was a general feeling, which the essays had expressed, that the masses would destroy

There was a general feeling, which the essays had expressed, that the masses would destroy

There was a general feeling, which the essays had expressed, that the masses would destroy

Petersburg

666

103

This dark mood was captured in what must surely be the bleakest portrait of rural life in a

This dark mood was captured in what must surely be the bleakest portrait of rural life in a

This dark mood was captured in what must surely be the bleakest portrait of rural life in a

The Village

104

was a realm of natural beauty that was being undermined and gradually destroyed by the

was a realm of natural beauty that was being undermined and gradually destroyed by the

was a realm of natural beauty that was being undermined and gradually destroyed by the

The Village

durnoi’,

105

The Village gave a huge jolt to society. More perhaps than any other work, it made the Rus

The Village gave a huge jolt to society. More perhaps than any other work, it made the Rus

The Village gave a huge jolt to society. More perhaps than any other work, it made the Rus

The Village

106

The Village

107

Like Bunin, Maxim Gorky knew what village life was like: his disenchantment with the peasa

Like Bunin, Maxim Gorky knew what village life was like: his disenchantment with the peasa

Like Bunin, Maxim Gorky knew what village life was like: his disenchantment with the peasa

My Childhood

When I try to recall those vile abominations of that barbarous life in Russia, at times

When I try to recall those vile abominations of that barbarous life in Russia, at times

When I try to recall those vile abominations of that barbarous life in Russia, at times

108

In 1888, at the age of twenty, Gorky had ‘gone to the people’ with a Populist called Romas wh

In 1888, at the age of twenty, Gorky had ‘gone to the people’ with a Populist called Romas wh

In 1888, at the age of twenty, Gorky had ‘gone to the people’ with a Populist called Romas wh

Some dog-like desire to please the strong ones in the village took possession of them, and

Some dog-like desire to please the strong ones in the village took possession of them, and

Some dog-like desire to please the strong ones in the village took possession of them, and

109

Looking back on the violence of the revolutionary years - a violence he put down to the ‘sa

Looking back on the violence of the revolutionary years - a violence he put down to the ‘sa

Looking back on the violence of the revolutionary years - a violence he put down to the ‘sa

Where then is that kindly, contemplative Russian peasant, the indefatigable searcher a

Where then is that kindly, contemplative Russian peasant, the indefatigable searcher a

Where then is that kindly, contemplative Russian peasant, the indefatigable searcher a

110

6

6

6

6

6

In 1916 Diaghilev was asked where the Ballets Russes had its intellectual origins. In th

In 1916 Diaghilev was asked where the Ballets Russes had its intellectual origins. In th

In 1916 Diaghilev was asked where the Ballets Russes had its intellectual origins. In th

111

It all began at Abramtsevo, the artists’ colony established by the Mamontovs on their es

It all began at Abramtsevo, the artists’ colony established by the Mamontovs on their es

It all began at Abramtsevo, the artists’ colony established by the Mamontovs on their es

112

113

15. Elena Polenova: ‘Cat and Owl’ carved door, Abramtsevo workshop, early 1890s

15. Elena Polenova: ‘Cat and Owl’ carved door, Abramtsevo workshop, early 1890s

15. Elena Polenova: ‘Cat and Owl’ carved door, Abramtsevo workshop, early 1890s

Elena Polenova: ‘Cat and Owl’ carved door, Abramtsevo workshop, early

Urban fans of this ‘neo-national’ style took it as a pure and authentic Russian art. Stasov

Urban fans of this ‘neo-national’ style took it as a pure and authentic Russian art. Stasov

Urban fans of this ‘neo-national’ style took it as a pure and authentic Russian art. Stasov

114

moved on from copying folk designs to assimilating them to the art nouveau style, which mad

moved on from copying folk designs to assimilating them to the art nouveau style, which mad

moved on from copying folk designs to assimilating them to the art nouveau style, which mad

Other artists trod the same path from ethnographic to commercial art. At the Solomenko em

Other artists trod the same path from ethnographic to commercial art. At the Solomenko em

Other artists trod the same path from ethnographic to commercial art. At the Solomenko em

115

The folk-like crafted goods of Sergei Maliutin, the principal artist at Talashkino, wer

The folk-like crafted goods of Sergei Maliutin, the principal artist at Talashkino, wer

The folk-like crafted goods of Sergei Maliutin, the principal artist at Talashkino, wer

matriosbka,

zemstvo’s

matrioshka

matriosbka

116

117

peasants ‘viewed our things not with delight but with dumb amazement which we found hard to ex

peasants ‘viewed our things not with delight but with dumb amazement which we found hard to ex

peasants ‘viewed our things not with delight but with dumb amazement which we found hard to ex

118

It is not immediately obvious what attracted Diaghilev to the neo-nationalists of Abr

It is not immediately obvious what attracted Diaghilev to the neo-nationalists of Abr

It is not immediately obvious what attracted Diaghilev to the neo-nationalists of Abr

119

The co-founders of the World of Art saw themselves as cosmopolitans of Petersburg (they ca

The co-founders of the World of Art saw themselves as cosmopolitans of Petersburg (they ca

The co-founders of the World of Art saw themselves as cosmopolitans of Petersburg (they ca

heritage. In a passage of his Memoirs that is crucial to an understanding of the World of A

heritage. In a passage of his Memoirs that is crucial to an understanding of the World of A

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