turned the flagstones into shiny mirrors. A chill breeze on that mid-autumn night sent the other people back into their houses, and if not for the effects of the alcohol, Yu Yichi would not have come outside either. Streets on which people had swarmed like ants were now transformed into scenes of tranquillity, invaded only by insect chirps, like razor-sharp darts that could pierce brass walls and iron barriers. The cool breeze blew across Yu’s protruding belly, bringing him a sense of bliss. Gazing up at sweet pomegranates, big and small, and shaped like flower petals, he was about to fall asleep when suddenly he felt his scalp tighten and goose bumps erupt all over his body. His sleepiness disappeared in a flash and his body froze in paralysis – as if a kung-fii master had punched him in the solar plexus; of course, his mind remained clear and his eyes took in everything. A black donkey appeared on the street as if it had fallen from Heaven. It was a pudgy little animal whose body emitted light, as if it were made of wax. It rolled around on the street a time or two, then stood up and shook its body, as if trying to rid itself of non- existent dust. Then it jumped into the air, its tail raised, and started to run. It galloped from the eastern end of the street to the western end, and back, three round trips in all, so fast it was like a puff of black smoke. The crisp sound of its hooves drowned out the chirping of autumn insects. When it stopped and stood still in the middle of the street, the chirping recommenced. That is when Yu Yichi heard the barking of dogs in the dog market, the lowing of calves on Oxen Street, the bleating of lambs in Sheep Alley, the whinnying of ponies in Horse Lane, and the screeches of chickens from far and near:
Hours passed, until Yu Yichi’s eyes were sore and weary, but the little donkey stood stock-still in the middle of the street, like a statue. Then, without warning, all the dogs in Liquorland erupted in a frenzy of barking – off in the distance, of course – snapping Yu Yichi out of his trancelike state, just in time for him to hear approaching footsteps on roof tiles and to see, almost immediately after that, a dark figure floating down over the street from a nearby rooftop; it settled onto the waiting back of the black donkey, which sprang to life and galloped off like the wind. Now, as a dwarf, Yu Yichi had not been given a chance to attend school, but as someone born into an educated family – his father had been a professor, his grandfather an imperial licentiate, and in generations past there were scholars who had passed the imperial examinations and were members of the Hanlin Academy – he had committed thousands of Chinese characters to memory and had read widely and eclectically. The scene he had just witnessed reminded him of a Tang dynasty tale about a shadowy knight-errant; from there his thoughts turned more philosophical: Even with the rapid developments in science, there exist countless phenomena that defy explanation. He tested his body: In spite of lingering stiffness here and there, he could still move. He felt his belly – it was wet, the effects of a cold sweat. Back when the dark figure was floating earthward, aided by the light of the moon, Yu Yichi had perceived that it was a young man, quite small in stature, his body covered in scaly skin that glinted in the moonlight. He held a willow-leaf dagger in his teeth, and had a bundle strapped to his back…
Dear readers, I can almost hear you grumbling: Why don’t you stop running off at the mouth and take us to a tavern somewhere instead of having us circle Donkey Avenue over and over! Your grumblings are excellent, right on target, hit the nail right on the head. So let’s pick up the pace, step lively; forgive me if I don’t point out all the shops here on Donkey Avenue, even though there’s a story behind them all, and even though each one of them has its unique calling. I’ll shut up, no matter how much it pains me to do so. And so, let us ignore all those donkeys staring at us from both sides of the street and set our sights on our objectives. There are two types of objectives: major and minor. Our major objective is to march toward communism, where the ruling ideology is ‘from each according to his abilities, to each according to his needs.’ But if we march toward the end of Donkey Avenue, to an old pomegranate tree, we will reach our minor objective: the Yichi Tavern. Why, you ask, is it called Yichi Tavern? Listen up, and I’ll tell you.
The tavern’s proprietor, Yu Yichi (Twelve-inch Yu), is actually seventeen inches tall; like all dwarfs, he has never revealed his age to anyone, and trying to guess it would be folly. Within the memory of Donkey Avenue, this agreeable, amiable little dwarf has not changed his appearance or attitude in decades. He always returns looks of shock and amazement with sweet smiles. They are such charming, disarming smiles they tug at your heart and spawn feelings of sympathy you never knew you had. Yu Yichi makes a good living almost exclusively on the charm of these smiles. Coming from an intellectual family, he is very learned, with an array of knowledge on which he draws to entertain people on Donkey Avenue with his witty remarks. How unthinkably lonely and boring Donkey Avenue would be without Yu Yichi, who could actually lead a life of leisure with his natural talent alone. But being ambitious, he refused to settle for handouts, and took advantage of the winds of reform and liberalization to apply for a business license. He then produced a wad of money he’d been saving since who knew when and hired someone to remodel his old house for Yichi Tavern, which has become famous all over Liquorland. Yu Yichi’s many ingenious ideas may well have been inspired by the classical novel
My honored friends, we are now standing outside Yichi Tavern. Please glance up at the gilded characters on the black signboard, each bursting with energy, like spirited dragons and lively tigers. This is the work of Liu Banping – Half-Bottle Liu – a famous calligrapher whose name tells of a true master who can’t write without drinking half a bottle of good, strong liquor. Two pocket-sized waitresses, less than two feet tall, stand beside the door, one on each side, embroidered sashes across their chests and smiles on their faces. They are twins, who, after reading Yu Yichi’s ad in the
The two fairies of noble blood bow to us and smile radiantly. They have lovely faces and well-proportioned