President comes from this part of France and takes a personal interest in Lascaux. But you are right, let us wait and see what these officials want to do. In the meantime, I want to come to London tomorrow to see the piece. I can hardly give anyone a serious opinion from just your photos. I can get an early flight from Perigueux to Paris and be at your office before lunch. Will that be O.K.?”
It was, of course. But then Lydia had to think about explaining this sudden international incident that she had unleashed to her department head, to the legal department, and probably to a director or two. And all of them would be glumly aware that none of this fuss and bother would have the least financial benefit to the auction house. Ten minutes with the legal department left her convinced that this could become an expensive mess for the company. There was no sale in view, only embarrassment.
She rose, and then checked herself. That would never do. She would have to think positively. What was Clothilde saying about Horst suspecting that an undiscovered cave could be just the break he needed? Perhaps the break could benefit her and the auction house. After all, she had been the one who first identified the rock as a possible example of Lascaux art. The publicity department could certainly do something with it. She picked up the phone to call them, but checked herself again. She should at least call Manners. It was his rock. She looked at the card he had left her, with a country phone number that gave no reply. The London address was the Cavalry Club, and when she rang she learned that he was Major Manners, and he was summoned from the bar. He sounded pleased to hear from her.
“It looks like the real thing,” she told him. “Two of the top experts in Europe are coming in this week to look at it on the basis of the photos I sent them. They both think it is from the Lascaux time and period. One suspects that it comes from an undiscovered cave. The other thinks it comes from part of a known cave that has not yet been fully explored. But I think you’ll find the French authorities very determined to recover it, since they are convinced it comes from one of their caves.”
“You have been working fast, Miss Dean. I’m very grateful to you, and think I owe you that lunch I offered. But when you said the French are very determined, you sounded a touch ominous.”
“Well, Mr. Manners, the French museum experts naturally told the Ministry of Culture, who are considering their legal position. They would have to show that your rock came from France, and while most experts would probably agree that it does, there must be some doubt about that so long as they cannot point to the cave from which it is supposed to have come. Then they have to show that it was removed from France at a time when it would have been against the law to do so. And if your father obtained it in 1944, there was then no such law in France. And as the Dordogne region was then territory under German military control, different courts might find that your father’s souvenir is legitimate war booty, or legally the property of the British Army. Our own legal department says it’s a bit confused. It is clearly in your hands, and you are equally clearly blameless. This is a case where possession is a large part of the law.”
“Do I need a lawyer?”
“I think you might want some legal advice. If you want to hang on to the painting, you’d find that fighting this kind of case could be expensive. But you may want a lawyer who can negotiate a settlement, or our auction house can act for you. If the French calculate the costs, they will find an uncertain legal action far more expensive than paying you a finder’s fee or an honorarium.”
“What sort of sum might that be?”
“Negotiable. But if the French are convinced that it is real and they want it, they may be persuaded to offer ten thousand pounds or so. Perhaps rather more.”
“If you were to act for me, your commission would be what?”
“The standard rate is twenty percent. But that would be the firm’s commission. It’s the firm’s expertise you would be hiring.”
“What if I were to hire someone privately to act for me?”
“Still twenty percent. I can give you the names of some good independent agents.”
“I’ve got one. The deal is done. You are appointed my agent. I’m quite happy for it to go back to the Frogs, but the more they can be induced to pay, the better. And now you really must let me buy you lunch.”
“Thank you, but probably not this week, which promises to be rather hectic. And I couldn’t just take off my company hat and act for you privately. It doesn’t work like that. Now, how do you feel about publicity? I think it might help. Sensational find, British war hero, that kind of thing. Since we both know that we want the painting to go back to France, what we want to do now is jack the price up, which is where publicity comes in.”
“Fine by me. It’s in your charming hands, Miss Dean. But take care of the dear old rock for me, and get the best price you can. And I’ll see you on Friday at twelve, and possibly your European experts too.”
She rang down for a janitor to take the rock to the strong room, filled in the deposit slip, and where it asked for an estimated value, she boldly scrawled “ten thousand pounds.” She saw it removed and signed for, and then feeling far more confident than she had for some weeks, walked into Justin’s office without knocking to inform him that she might just have the publicity coup he had been looking for. Finally, after a busy half hour with Justin, a lawyer, the publicity manager, and two interested directors, she left them telling the janitor that they wanted the rock brought back up so they could all look at it, while Lydia went off to ring the Arts correspondent of
Clothilde Daunier stood five feet tall, with an extra three inches for a splendid skein of auburn hair piled atop her head so carelessly that the cut must have been expensive, and she was dressed to match. She had a bustling manner, a wide grin, and despite some envy at her clothes, Lydia liked her at once.
“I expected you to bring the French ambassador, the Foreign Legion, and half the lawyers in Paris,” she began, pouring coffee. Lydia’s tone was friendly and confident after the compliments she had heard from her colleagues that morning. One of the directors had come up to Lydia’s attic to congratulate her on the excellent publicity, so she was feeling highly confident about her job.
“I am sure they will come if required,” laughed Clothilde, and rummaged into a deep Hermes bag to bring out a bottle and a small glass jar, sealed with rubber. “For you, some foie gras from Perigord, and a bottle of Monbazillac to drink with it. Forget your English rules about leaving sweet wines till the end of your meal and drink it slightly chilled with the foie gras.”
She sat down, brought a thin file of photos and photocopies from the bag, lit a Marlboro before Lydia could explain about the No Smoking rule, and said, “You know I worked with Monique Peytral, the artist who reconstructed all the paintings at Lascaux?” Lydia shook her head. She knew the precise and life-size copy of the original cave, built to protect the original from the damaging microbes and carbon dioxide brought in and breathed out by an endless trail of visitors.
“I was the technical adviser on the project, re-creating the Hall of the Bulls and the Axial Gallery. We did a good job, and half the tourists who come have no idea that they are seeing a very clever copy. But what this really means is that everything at Lascaux is engraved onto my brain. I know it very well, and your bull is a Lascaux bull. Your row of dots are Lascaux dots, from a common Lascaux design. This rock is probably from Lascaux artists. I would almost swear to it-except that the bull is so small. I have no idea where it is from. We surveyed that cave fully. There are no unexplored parts to it, and I know your rock does not come from the Lascaux cave. So it may be a copy, just like the ones Monique made, or Horst may be right and it comes from a cave we do not know about. That would be revolutionary. Or it comes from one of several caves nearby, which would be very interesting to a few scholars, but a lot less dramatic. Unless, of course, your rock was surrounded by similar paintings and we have a whole new cave gallery we never knew about. All these things are possible, but first I must see it.”
Lydia rang down to the janitors’ department, asked for the painting to be brought up, and in the meantime handed to Clothilde a copy of that day’s
“Who signed for it?” Lydia asked, irritated.
“Mr. Justin did, miss,” came the reply. “He just kept it up there, and it was never checked in here again last night. It must still be with him.”
