there.

Wide shoulders, long arms and she sleeps succinctly curled into a ball as if she were cradling her spine in her tail. Nothing about her is human except that she is not a wolf; it is as if the fur she thought she wore had melted into her skin and become part of it, although it does not exist. Like the wild beasts, she lives without a future. She inhabits only the present tense, a fugue of the continuous, a world of sensual immediacy as without hope as it is without despair.

When they found her in the wolf's den beside the bullet-riddled corpse of her foster mother, she was no more than a little brown scrap so snarled in her own brown hair they did not, at first, think she was a child but a cub; she snapped at her would-be saviours with her spiky canines until they tied her up by force. She spent her first days amongst us crouched stockstill, staring at the whitewashed wall of her cell in the convent to which they took her. The nuns poured water over her, poked her with sticks to rouse her. Then she might snatch bread from their hands and race with it into a corner to mumble it with her back towards them; it was a great day among the novices when she learned to sit up on her hind legs and beg for a crust.

They found that, if she were treated with a little kindness, she was not intractable. She learned to recognize her own dish; then, to drink from a cup. They found that she could quite easily be taught a few, simple tricks but she did not feel the cold and it took a long time to wheedle a shift over her head to cover up her bold nakedness. Yet she always seemed wild, impatient of restraint, capricious in temper; when the Mother Superior tried to teach her to give thanks for her recovery from the wolves, she arched her back, pawed the floor, retreated to a far corner of the chapel, crouched, trembled, urinated, defecated--reverted entirely, it would seem, to her natural state. Therefore, without a qualm, this nine days' wonder and continuing embarrassment of a child was delivered over to the bereft and unsanctified household of the Duke.

Deposited at the castle, she huffed and snuffed and smelled only a reek of meat, not the least whiff of sulphur, nor of familiarity. She settled down on her hunkers with that dog's sigh that is only the expulsion of breath and does not mean either relief or resignation.

The Duke is sere as old paper; his dry skin rustics against the bed-sheets as he throws them back to thrust out his thin legs scabbed with old scars where thorns scored his pelt. He lives in a gloomy mansion, all alone but for this child who has as little in common with the rest of us as he does. His bedroom is painted terracotta, rusted with a wash of pain, like the interior of an Iberian butcher's shop, but for himself, nothing can hurt him since he ceased to cast an image in the mirror.

He sleeps in an antlered bed of dull black wrought iron until the moon, the governess of transformations and overseer of somnambulists, pokes an imperative finger through the narrow window and strikes his face: then his eyes start open.

At night, those huge, inconsolable, rapacious eyes of his are eaten up by swollen, gleaming pupil. His eyes see only appetite. These eyes open to devour the world in which he sees, nowhere, a reflection of himself; he passed through the mirror and now, henceforward, lives as if upon the other side of things.

Spilt, glistering milk of moonlight on the frost-crisped grass; on such a night, in moony, metamorphic weather, they say you might easily find him, if you had been foolish enough to venture out late, scuttling along by the churchyard wall with half a juicy torso slung across his back. The white light scours the fields and scours them again until everything gleams and he will leave paw-prints in the hoar-frost when he runs howling round the graves at night in his lupine fiestas.

By the red early hour of midwinter sunset, all the doors are barred for miles. The cows low fretfully in the byre when he goes by, the whimpering dogs sink their noses in their paws. He carries on his frail shoulders a weird burden of fear; he is cast in the role of the corpse-eater, the body-snatcher who invades the last privacies of the dead. He is white as leprosy, with scrabbling fingernails, and nothing deters him. If you stuff a corpse with garlic, why, he only slavers at the treat: cadavre provencale. He will use the holy cross as a scratching post and crouch above the font to thirstily lap up holy water.

She sleeps in the soft, warm ashes of the hearth; beds are traps, she will not stay in one. She can perform the few, small tasks to which the nuns trained her, she sweeps up the hairs, vertebrae and phalanges that litter his room into a dustpan, she makes up his bed at sunset, when he leaves it and the grey beasts outside howl, as if they know his transformation is their parody. Unkind to their prey, to their own they are tender; had the Duke been a wolf, they would have angrily expelled him from the pack, he would have had to lollop along miles behind them, creeping in submission on his belly up to the kill only after they had eaten and were sleeping, to gnaw the well- chewed bones and chew the hide. Yet, suckled as she was by wolves on the high uplands where her mother bore and left her, only his kitchen maid, who is not wolf or woman, knows no better than to do his chores for him.

