OH MY GOD. I’m here.
It’s five hours later and I’m actually here, in Cumbria, in Jess’s village. I’m in the North!
I’m walking along the main road of Scully — and it’s so scenic! It’s just like Gary described, with the drystone walls and everything. On either side of me are old stone houses with slate roofs. Beyond the houses are steep, craggy hills with rocks jutting out and sheep grazing on the grass, and looming high above all the others is one huge hill which is practically a mountain.
As I pass a gorgeous little stone cottage I notice a curtain twitching and someone peering out at me. I suppose I do look a teeny bit conspicuous with my red and lime green suitcases. My wheels are trundling noisily on the road, plus my hatbox is banging up and down with every step I take. As I walk past a bench, two old ladies in print dresses and cardigans eye me suspiciously and I can see one pointing to my pink suede shoes. I give them a friendly smile and am about to say “I got them at Barneys!” when they get up and shuffle off together, still glancing back at me. I take a few more strides along the street, then stop, panting slightly.
It’s quite hilly, isn’t it? Not that there’s anything wrong with hills. This isn’t a problem for me at all. But even so, I might just take a few moments to admire the countryside and get my breath back. The taxi driver offered to take me to the door, but I told him I’d rather walk the last bit, just to steady my nerves. I’m starting to feel a bit jittery about seeing Jess again, which is ridiculous because I had hours on the train to prepare.
I even ended up getting some expert help! I’d popped into the train bar and ordered a Bloody Mary — just for a bit of Dutch courage — and there was a whole group of Shakespearean actors, swigging wine and smoking, on tour with Henry V. We got to chatting and I ended up telling them the whole story and how I was off to try and reconcile with Jess. And they all got quite stirred up. They said it was just like King Lear, and ordered Bloody Marys all round, and insisted on coaching me in my speech.
I’m not sure I’ll do every single thing they suggested. Like calling myself a “wretched wench.” But a lot of their tips were really helpful! For example, never upstage your fellow actor, which means never stand so they have to turn away from the audience. They all agreed this was the worst possible thing I could do to my sister, and if I did, there would be zero chance of a reconciliation and frankly they wouldn’t blame her. I pointed out there wouldn’t be an audience, but they said nonsense, a crowd would gather.
The wind is blowing my hair all over the place, and I can feel my lips getting chapped by the strong northern air, so I get out my lip salve and put some on. Then, with a twinge, I reach for my mobile phone for the millionth time to see if Luke has called and I’ve somehow missed it. But there’s no signal at all. We must be out of the area. I stare for a minute at the blank little display, my heart beating with stupid hope. If there’s no signal, maybe he’s tried to call! Maybe he’s phoning right this minute and he just can’t get through…
But deep down inside I know it’s not true. Six hours have gone by since he left. If he wanted to call, he would have called before now.
Our row has been echoing angrily round my brain all day. Luke’s harsh voice. The way he looked at me just before he left, so disappointed and weary. All the things he said. To my horror, tears suddenly start pricking at my eyes, and I furiously blink them back. I’m not going to cry. It’s all going to be OK. I’m going to make amends and turn into a new person and Luke won’t even recognize me.
Determined, I start wheeling my cases up the hill again, until I reach the corner of Hill Rise. I stop and peer along the gray stone terrace of cottages, stiff with apprehension. This is Jess’s road. She lives in one of these houses!
I’m reaching in my pocket to check the exact number when suddenly I notice a movement in an upstairs window a few houses along. I look up — and it’s Jess! She’s standing at the window, gaping down at me in utter astonishment.
Despite everything that’s happened between us, I feel a swell of emotion at the sight of her familiar face. This is my sister, after all. I start running up the street, my cases trundling behind me, my hatbox bouncing up and down. I reach the door, breathless, and am about to lift the knocker, when the door opens. Jess is standing in front of me in pale brown cords and a sweatshirt, looking aghast.
“Becky… what the hell are you doing here?”
“Jess, I want to learn from you,” I say in a wobbly voice, and lift my hands in supplication like the Shakespearean actors told me. “I’ve come to be your apprentice.”
“What?” She takes a step backwards in horror. “Becky, have you been drinking?”
“No! I mean, yes. A few Bloody Marys, maybe… but I’m not drunk, I promise! Jess, I want to be a good person.” The words come tumbling out in a rush. “I want to learn from you. And get to know you. I know I’ve made mistakes in life… but I want to learn from them. I’m sorry I didn’t listen before, but now I’m ready. Jess, I want to be like you.”
There’s an ominous silence.
“You want to be like me?” she says at last. “I thought I was a ‘skinflint miserable cow.’ ”
Damn. I was hoping she might have forgotten about that.
“Er… I’m really sorry I said that,” I mutter, abashed. “I didn’t mean it.”
Jess isn’t looking convinced. Quickly I cast my mind back to the coaching session on the train. “Time has healed the wounds between us… ” I begin, reaching out for her hand.
“No, it hasn’t!” says Jess, pulling it away. “And you’ve got a bloody nerve coming here.”
“But I’m asking you to help me, as my sister!” I say desperately. “I want to learn from you! You’re Yoda, and I’m—”
“Yoda?” Jess’s eyes widen in disbelief.
“You don’t look like Yoda,” I add hastily. “Nothing like! I just meant—”
“Yeah, well, I’m not interested,” Jess interrupts. “In you, or your latest stupid idea. Just go away.”
She slams the front door shut, leaving me standing on the street. Jess has shut the door on me? Me, her own sister?
“But I’ve come all the way here from London!” I call through the door.
There’s no reply.
I refuse to give up. Not just like that.
“Jess!” I start hammering on the door. “You have to let me in! Please! I know we’ve had our differences —”
“Leave my door alone!” The door is wrenched open and Jess is standing there again. But this time she doesn’t just look hostile. She looks positively livid. “Becky, we haven’t just had our differences! We are different. I have no time for you. Frankly, I wish I’d never met you. And I have no idea what you’re doing here.”
“You don’t understand,” I say quickly, before she can slam the door again. “Everything’s gone wrong. Luke and I have argued. I… I did something stupid.”
“Well, there’s a surprise.” Jess folds her arms.
“I know I’ve brought it on myself.” My voice starts to tremble. “I know it’s my own fault. But I think our marriage is in real trouble. I really do.”
As I say the words, I can feel tears threatening again. I blink hard, trying to hold them off.
“Jess… please help me. You’re the only person I can think of. If I could learn from you, maybe Luke would come round. He likes you.” I feel a tightening in my throat, but force myself to look right at her. “He likes you better than he likes me.”
Jess shakes her head, but I can’t tell whether it’s because she doesn’t believe me or she doesn’t care.
“Go home,” she says flatly.
“But—”
“Don’t you understand English? Go home!” She waves her hand as though she’s shooing a dog.
“But… I’m your family!” My voice is starting to shake. “Family help each other! Family watch out for one another. Jess, I’m your sister—”
“Well, that’s not my fault,” says Jess curtly. “I never asked to be your sister. Bye, Becky.”
She slams the door shut again, so hard that I flinch. I lift my hand to knock again — but there’s no point, is there?
I’ve come all this way for nothing.
What do I do now? Slowly, I turn round and start trundling my suitcases back along the street.
The thought of going straight home again is unbearable. All those hours on the train — to what? An empty flat. An empty flat and no husband.
