Victoria Albert Museum Picture Library, London
Victoria Albert Museum Picture Library, London
Victoria Albert Museum Picture Library, London
6. Scvthian figures: late nineteenth-centurv archaeological engraving
6. Scvthian figures: late nineteenth-centurv archaeological engraving
6. Scvthian figures: late nineteenth-centurv archaeological engraving
List of Illustrations and Photographic Acknowledgements
List of Illustrations and Photographic Acknowledgements
List of Illustrations and Photographic Acknowledgements
7. Anna Akhmatova at the Fountain House. Copyright © Museum of Anna Akhmatova in the
7. Anna Akhmatova at the Fountain House. Copyright © Museum of Anna Akhmatova in the
7. Anna Akhmatova at the Fountain House. Copyright © Museum of Anna Akhmatova in the
8. Igor and Vera Stravinsky arriving at Sheremetevo Airport in Moscow, 21 September 1962
8. Igor and Vera Stravinsky arriving at Sheremetevo Airport in Moscow, 21 September 1962
8. Igor and Vera Stravinsky arriving at Sheremetevo Airport in Moscow, 21 September 1962
1. Shifting the huge granite rock for the pedestal of The Bronze Horseman. Engraving af
1. Shifting the huge granite rock for the pedestal of The Bronze Horseman. Engraving af
1. Shifting the huge granite rock for the pedestal of The Bronze Horseman. Engraving af
2. Seventeenth-century Muscovite costumes. Engraving from Adam Olearius, Travels to Mu
2. Seventeenth-century Muscovite costumes. Engraving from Adam Olearius, Travels to Mu
2. Seventeenth-century Muscovite costumes. Engraving from Adam Olearius, Travels to Mu
3. The Sheremetev theatre at Ostankino. Photograph copyright © William C. Brumfield.
3. The Sheremetev theatre at Ostankino. Photograph copyright © William C. Brumfield.
3. The Sheremetev theatre at Ostankino. Photograph copyright © William C. Brumfield.
4. Gerard de la Barthe: A Cure Bath in Moscow, 1790. Pushkin Museum, Moscow (photo: AKG Lon
4. Gerard de la Barthe: A Cure Bath in Moscow, 1790. Pushkin Museum, Moscow (photo: AKG Lon
4. Gerard de la Barthe: A Cure Bath in Moscow, 1790. Pushkin Museum, Moscow (photo: AKG Lon
5. The ‘peasant prince’: Sergei Volkonsky in Irkutsk. Daguerreotype by A. Lavignon, 1845
5. The ‘peasant prince’: Sergei Volkonsky in Irkutsk. Daguerreotype by A. Lavignon, 1845
5. The ‘peasant prince’: Sergei Volkonsky in Irkutsk. Daguerreotype by A. Lavignon, 1845
6. Alexei Venetsianov: Cleaning Beetroot, 1820. Copyright © 2002, State Russian Museum
6. Alexei Venetsianov: Cleaning Beetroot, 1820. Copyright © 2002, State Russian Museum
6. Alexei Venetsianov: Cleaning Beetroot, 1820. Copyright © 2002, State Russian Museum
7. A wet nurse in traditional Russian dress. Early-twentieth-century photograph. Privat
7. A wet nurse in traditional Russian dress. Early-twentieth- century photograph. Privat
7. A wet nurse in traditional Russian dress. Early-twentieth-century photograph. Privat
The Russian Empire: A Portrait in Photographs
8. Monument to the millennium of Russia in the square in front of St Sophia’s Cathedral, N
8. Monument to the millennium of Russia in the square in front of St Sophia’s Cathedral, N
8. Monument to the millennium of Russia in the square in front of St Sophia’s Cathedral, N
9. Maria Volkonsky and her son Misha. Daguerreotype, 1862. Reproduced from Christine Su
9. Maria Volkonsky and her son Misha. Daguerreotype, 1862. Reproduced from Christine Su
9. Maria Volkonsky and her son Misha. Daguerreotype, 1862. Reproduced from Christine Su
The Princess of Siberia: The Story of Maria Volkonsky and the Decembrist Exiles
10. Etienne-Maurice Falconet: The Bronze Horseman. Monument to Peter the Great, 1782 (p
10. Etienne-Maurice Falconet: The Bronze Horseman. Monument to Peter the Great, 1782 (p
10. Etienne-Maurice Falconet: The Bronze Horseman. Monument to Peter the Great, 1782 (p
11. Viktor Gartman: design tor the Kiev city gate (photo: Novosti/ Bridgeman Art Library,
11. Viktor Gartman: design tor the Kiev city gate (photo: Novosti/ Bridgeman Art Library,
11. Viktor Gartman: design tor the Kiev city gate (photo: Novosti/ Bridgeman Art Library,
12. Vladimir Shervud: Russian Museum, Red Square, Moscow. Photograph, early 1900s (photo
12. Vladimir Shervud: Russian Museum, Red Square, Moscow. Photograph, early 1900s (photo
12. Vladimir Shervud: Russian Museum, Red Square, Moscow. Photograph, early 1900s (photo
13. Ilia Repin: sketches for The Volga Barge Haulers, 1870. National Gallery, Prague
13. Ilia Repin: sketches for The Volga Barge Haulers, 1870. National Gallery, Prague
13. Ilia Repin: sketches for The Volga Barge Haulers, 1870. National Gallery, Prague
14. Tolstoy’s estate at Yasnaya Polyana. Late-nineteenth-century photograph
14. Tolstoy’s estate at Yasnaya Polyana. Late- nineteenth-century photograph
14. Tolstoy’s estate at Yasnaya Polyana. Late-nineteenth-century photograph
15. Elena Polenova: ‘Cat and Owl’ carved door, Abramtsevo workshop, early 1890s. Courtes
15. Elena Polenova: ‘Cat and Owl’ carved door, Abramtsevo workshop, early 1890s. Courtes
15. Elena Polenova: ‘Cat and Owl’ carved door, Abramtsevo workshop, early 1890s. Courtes
16. Church at Abramtsevo. Designed by Viktor Vasnetsov, 1881-2. Photograph copyright © Wi
16. Church at Abramtsevo. Designed by Viktor Vasnetsov, 1881-2. Photograph copyright © Wi
16. Church at Abramtsevo. Designed by Viktor Vasnetsov, 1881-2. Photograph copyright © Wi
17. Gusli player. Reproduced from Chloe Oblensky, The Russian Empire: A Portrait in Pho
17. Gusli player. Reproduced from Chloe Oblensky, The Russian Empire: A Portrait in Pho
17. Gusli player. Reproduced from Chloe Oblensky, The Russian Empire: A Portrait in Pho
The Russian Empire: A Portrait in Photographs
18. Nikolai Roerich: costumes for the Adolescents in the first production of The Rite of
18. Nikolai Roerich: costumes for the Adolescents in the first production of The Rite of
18. Nikolai Roerich: costumes for the Adolescents in the first production of The Rite of
19. Stravinsky transcribes a folk song sung by a peasant gusli player on the porch of the Stra
19. Stravinsky transcribes a folk song sung by a peasant gusli player on the porch of
