had intended to, but something had stopped her. It ha d t aken her a few days to understand how complicated he r r easoning was. Anita had been raised by upper-middle — class eastern Protestants, who taught their daughter fro m c hildhood not to show her emotions, not to make a scen e i n public, not to draw attention to herself. The thought o f h aving a messy public divorce appalled her, and she realized, after the media swarm at the Iowa debate, that ther e w as no way to do it quietly. So she had not broached th e s ubject with Haze and withdrew instead to reconsider. Anita had left immediately after the campaign victory in Iow a a nd was now holed up in the safety of the governor's mansion in Providence. She had refused all of the intervie w r equests that her press secretary had tried to arrange. Sh e h oped that Haze's campaign would unwind on its own, that he'd lose New Hampshire so she wouldn't be force d t o use divorce to veto his candidacy. Better than anyon e o n earth, Anita Richards knew her husband wasn't fit t o g overn. She knew he lacked moral strength. But as th e d ays went by, she realized he was gaining in popularity.
Every night, they talked about him on the news. 'The surprise candidate,' UBC said. . 'The probable frontrunner.' She'd started drinking again. She'd had a bout with alcoholism in her mid-thirties when Haze was still a prosecutor. Now she was sneaking into the study every afternoon and taking straight shots of vodka from the little crystal bottle on the marble bar top.
Haze was coming home that afternoon to get packed for a four-day, ten-state swing through the South, and she had finally swallowed enough false courage to tell him she was going to leave. She poured two more shots from the crystal decanter in her hand, sat down on the quilted sofa, and thought about the events that had led her to this dilemma.
She had never been a fighter. She tried to avoid confrontations and so had not been a good moral guide for Haze when he needed one. She had chosen isolation instead. Now she readied herself for what she was sure would be the most ugly event of her life. She was going to file for divorce.
Haze arrived home by limo at six. He found her asleep on the sofa in the study. He looked down at his overweight wife, disgusted at what she had become. He saw the glass on the table and knew she had been drinking again. He started to move out of the den when she heard him and sat up.
'How long have you been here?' she asked.
'Just got in.'
'Oh,' she said, suddenly not prepared for the fight ahead of her. But it had to be done. He turned and moved up the hall to his private bedroom. She followed him.
'I have something I want to talk about.'
'Not now, Anita. They're holding the plane for me.' 'I want a divorce.'
He looked at her. 'Come on, Nita, cut the shit.' 'Haze, I can't do this anymore. I'm filing tomorrow.' 'You can't divorce me. Whatta you talking about?' 'To begin with, I can do whatever I want. I don't have t o ask your permission to file divorce papers.'
'But why?'
'To stop you.'
'Stop me from what?'
'That's what I wanted to tell you,' she said and walked out of his room, back down the hall toward her bedroom. He caught her in the hall, grabbed her by the arm, and spun her to face him.
'Whatta you doing? You know what's at stake? I could actually win this thing.'
'I've made up my mind.' She pulled her arm free and walked to her bedroom. He started to follow but she slammed the big oak door and threw the deadbolt before he could reach it.
'Anita, you gotta talk to me,' he pleaded through the thick door. After a minute, he realized it was useless and walked back to his den to call A. J., who had stopped at his law office a block away to get some papers. A. J. answered on the second ring.
'Jesus, AJ., Anita wants a divorce. She's locked in her room. She's drinking again. You gotta do something,' Haze said, turning, as always, to the only man who ever solved his problems.
'I'm on my way.' A. J. hung up, dialed the airport, and got Malcolm at the executive terminal. They had chartered a 737 to carry the enlarged staff and the hundred big feet traveling with them.
'We got a problem.'
'How big a problem?'
'I can't tell you over the phone. Just hold the flight. If I can't get there with Haze in an hour, I'll call back.'
'Shit, A. J., we got a planeful of press. We don't hold to the schedule, they're gonna sense something is wrong. The be all over me. First rule in a campaign is don't deviate from the schedule in front of the press.'
'An hour isn't gonna kill us. Two hours, we're gonna have to make up something. In the meantime, hose the fuckers down with free booze.' And he rang off and sprinted for his car.
At the governor's mansion, he found Haze in the upstairs hall, banging on Anita's door. 'Come on, Nita. I just wanna talk to you.' He turned and looked helplessly at A. J. 'She's locked in there.'
'Let me handle it. Go to your room,' A. J. said. 'She files for divorce, we're fucked.'
'Go'
Reluctantly, Haze moved down the hall to his room, but he stood in the doorway so he could overhear what A. J. said.
A. J. tapped on the door, softly. He had always had a good relationship with Anita. He found her smart and funny and had actually dated her in college, before Haze did. In the old days, they'd had a lot of long, meaningful talks. He had a strong appreciation for her mind and values. 'Nita, it's A. J.,' he said, tapping again on the door. 'Listen, if you don't want to talk to me, say so. Okay? I don't wanna be banging on this door all night. You say `Get lost, Albert,' and I'm gone. Okay?'
Nothing from the other side of the door. A. J. was a strategist. He always tried to solve one problem at a time. He couldn't get through the door unless he got Anita talking.
'See, if I don't hear anything, Nita, I'm gonna figure you haven't made up your mind and I'm gonna stay. out here, banging my poor knuckles on this hard wood,' the wonk cooed softly through the massive oak door.
'Go away, A. J.'
'Listen … uh, I will. I'll go, but first I gotta know you're okay.'
'Just go. Leave me alone.'
He had her talking; now he had to get her thinking, get her to interact with him.
'You don't wanna be alone, Nita. Haze isn't here, he's in his room. Okay? It's just me. You know I'd never do anything to hurt you. You know I've beeny our friend since Swarthmore.'
A. J. had met her at Swarthmore College at a dance and had brought her back to Harvard where he and Haze were in school. Haze had seen her and that had been it for A. J., a mating ritual that had replayed itself with various women over the years. Haze was the leading man. A. J. always ended up with Dennis Day's part.
'Come on, Nita. . I wanna make sure you're okay.'
There was a long pause, and then he heard the door being unbolted. He turned the handle and entered the room.
Anita was looking at him with big, brown eyes that were dulled by vodka and lack of sleep.
'What?' she said, angrily.
'What? 'What' isn't the right word. 'What' is an interrogative construction asking for information. What we need is. . 'Why'. . 'Why' is a word that defines cause, purpose, or reason,' he said, his mind racing, knowing that she had majored in English and might find this mildly diverting. He watched her for a smile and got the tiniest response.
'Close the door.' He turned and closed it behind him, then locked it. 'I know what you're trying to do, A. J. You're trying to save his bacon, just like you always do.'
'I'm only here as your friend, Nita. I am your friend. You believe that, don't you?'
She had always liked A. J. From that first day at Swarthmore, when he'd showed up at the mixer in plaid shorts and a T-shirt cruising the place, looking for girls. She suspected now she should never have traded him for Haze.
'Why? Why's the word we've gotta go with,' A. J. was saying. 'Why divorce Haze?'
'I don't want him to be President. You know what he is, A. J. You know he shouldn't be in that job. Why are you doing this?'
