Here he shows us that quite a bit more than just beauty can be in the eye of the beholder…
Clarissa Fall is heading, for central London to see the lights, bumping along the potholed roads at five miles an hour in her electric invalid car, oblivious to the honking horns, the cars queuing behind her, the angry shouts… How many times has she been warned? How many times has she been humiliated? But she must see the lights.
'When I was a little girl there were still physical lights in Piccadilly Circus,' she's telling everyone she can. 'I remember my father taking me. They were the most wonderful thing I'd ever seen.'
She'd always been odd. There was that business when she cut holes in the wildlife fence to let the animals into the city. There were those young consensual tear-aways she used to insist on bringing home. But things really started getting bad when her husband Terence died, leaving her alone in that big old house by the perimeter, that big fake chateau with its empty fountains and those icy lights that lit it up at night like Dracula's castle. I suppose it was loneliness, though god knows when Terence was alive he and Clarissa never seemed to do anything but fight.
'I am two hundred years old, you know,' she kept saying now. 'I am the very last physical human being in London.'
Neither of these were true, of course, but she was certainly very old and it was certainly the case that she could go for days and even weeks without seeing another physical person. There really weren't many of us left by now and most of us had congregated for mutual support in a couple of clusters in the South London suburbs. No one lived within five miles of Clarissa's phoney chateau on the northern perimeter and no one was much inclined to go and see her. She'd always been histrionic and self-obsessed, and now she was downright crazy. What's more - and most of us found this particularly unforgivable -she drew unwelcome attention onto us physicals, both from the consensuals, who already dislike us and call us 'outsiders' and 'spooks/ and from the hidden authorities in the Hub.
Her trouble was that she didn't really feel at home in either world, physical or consensual. The stiff arthritic dignity of the physicals repelled her. She thought us stuffy and smug and she despised our assumption that our own experience was uniquely authentic and true.
'Would you rather the world itself ended than admit the possibility that there may be other kinds of life apart from ours?' she once demanded.
But really, although she always insisted to us that it wasn't so, she was equally disgusted by the superficiality of the consensuals, their uncritical willingness to accept as real whatever the Hub chose to serve up, their lack of curiosity, their wilful ignorance of where they came from or what they really were. While she might criticise us physicals, she never seriously considered the possibility of giving up her own physical being and joining the consensuals with their constructed virtual bodies. And this meant that she would still always be an Outsider to them.
She may have felt at home with no one but she became a nuisance to everyone - physical and consensual-as a result of her forays into the city. At first she went on foot. Then, when she became too frail, she got hold of that little invalid car, a vehicle which the consensuals of North London would soon come to know and hate. Bumping slowly along the crumbling physical roads she would switch off her Field implant so as not to be deceived by the smooth virtual surface, but this meant that she couldn't see or hear the consensual traffic going by either. She could see only the empty buildings and the cracked and pockmarked surface of the empty road. Consensual drivers just had to cope as best they could with her wanderings back and forth.
When she parked her car, though, she always turned her implant on again. This of course instantly transformed empty ruined physical London into the lively metropolis that was the Urban Consensual Field, a virtual city in imitation of London as it once was, superimposed by the Hub over what London had become. Clarissa could still just remember those old days: the crowds, the fumes, the lights, the noise, the hectic life of a city in which, bizarrely, it still seemed feasible for millions of physical human beings to casually consume what they wanted of the physical world's resources, and casually discard what they didn't. And she craved that bustle and that life, she craved it desperately.
We all had Field implants, of course. They were a necessity for dealing with a civilisation that had become, whether we liked it or not, primarily digital. Spliced into our nervous system, they allowed consensual constructs to be superimposed over our perceptions of the material world, so that we could see the same world that the consensuals saw, hear what they heard and, to a limited degree, touch what they touched. The rest of us invariably took the position that we didn't like having to deal with the consensual world, but it was sometimes a necessary evil. But for Clarissa it was different. When she switched on her implant it wasn't a matter of practical necessity for her, it was more like injecting heroin into an artery. All at once there were people all around her, there was life, there were shop windows and market stalls piled high with colourful merchandise, and the dizzying suddenness of it was like the hit of a powerful drug.
But this drug wasn't the Field, it was the moment of crossing over. After that first moment the experience never lived up to its initial promise, for however hard Clarissa tried, the consensual world shut her out. And she did try. She spent hours in the consensual city outside shops and in parks and on street corners making rather pathetic efforts to engage people in conversation, but most people avoided her and some made no secret of their contempt. It was true that a few kind souls suppressed their revulsion at her age and her physicality and briefly allowed her the illusion that she had made a friend, but it was only out of kindness. Even apart from being an Outsider she really wasn't good company. She talked too much; she didn't listen; and, what was worse, however much she might criticise her fellow Outsiders for our existential snobbery, she herself was as much of a snob as any of us and a lot less inhibited about it. She could never resist pointing out to consensuals the shallow and illusory nature of their existence: 'You're so very nice dear. It's such a pity that you're not really here.'
Usually she found herself alone in a kind of lacuna, with people moving aside to pass her by at a safe distance. And in these situations she would often become distressed and start to rant and shout: 'You're not real you know! You're just bits of nervous tissue plugged into a computer! You're far away from here and the computer is sending you pictures of the real London with all this consensual nonsense superimposed on top of it!'
Terence used to talk like that a lot when he was alive, as haughty old physicals tended to do, but in those days Clarissa always used to criticise him for it: 'Who's to say our world is more real than theirs?' I remember her demanding of him at one of the physical community's periodic gatherings.
The two of them on opposite sides of a large dining table laden with silver and cut glass. Terence declined to answer. Everyone in the room was willing Clarissa to shut up and let them return to their customary state of numbness. 'Come on Terence, who's to say?' she insisted. 'At least consensuals engage with life and with one another.' She glared up and down the table. 'And what do you think would be left of us if we stripped away everything that had come from outside ourselves, everything that other people had made? We'd be naked. We'd be gibbering imbeciles. Think about it. Even when we talk to ourselves inside our own heads, we use words that other people gave us.'
But that was then. Now it seemed that Terence had been speaking all along on behalf of a side of Clarissa's own self.
'Don't look at me like that!' she'd scold the consensuals when they pointed and laughed at her, 'You sold your true bodies for the illusion of youth and plenty, but I am real!'
Sometimes, in the middle of one of these rants, she would defiantly turn off her Field implant, making the people and the traffic disappear from her view, houses become empty shells again and all the shop windows with their cheerful displays turn back into hollow caves: 'I can't even see you, you know!' she shouted, knowing that the consensuals could nevertheless still see her, for sensors across the city pick up the sights and sounds and textures of everything physical and this becomes the matrix within which the consensual city is built. They had no choice but to see her. 'I'm in the real world and I can't see you at all. That's how unreal you are. I can turn you off with a flick of a switch.'
But though she might like telling the consensuals they didn't really exist, their opinion mattered to her desperately and she couldn't resist turning the implant on again to see what impact she was having. (I've never known anyone who turned an implant on and off as often as Clarissa did.) Almost invariably they would all be carefully ignoring her.
It was in these moments, when she had thrown a tantrum and discovered that no one was impressed, that things could get out of control. Once, a month or so before her trip to Piccadilly Circus, she found she could get no one to pay attention to her in the streets outside Walthamstow underground station. Rather than admit defeat, she insisted instead on going right down the stairs, arthritic and unsteady as she was, and waiting on the Southbound
