which ran thirteen days behind
All measurements of distance, weight and area are given in the metric system.
All measurements of distance, weight and area are given in the metric system.
All measurements of distance, weight and area are given in the metric system.
Literary works cited in this hook are, wherever possible, from an English-language transla
Literary works cited in this hook are, wherever possible, from an English-language transla
Literary works cited in this hook are, wherever possible, from an English-language transla
In Tolstoy’s War and Peace there is a famous and rather lovely scene where Natasha Rosto
In Tolstoy’s War and Peace there is a famous and rather lovely scene where Natasha Rosto
In Tolstoy’s War and Peace there is a famous and rather lovely scene where Natasha Rosto
’Now then, niece!’ he exclaimed, waving to Natasha the hand that had just struck a chord. Nat
’Now then, niece!’ he exclaimed, waving to Natasha the hand that had just struck a chord. Nat
’Now then, niece!’ he exclaimed, waving to Natasha the hand that had just struck a chord. Nat
’Uncle’, and setting her arms akimbo, also made a motion with her shoulders and struck an at
’Uncle’, and setting her arms akimbo, also made a motion with her shoulders and struck an at
’Uncle’, and setting her arms akimbo, also made a motion with her shoulders and struck an at
Where, how, and when had this young countess, educated by an emigree French governess, imbi
Where, how, and when had this young countess, educated by an emigree French governess, imbi
Where, how, and when had this young countess, educated by an emigree French governess, imbi
She did the right thing with such precision, such complete precision, that Anisya Fyodoro
She did the right thing with such precision, such complete precision, that Anisya Fyodoro
She did the right thing with such precision, such complete precision, that Anisya Fyodoro
What enabled Natasha to pick up so instinctively the rhythms of the dance? How could she ste
What enabled Natasha to pick up so instinctively the rhythms of the dance? How could she ste
What enabled Natasha to pick up so instinctively the rhythms of the dance? How could she ste
a broad community with the Russian peasantry which Tolstoy shared with the ‘men of 1812’, th
a broad community with the Russian peasantry which Tolstoy shared with the ‘men of 1812’, th
a broad community with the Russian peasantry which Tolstoy shared with the ‘men of 1812’, th
Russia invites the cultural historian to probe below the surface of artistic appearan
Russia invites the cultural historian to probe below the surface of artistic appearan
Russia invites the cultural historian to probe below the surface of artistic appearan
Natasha’s dance is one such opening. At its heart is an encounter
Natasha’s dance is one such opening. At its heart is an encounter
Natasha’s dance is one such opening. At its heart is an encounter
between two entirely different worlds: the European culture of the
between two entirely different worlds: the European culture of the
between two entirely different worlds: the European culture of the
upper classes and the Russian culture of the peasantry. The war of
upper classes and the Russian culture of the peasantry. The war of
upper classes and the Russian culture of the peasantry. The war of
1812 was the first moment when the two moved together in a national
1812 was the first moment when the two moved together in a national
1812 was the first moment when the two moved together in a national
formation. Stirred by the patriotic spirit of the serfs, the aristocracy of Natasha’s gene
formation. Stirred by the patriotic spirit of the serfs, the aristocracy of Natasha’s gene
formation. Stirred by the patriotic spirit of the serfs, the aristocracy of Natasha’s gene
The complex interaction between these two worlds had a crucial influence on the natio
The complex interaction between these two worlds had a crucial influence on the natio
The complex interaction between these two worlds had a crucial influence on the natio
To view a culture in this refracted way is to challenge the idea of a pure, organic or es
To view a culture in this refracted way is to challenge the idea of a pure, organic or es
To view a culture in this refracted way is to challenge the idea of a pure, organic or es
from the towns.4 Other elements of the village culture Tolstoy pictured
from the towns.4 Other elements of the village culture Tolstoy pictured
from the towns.4 Other elements of the village culture Tolstoy pictured
may have come to Russia from the Asiatic steppe - elements that had been imported by the Mo
may have come to Russia from the Asiatic steppe - elements that had been imported by the Mo
may have come to Russia from the Asiatic steppe - elements that had been imported by the Mo
It is not my aim to ‘deconstruct’ these myths; nor do I wish to claim, in the jargon used by ac
It is not my aim to ‘deconstruct’ these myths; nor do I wish to claim, in the jargon used by ac
It is not my aim to ‘deconstruct’ these myths; nor do I wish to claim, in the jargon used by ac
Russia which reverberates in Natasha’s dancing scene. And it was surely not so fanciful f
Russia which reverberates in Natasha’s dancing scene. And it was surely not so fanciful f
Russia which reverberates in Natasha’s dancing scene. And it was surely not so fanciful f
The major cultural movements of the nineteenth century were all organized around the
The major cultural movements of the nineteenth century were all organized around the
The major cultural movements of the nineteenth century were all organized around the