What's this about old Impycu? That's good!   Grip—that's the funny man—says Impy should   Be used as a decoy in shooting tramps.   I knew old Impy when he had the 'stamps'   To buy us all out, and he wasn't then   So bad a chap to have about. Grip's pen   Is just a tickler!—and the world, no doubt,   Is better with it than it was without.   What? thirteen ladies—Jumping Jove! we know   Them nearly all!—who gamble at a low   And very shocking game of cards called 'draw'!   O cracky, how they'll squirm! ha-ha! haw-haw!   Let's see what else (wife snores). Well, I'll be blest!   A woman doesn't understand a jest.   Hello! What, what? the scurvy wretch proceeds   To take a fling at me, condemn him! (reads):   Tom Jonesmith—my name's Thomas, vulgar cad!—Of   the new Shavings Bank—the man's gone mad!   That's libelous; I'll have him up for that—Has   had his corns cut. Devil take the rat!   What business is 't of his, I'd like to know?   He didn't have to cut them. Gods! what low   And scurril things our papers have become!   You skim their contents and you get but scum.   Here, Mary, (waking wife) I've been attacked   In this vile sheet. By Jove, it is a fact!   WIFE (reading it): How wicked! Who do you   Suppose 't was wrote it?                            JONESMITH: Who? why, who   But Grip, the so-called funny man—he wrote   Me up because I'd not discount his note.   (Blushes like sunset at the hideous lie—   He'll think of one that's better by and by—   Throws down the paper on the floor, and treads   A lively measure on it—kicks the shreds   And patches all about the room, and still   Performs his jig with unabated will.)   WIFE (warbling sweetly, like an Elfland horn):   Dear, do be careful of that second corn.   STANLEY.   Noting some great man's composition vile:   A head of wisdom and a heart of guile,   A will to conquer and a soul to dare,   Joined to the manners of a dancing bear,   Fools unaccustomed to the wide survey   Of various Nature's compensating sway,   Untaught to separate the wheat and chaff,   To praise the one and at the other laugh,   Yearn all in vain and impotently seek   Some flawless hero upon whom to wreak   The sycophantic worship of the weak.   Not so the wise, from superstition free,   Who find small pleasure in the bended knee;   Quick to discriminate 'twixt good and bad,   And willing in the king to find the cad—   No reason seen why genius and conceit,   The power to dazzle and the will to cheat,   The love of daring and the love of gin,   Should not dwell, peaceful, in a single skin.   To such, great Stanley, you're a hero still,   Despite your cradling in a tub for swill.   Your peasant manners can't efface the mark   Of light you drew across the Land of Dark.   In you the extremes of character are wed,   To serve the quick and villify the dead.   Hero and clown! O, man of many sides,   The Muse of Truth adores you and derides,   And sheds, impartial, the revealing ray   Upon your head of gold and feet of clay.

ONE OF THE UNFAIR SEX.

  She stood at the ticket-seller's     Serenely removing her glove,   While hundreds of strugglers and yellers,     And some that were good at a shove,     Were clustered behind her like bats in       a cave and unwilling to speak their love.   At night she still stood at that window     Endeavoring her money to reach;   The crowds right and left, how they sinned—O,     How dreadfully sinned in their speech!     Ten miles either way they extended       their lines, the historians teach.   She stands there to-day—legislation     Has failed to remove her. The trains   No longer pull up at that station;     And over the ghastly remains     Of the army that waited and died of       old age fall the snows and the rains.
Вы читаете Shapes of Clay
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