Rudin

long dark barn. It was night and winter. Suddenly a little bird flew in at the open door and flew out again at the other. The king spoke and said that this bird is like man in the world; it flew in from darkness and out again into darkness, and was not long in the warmth and light.... 'King,' replies the oldest of the warriors, 'even in the dark the bird is not lost, but finds her nest.' Even so our life is short and worthless; but all that is great is accomplished through men. The consciousness of being the instrument of these higher powers ought to outweigh all other joys for man; even in death he finds his life, his nest.'

Rudin stopped and dropped his eyes with a smile of involuntary embarrassment.

'Vous etes un poete,' was Darya Mihailovna's comment in an undertone. And all were inwardly agreeing with her—all except Pigasov. Without waiting for the end of Rudin's long speech, he quietly took his hat and as he went out whispered viciously to Pandalevsky who was standing near the door:

'No! Fools are more to my taste.'

No one, however, tried to detain him or even noticed his absence.

The servants brought in supper, and half an hour later, all had taken leave and separated. Darya Mihailovna begged Rudin to remain the night. Alexandra Pavlovna, as she went home in the carriage with her brother, several times fell to exclaiming and marvelling at the extraordinary cleverness of Rudin. Volintsev agreed with her, though he observed that he sometimes expressed himself somewhat obscurely—that is to say, not altogether intelligibly, he added,—wishing, no doubt, to make his own thought clear, but his face was gloomy, and his eyes, fixed on a corner of the carriage, seemed even more melancholy than usual.

Pandalevsky went to bed, and as he took off his daintily embroidered braces, he said aloud 'A very smart fellow!' and suddenly, looking harshly at his page, ordered him out of the room. Bassistoff did not sleep the whole night and did not undress—he was writing till morning a letter to a comrade of his in Moscow; and Natalya, too, though she undressed and lay down in her bed, had not an instant's sleep and never closed her eyes. With her head propped on her arm, she gazed fixedly into the darkness; her veins were throbbing feverishly and her bosom often heaved with a deep sigh.

IV

The next morning Rudin had only just finished dressing when a servant came to him with an invitation from Darya Mihailovna to come to her boudoir and drink tea with her. Rudin found her alone. She greeted him very cordially, inquired whether he had passed a good night, poured him out a cup of tea with her own hands, asked him whether there was sugar enough in it, offered him a cigarette, and twice again repeated that she was surprised that she had not met him long before. Rudin was about to take a seat some distance away; but Darya Mihailovna motioned him to an easy chair, which stood near her lounge, and bending a little towards him began to question him about his family, his plans and intentions. Darya Mihailovna spoke carelessly and listened with an air of indifference; but it was perfectly evident to Rudin that she was laying herself out to please him, even to flatter him. It was not for nothing that she had arranged this morning interview, and had dressed so simply yet elegantly a la Madame Recamier! But Darya Mihailovna soon left off questioning him. She began to tell him about herself, her youth, and the people she had known. Rudin gave a sympathetic attention to her lucubrations, though—a curious fact—whatever personage Darya Mihailovna might be talking about, she always stood in the foreground, she alone, and the personage seemed to be effaced, to slink away in the background, and to disappear. But to make up for that, Rudin learnt in full detail precisely what Darya Mihailovna had said to a certain distinguished statesman, and what influence she had had on such and such a celebrated poet. To judge from Darya Mihailovna's accounts, one might fancy that all the distinguished men of the last five-and-twenty years had dreamt of nothing but how they could make her acquaintance, and gain her good opinion. She spoke of them simply, without particular enthusiasm or admiration, as though they were her daily associates, calling some of them queer fellows. As she talked of them, like a rich setting round a worthless stone, their names ranged themselves in a brilliant circlet round the principal name—around Darya Mihailovna.

Rudin listened, smoking a cigarette, and said little. He could speak well and liked speaking; carrying on a conversation was not in his line, though he was also a good listener. All men—if only they had not been intimidated by him to begin with—opened their hearts with confidence in his presence; he followed the thread of another man's narrative so readily and sympathetically. He had a great deal of good-nature—that special good-nature of which men are full, who are accustomed to feel themselves superior to others. In arguments he seldom allowed his antagonist to express himself fully, he crushed him by his eager, vehement and passionate dialectic.

Darya Mihailovna expressed herself in Russian. She prided herself on her knowledge of her own language, though French words and expressions often escaped her. She intentionally made use of simple popular terms of speech; but not always successfully. Rudin's ear was not outraged by the strange medley of language on Darya Mihailovna's lips, indeed he hardly had an ear for it.

Darya Mihailovna was exhausted at last and letting her head fall on the cushions of her easy-chair she fixed her eyes on Rudin and was silent.

'I understand now,' began Rudin, speaking slowly, 'I understand why you come every summer into the country. This period of rest is essential for you; the peace of the country after your life in the capital refreshes and strengthens you. I am convinced that you must be profoundly sensitive to the beauties of nature.'

Darya Mihailovna gave Rudin a sidelong look.

'Nature—yes—yes—of course.... I am passionately fond of it; but do you know, Dmitri Nikolaitch, even in the country one cannot do without society. And here there is practically none. Pigasov is the most intelligent person here.'

'The cross old gentleman who was here last night?' inquired Rudin.

'Yes.... In the country though, even he is of use—he sometimes makes one laugh.'

'He is by no means stupid,' returned Rudin, 'but he is on the wrong path. I don't know whether you will agree with me, Darya Mihailovna, but in negation—in complete and universal negation—there is no salvation to be found? Deny everything and you will easily pass for a man of ability; it's a well-known trick. Simple-hearted people are quite ready to conclude that you are worth more than what you deny. And that's often an error. In the first place, you can pick holes in anything; and secondly, even if you are right in what you say, it's the worse for you; your intellect, directed by simple negation, grows colourless and withers up. While you gratify your vanity, you are deprived of the true consolations of thought; life—the essence of life—evades your petty and jaundiced criticism, and you end by scolding and becoming ridiculous. Only one who loves has the right to censure and find fault.'

'Voila, Monsieur Pigasov enterre,' observed Darya Mihailovna. 'What a genius you have for defining a man! But Pigasov certainly would not have even understood you. He loves nothing but his own individuality.'

'And he finds fault with that so as to have the right to find fault with others,' Rudin put in.

Darya Mihailovna laughed.

''He judges the sound,' as the saying is, 'the sound by the sick.' By the way, what do you think of the baron?'

'The baron? He is an excellent man, with a good heart and a knowledge ... but he has no character... and he will remain all his life half a savant, half a man of the world, that is to say, a dilettante, that is to say, to speak plainly,—neither one thing nor the other. ... But it's a pity!'

'That was my own idea,' observed Darya Mihailovna. 'I read his article.... Entre nous... cela a assez peu de fond!'

'Who else have you here?' asked Rudin, after a pause.

Darya Mihailovna knocked off the ash of her cigarette with her little finger.

'Oh, there is hardly any one else. Madame Lipin, Alexandra Pavlovna, whom you saw yesterday; she is very sweet—but that is all. Her brother is also a capital fellow—un parfait honnete homme. The Prince Garin you know. Those are all. There are two or three neighbours besides, but they are really good for nothing. They either give themselves airs or are unsociable, or else quite unsuitably free and easy. The ladies, as you know, I see nothing of. There is one other of our neighbours said to be a very cultivated, even a learned, man, but a dreadfully queer creature, a whimsical character. Alexandrine, knows him, and I fancy is not indifferent to him.... Come, you ought to talk to her, Dmitri Nikolaitch; she's a sweet creature. She only