INTRODUCTION
A Note From the Publisher
Since the initial publication of
This guide expands upon the world of the Twilight Saga, adding histories for its characters and providing other details that might not have made it into the books themselves but are a key part of the people and stories that make up the Saga. You‘ll find outtakes from the books — such as the story of how Emmett was mauled by a bear — as well as never-before-seen background notes on main plots and subplots. We hope that these added details shed light on such favorite characters as the Cullens and Quileutes; on such new characters as Nahuel and Garrett; and even on the human residents of Forks, most of whom are unaware of the supernatural creatures all around them.
Also included in this guide are artistic interpretations of the series: everything from new art created just for this book to a gallery of art conceived by talented fans to the many covers that have appeared on different editions of the books around the world.
Because music is such an instrumental part of Stephenie‘s writing process, this guide also includes the official playlist for each book in the Twilight Saga, alongside quotes from the books that reveal what each song represents. Also featured is an extended conversation between Stephenie and Shannon Hale, award-winning author of The Books of Bayern and the Newbery Honor winner
Thank you for being a part of the world of the Twilight Saga — it wouldn‘t be the same without you.
SH: So, let‘s look at the four different books first.
SM: Right. Should I tell the story — and get it on record?
SH: Do you want to?
SM: I‘d like to. This story always sounds really fake to me. And when my publicist told me I needed to tell it — because it was a good story for publicity reasons — I felt like a lot of people were going to say: ?You know, that‘s ridiculous. She‘s making up this silly thing to try and get attention.? But it‘s nothing but the cold hard facts of how I got started as a writer.
Usually, I wake up around four o‘clock in the morning. I think it‘s a baby thing — left over from knowing that somebody needs you — and then I go back to sleep. That‘s when I would have the most vivid dreams — those morning hours. And those are the ones you remember when you wake up.
So the dream was me looking down on this scene: It was in this meadow, and there was so much light. The dream was very, very colorful. I don‘t know if that always comes through in the writing — that this prism effect was just so brilliant.
I was so intrigued when I woke up. I just sat there and thought:
SH: The sunlight on Edward‘s skin?
SM: Yeah. There was this beautiful image, this boy, just glittering with light and talking to this normal girl. And the dream really was about him. She was also listening, as I was, and he was the one telling the story. It was mostly about how much he wanted to kill her — and, yet, how much he loved her.
In the dream I think I‘d gotten most of the way through what‘s chapter 13 now. The part where he recounts how he felt in each specific previous scene was obviously put in later, because I hadn‘t written those earlier scenes yet. But everything else in that scene was mostly what they were actually talking about in the dream. Even the analogy about food was something that I got in my dream.
I was so intrigued when I woke up. I just sat there and thought: