrews had spoken of. Alarm bells clamoured as a line of porters shepherded the guests out on to the front concourse and a fire crew worked to extinguish a minor blaze in one of the bedrooms. The fire was soon put out, the loss adjusters called in to assess the damage. By the end of the evening the guests were back in the bar and it was business as usual.
I supposed that my escape route, if there had ever been one, was now cut off for good. Perhaps this should have bothered me but it didn’t. The more time passed, the more it was my old life that seemed unreal, a kind of nightmare aberration, a bad photocopy of reality rather than the master version. The world I now inhabited, for all its rough edges, felt more substantial.
I had no wish to return to the way things were. I uncorked a bottle of wine—the dreadful rough Burgundy that was all you could find in the shops at the time because of the flight embargo—and drank a silent toast to the unknown bombers. I thought of the soldiers in their rec room, their harmless card games and noisy camaraderie, and hoped they had been able to escape before the place went up.
It was not until some years later that I stumbled upon the picture of Owen Andrews. It was in a book someone had given me about the London watch trade, a reproduction of a nineteenth century daguerreotype that showed Andrews at his work bench. He was wearing a baggy white workman’s blouse and had his loupe on a leather cord around his neck.
The caption named him as Mr Edwin Andrews, the ‘miracle dwarf’ who had successfully perfected a number of new advancements in the science of mechanics and with particular reference to the Breguet tourbillon.
It was him, without a shadow of a doubt. I studied the picture, wondering what Andrews had made of being called a miracle dwarf. I supposed he would have had a good laugh.
The text that went with the picture said that Andrews had held a position in the physical sciences department at Oxford University but that he had resigned the post as the result of a disagreement with his superiors. He had come to London soon afterwards, setting up his own workshop in Southwark.
Sometimes, on those light summer evenings when I had finished all my appointments and had nothing better to do, I would make my way to Paddington and eat a leisurely supper in one of the bars or cafes on the station concourse. I watched the great steam locomotives as they came and went from the platforms, arriving and departing for towns in the north and west. A train came in from Oxford every half hour.
I knew it was futile to wait but I waited anyway. Andrews had said we would meet again and I somehow believed him. I sipped my drink and scanned the faces in the crowd, hoping that one of them one day would be the face of my friend.
CHOOSE YOUR OWN ADVENTURE
Kat Howard
The most dangerous moment in any story is the beginning.
As the story opens, every ending is equally possible, every path unwalked, every question not only unanswered, but unasked.
The unread story is infinite possibility. Yet the ending is already written, and though you be clever, though you be brave, there is no outwitting it.
Are you brave enough to begin? If so, turn to page 1. If not, remain safe. Close the book and return it to the shelf. No one will think any less of you.
This is the place you belong. Still, you are restless and lonely. You begin to explore your surroundings. At the western edge of the garden, there is a gate. Do you walk through?
If yes, turn to page 37. If no, turn to page 19.
This will prove to be a mistake.
You continue on.