She grew up with wild beasts. If you could transport her, in her filth, rags and feral disorder, to the Eden of our first beginnings where Eve and grunting Adam squat on a daisy bank, picking the lice from one another's pelts, then she might prove to be the wise child who leads them all and her silence and her howling a language as authentic as any language of nature. In a world of talking beasts and flowers, she would be the bud of flesh in the kind lion's mouth: but how can the bitten apple flesh out its scar again?

Mutilation is her lot; though, now and then, she will emit an involuntary rustle of sound, as if the unused chords in her throat were a wind-harp that moved with the random impulses of the air, her whisper, more obscure than the voices of the dumb.

Familiar desecrations in the village graveyard. The coffin had been ripped open with the abandon with which a child unwraps a gift on Christmas morning and, of its contents, not a trace could be found but for a rag of the bridal veil in which the corpse had been wrapped that was caught, fluttering, in the brambles at the churchyard gate so they knew which way he had taken it, towards his gloomy castle.

In the lapse of time, the trance of being of that exiled place, this girl grew amongst things she could neither name nor perceive. How did she think, how did she feel, this perennial stranger with her furred thoughts and her primal sentience that existed in a flux of shifting impressions; there are no words to describe the way she negotiated the abyss between her dreams, those wakings strange as her sleepings. The wolves had tended her because they knew she was an imperfect wolf; we secluded her in animal privacy out of fear of her imperfection because it showed us what we might have been, and so time passed, although she scarcely knew it. Then she began to bleed.

Her first blood bewildered her. She did not know what it meant and the first stirrings of surmise that ever she felt were directed towards its possible cause. The moon had been shining into the kitchen when she woke to feel the trickle between her thighs and it seemed to her that a wolf who, perhaps, was fond of her, as wolves were, and who lived, perhaps, in the moon? must have nibbled her cunt while she was sleeping, had subjected her to a series of affectionate nips too gentle to wake her yet sharp enough to break the skin. The shape of this theory was blurred yet, out of it, there took root a kind of wild reasoning, as it might have from a seed dropped in her brain off the foot of a flying bird.

The flow continued for a few days, which seemed to her an endless time. She had, as yet, no direct notion of past, or of future, or of duration, only of a dimensionless, immediate moment. At night, she prowled the empty house looking for rags to sop the blood up; she had learned a little elementary hygiene in the convent, enough to know how to bury her excrement and cleanse herself of her natural juices, although the nuns had not the means to inform her how it should be, it was not fastidiousness but shame that made her do so.

She found towels, sheets and pillowcases in closets that had not been opened since the Duke came shrieking into the world with all his teeth, to bite his mother's nipple off and weep. She found once-worn ball dresses in cobwebbed wardrobes, and, heaped in the corners of his bloody chamber, shrouds, nightdresses and burial clothes that had wrapped items on the Duke's menus. She tore strips of the most absorbent fabrics to clumsily diaper herself. In the course of these prowlings, she bumped against that mirror over whose surface the Duke passed like a wind on ice.

First, she tried to nuzzle her reflection; then, nosing it industriously, she soon realized it gave out no smell. She bruised her muzzle on the cold glass and broke her claws trying to tussle with this stranger. She saw, with irritation, then amusement, how it mimicked every gesture of hers when she raised her forepaw to scratch herself or dragged her bum along the dusty carpet to rid herself of a slight discomfort in her hindquarters. She rubbed her head against her reflected face, to show that she felt friendly towards it, and felt a cool, solid, immovable surface between herself and she--some kind, possibly, of invisible cage? In spite of this barrier, she was lonely enough to ask this creature to try to play with her, baring her teeth and grinning; at once she received a reciprocal invitation. She rejoiced; she began to whirl round on herself, yapping exultantly, but, when she retreated from the mirror, she

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