conscience, and turning to Sanin observed that his friend, Baron von Donhof, could not but recognise … that he had been … to a certain extent, to blame himself in the incident of the previous day, and would, therefore, be satisfied with slight apologies ('des exghizes lecheres.') To this Sanin replied that he did not intend to make any apology whatever, either slight or considerable, since he did not consider himself to blame. 'In that case,' answered Herr von Richter, blushing more than ever,' you will have to exchange friendly shots— des goups de bisdolet a l'amiaple!'

'I don't understand that at all,' observed Sanin; 'are we to fire in the air or what?'

'Oh, not exactly that,' stammered the sub-lieutenant, utterly disconcerted, 'but I supposed since it is an affair between men of honour … I will talk to your second,' he broke off, and went away.

Sanin dropped into a chair directly he had gone, and stared at the floor. 'What does it all mean? How is it my life has taken such a turn all of a sudden? All the past, all the future has suddenly vanished, gone,—and all that's left is that I am going to fight some one about something in Frankfort.' He recalled a crazy aunt of his who used to dance and sing:

  'O my lieutenant!

  My little cucumber!

  My little love!

  Dance with me, my little dove!'

And he laughed and hummed as she used to: 'O my lieutenant! Dance with me, little dove!' 'But I must act, though, I mustn't waste time,' he cried aloud—jumped up and saw Pantaleone facing him with a note in his hand.

'I knocked several times, but you did not answer; I thought you weren't at home,' said the old man, as he gave him the note. 'From Signorina Gemma.'

Sanin took the note, mechanically, as they say, tore it open, and read it. Gemma wrote to him that she was very anxious—about he knew what—and would be very glad to see him at once.

'The Signorina is anxious,' began Pantaleone, who obviously knew what was in the note, 'she told me to see what you are doing and to bring you to her.'

Sanin glanced at the old Italian, and pondered. A sudden idea flashed upon his brain. For the first instant it struck him as too absurd to be possible.

'After all … why not?' he asked himself.

'M. Pantaleone!' he said aloud.

The old man started, tucked his chin into his cravat and stared at

Sanin.

'Do you know,' pursued Sanin,' what happened yesterday?'

Pantaleone chewed his lips and shook his immense top-knot of hair.

'Yes.'

(Emil had told him all about it directly he got home.)

'Oh, you know! Well, an officer has just this minute left me. That scoundrel challenges me to a duel. I have accepted his challenge. But I have no second. Will you be my second?'

Pantaleone started and raised his eyebrows so high that they were lost under his overhanging hair.

'You are absolutely obliged to fight?' he said at last in Italian; till that instant he had made use of French.

'Absolutely. I can't do otherwise—it would mean disgracing myself for ever.'

'H'm. If I don't consent to be your second you will find some one else.'

'Yes … undoubtedly.'

Pantaleone looked down. 'But allow me to ask you, Signor de Tsanin, will not your duel throw a slur on the reputation of a certain lady?'

'I don't suppose so; but in any case, there's no help for it.'

'H'm!' Pantaleone retired altogether into his cravat. 'Hey, but that ferroflucto Kluberio—what's he about?' he cried all of a sudden, looking up again.

'He? Nothing.'

'Che!' Pantaleone shrugged his shoulders contemptuously. 'I have, in any case, to thank you,' he articulated at last in an unsteady voice 'that even in my present humble condition you recognise that I am a gentleman—un galant'uomo! In that way you have shown yourself to be a real galant'uomo. But I must consider your proposal.'

'There's no time to lose, dear Signor Ci … cippa …'

'Tola,' the old man chimed in. 'I ask only for one hour for reflection…. The daughter of my benefactor is involved in this…. And, therefore, I ought, I am bound, to reflect!… In an hour, in three-quarters of an hour, you shall know my decision.'

'Very well; I will wait.'

'And now … what answer am I to give to Signorina Gemma?'

Sanin took a sheet of paper, wrote on it, 'Set your mind at rest, dear friend; in three hours' time I will come to you, and everything shall be explained. I thank you from my heart for your sympathy,' and handed this sheet to Pantaleone.

He put it carefully into his side-pocket, and once more repeating 'In an hour!' made towards the door; but turning sharply back, ran up to Sanin, seized his hand, and pressing it to his shirt-front, cried, with his eyes to the ceiling: 'Noble youth! Great heart! (Nobil giovanotto! Gran cuore!) permit a weak old man (a un vecchiotto!) to press your valorous right hand (la vostra valorosa destra!)' Then he skipped back a pace or two, threw up both hands, and went away.

Sanin looked after him … took up the newspaper and tried to read.

But his eyes wandered in vain over the lines: he understood nothing.

XVIII

An hour later the waiter came in again to Sanin, and handed him an old, soiled visiting-card, on which were the following words: 'Pantaleone Cippatola of Varese, court singer (cantante di camera) to his Royal Highness the Duke of Modena'; and behind the waiter in walked Pantaleone himself. He had changed his clothes from top to toe. He had on a black frock coat, reddish with long wear, and a white pique waistcoat, upon which a pinch-beck chain meandered playfully; a heavy cornelian seal hung low down on to his narrow black trousers. In his right hand he carried a black beaver hat, in his left two stout chamois gloves; he had tied his cravat in a taller and broader bow than ever, and had stuck into his starched shirt-front a pin with a stone, a so-called 'cat's eye.' On his forefinger was displayed a ring, consisting of two clasped hands with a burning heart between them. A smell of garments long laid by, a smell of camphor and of musk hung about the whole person of the old man; the anxious solemnity of his deportment must have struck the most casual spectator! Sanin rose to meet him.

'I am your second,' Pantaleone announced in French, and he bowed bending his whole body forward, and turning out his toes like a dancer. 'I have come for instructions. Do you want to fight to the death?'

'Why to the death, my dear Signor Cippatola? I will not for any consideration take back my words—but I am

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