‘What were you doing in Stoke?’

‘I can’t remember now. Oh, I think Philip had an idea of reviving a china factory. It didn’t last long.’ I’d had another glimpse of the tangled odyssey that was Philip’s non-career. ‘Anyway, my mother turned up and scooped us off to a specialist in Harley Street and the news improved.’

‘So it was treatable by the time Margaret had it?’

She nodded, reliving her relief. ‘Completely, thank God. But only just. Literally, it had all changed something like four years before. It took us ages to get over the shock. We were both in the grip of terror for months. I remember getting up one night and finding Philip bending over her cot and crying. We never talk about it now, but whenever I get cross with him I secretly think of that moment and forgive him.’ She hesitated, contradicted inwardly by the Spirit of Honesty. ‘Or I try to,’ she added. I nodded. I could easily see why. The Philip who wept for his innocent child in a darkened nursery sounded not only much nicer but a thousand times more interesting than the ballroom show-off I had known. Lucy was still talking. ‘What we couldn’t understand was that we kept being told it was completely hereditary, but neither of us had any knowledge of its occurring in our families. We questioned our parents and so on, but there was no clue. Still, as I say, Mummy found us a wonderful doctor and once we’d nailed it properly it came right.’ She paused. I would guess she didn’t venture into this territory very often. ‘I always think that Margaret’s passion for normal, ordinary life was probably fostered by that early threat of losing it. Don’t you agree?’

Obviously, this entire speech went straight to the heart of the case that had brought me to Kent, but before I could say another word I was aware of a presence in the door. ‘Hello, stranger.’ The battered, bloated figure of a man who bore only the slightest resemblance to the boy I had known as Philip Rawnsley-Price was standing there. In our salad days Philip had resembled a young and much better-looking, cheeky-chappy actor called Barry Evans, famous then for a film, Round the Mulberry Bush, in which he represented those of us who wanted to be trendy but didn’t quite know how, a large group at any time, which ensured his popularity. Sadly, his stardom didn’t last and the former actor was found dead in the company of an empty whisky bottle at the age of fifty-two, having spent the previous three years driving a taxi in Leicester. I seem to recall there was some pressure on the police to investigate the circumstances of Evans’s death, involving, as they did, cut telephone wires and other peculiar details, which naturally gave his relatives concern, but the police could not be bothered. A decision that might, I imagine, have been different had the unfortunate Mr Evans died at the peak of his fame.

Looking at Philip, framed in the doorway, it was hard not to feel at that moment, that the fate which had engulfed him was almost as bad. He wore ancient, stained cords, scuffed loafers and an open-necked check shirt with a worn, frayed collar. Old clothes were obviously a family uniform. Like me, he had put on weight and his hair was thinning. Unlike me, he had developed the mottled red face of a drinker. More than anything it was the sagging, tired look about those poached-egg eyes, so characteristic of the born privileged who fail, that gave him away. He held out his hand with what he imagined to be a roguish grin. ‘Good to see you, old chap. What brings you to this part of the forest?’ He took hold of my fingers and gave them the ruthless, wince-making squeeze that such men use in a vain attempt to persuade you they are still in charge. Lucy, having waxed so lyrical about him, now seemed put out to be interrupted.

‘What are you doing here? We were coming over as soon as we’d finished lunch. Who’s in the shop?’

‘Gwen.’

‘On her own?’ Her voice was sharp and admonitory. And it was directed to include me. It was obviously her deliberate intention to show me that her husband was an incompetent fool. One minute earlier we had been swept up in the moving pathos of the tear-drenched daddy, but now it was apparently necessary for Lucy to point out that things had not gone wrong in their lives because of her. On the face of it this behaviour was of course illogical and contradictory, but among these people it is not uncommon. Their marriage had clearly reached that stage where she, and probably he, could be generous and gallant about the other when they were apart, but the actual physical presence of their partner would set their teeth on edge. This emotional conundrum often occurs in a culture where divorce is still seen as essentially giving in. Even today, the upper and upper middle classes find personal unhappiness, at any rate the admission of it, tedious and ill-bred, and they must always talk in public, or to close friends for that matter, as if everything to do with their family situation were going tremendously well. Maintaining the legend is the preferred option for most of them, as long as nobody is in the room whose presence undermines the performance. They generally adhere to this, right up to the moment of blow-up. It can be quite odd for members of this social group, as their circle will often contain many couples who appear to be perfectly content, until a call out of the blue, or a scribbled line in a Christmas card, will suddenly announce the divorce.

Philip nodded in answer to her harsh interrogation. ‘She can manage. Nobody’s been in for more than an hour.’ There was a kind of resigned hopelessness in this simple account of the state of his business. In the area of his professional activity Philip had lost the energy required by pretence. He could just about stand behind the counter, but to talk up his drudgery would have been too exhausting. He picked a spoon off the counter and started to feed himself out of the pasta pot. ‘Lucy tells me you’re a writer now? What have you written that I might have read?’

Naturally, this was a defensive attempt to diminish me and my activities, but I do not believe it was malicious. He suspected, rightly, that I was judging him, so he was showing that he reserved the right to judge me. Anyone of my kind and my generation who has chosen to make their living in the Arts will be familiar with this treatment. In our youth the careers we had decided on were considered completely mad, by our parents and by our friends, but as long as we were struggling our more sober contemporaries were happy to encourage and sympathise and even to feed us. The trouble came when we arty folk achieved any kind of success. Then the idea that we should be making money or, worse, making more money than our adult and sensible acquaintance, was akin to impertinence. They had chosen the boring route in order to be secure. To have achieved security but to have enjoyed jokes and larks along the way was nothing short of irresponsible and deserved to be punished. I smiled. ‘Nothing, I should think. Since if you had read anything by me I have no doubt you would have made the connection.’

He raised his eyebrows at Lucy, comically signifying, presumably, that I was a touchy artist who must be humoured. ‘Lucy’s read some of your stuff. I gather she thinks very highly of it.’

I did not point out that this remark meant his earlier question had been entirely redundant. ‘I’m glad.’ My words fell into a silence and we sat for a moment. There was an inertia in the room and we all three felt it. This often happens when old friends get together after an interval of many years. Prior to the meeting they imagine that something explosive and fun will come out of it, but then they are usually faced by a lacklustre group, in late middle age, who have nothing much in common any more. For better or worse, the Rawnsley-Prices had negotiated their journey, I had travelled mine and now we were just three people in a very dirty kitchen who didn’t know each other. Besides, I needed further information before my pilgrimage could be considered complete and I wasn’t going to get it while Philip was with us. It was time to break up the group. ‘Can I see the shop?’ I said. There was a pause, with a sense of the unspoken in the air. I assume this was simply Philip’s male need to present himself as my equal in terms of worldly success which, modest as mine has been, might prove hard when I had actually seen the business. Or maybe it was Lucy’s sudden realisation that for the same reason I was not going to take away from our day spent together the idea that everything was going swimmingly. It is an unspoken ambition for most of us that our contemporaries should see us as successful, but in Lucy’s case she was about to be denied it.

After a pause, Philip nodded. ‘Of course.’

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