Chapter 7
Compton is bordered on the south by Long Beach and on the north by Watts. The city has a bloody gang history.
In the late sixties a new form of Jamaican music caught hold in New York, then quickly spread to Compton. Rap music was fueled by rock cocaine and violent street gangs. In the late eighties, N. W. A cut their first incendiary rap album, titled Straight Outta Compton, which featured the hit single 'F Tha Police.' With that album, gangsta rap was born. While Crips and Bloods competed for drug turf around Piru Street in Compton, rap impresarios with serious gang affiliations were recording street artists and making millions. But there were downsides. The average lifespan of a Compton drug dealer was twenty-five years and gang violence at hip-hop awards shows had become common.
Rappers like Easy-E, Dr. Dre, and DJ Quik were just kids growing up in Compton in the eighties. Snoop Dogg was a few miles away in Long Beach. Rap and crack made stars and millionaires out of some and corpses out of others. In recent years the black gangs in Compton were in a struggle to control their turf, losing street corners one by one to the new, violent Hispanic gangs like the Ninos Surenos and Mara Salvatruchas.
As I made my way down toward the Long Beach Freeway, I tried to fit David Slade into the equation. Slade had that big ABC on his arm, and I knew you didn't put Crip ink on yourself unless you were in the gang. There was only one way I could reconcile a cop with that tattoo. After the Watts Riots, the LAPD was having trouble recruiting minorities. In a desperate attempt to get more 'color' on the job, some nitwit in administration had suggested we drop the juvenile felony restriction, opening the department up to people who had committed serious crimes as long as they'd done them under the age of eighteen. The result of this change allowed ex-gang-bangers of all ethnic backgrounds onto the police force. Cops like Raphael Perez had joined up, later becoming involved in the Rampart scandal and disgracing the department. Was David Slade just another example of this failed policy? Once you were jumped into a set, you rarely got out. If he'd joined the LAPD in the early 1980s, it explained why he still lived in Compton.
Most black cops felt disenfranchised by the hood, and were called out for being on the job. The majority of them moved, preferring places like Stevenson Ranch or the Marina. I wondered if Slade stayed in Compton because he was still Crippin' working both sides of the street. I needed to access his I. A. file and his current caseload. His gang drapes told me he was probably working undercover. All this left me back where I started: What was he doing shot to death in Alexa's car?
I had a dozen questions and no answers. I was also running out of time. I was pretty sure by now Ray Tsu had alerted Sepulveda and Figueroa to my commando raid on North Mission Road, and fed them the info from the print card. Those two cops would be on their way to Compton to head me off. Coming from Mulholland gave them a geographical advantage, but I had a big time jump. I was probably still a few minutes ahead. I was navigating with the Acura's GPS and stayed on main streets, which at this time of night were faster. I was busting lights, dangerously.
I got into Compton a little past midnight and turned onto Cypress Avenue. It was an old, residential street lined with run-down bungalows and duplexes. Chain-link fences fronted lawns where the grass was mostly brown. The paint on everything seemed faded and chipped.
As I sped along, I was surprised to see a young boy about five or six riding a tricycle on the sidewalk. It was past midnight. Where the hell were his parents? Fifteen years from now, would I be chasing this kid down these same streets and end up in some desperate shoot-out because when he was five, nobody cared enough about him to tuck him in at night?
Slade's residence was a tan Spanish bungalow with brown shutters and wrought-iron security bars across the front windows. It was one of the rare houses on the street that had been freshly painted. I parked about twenty yards away, behind an old gray Chevy Caprice, and left my door ajar in case I needed to make a quick exit. Then I sprinted back to Slade's house. I didn't bother with the front door, because I didn't have a search warrant and a white guy jimmying a front door might not go unnoticed in this neighborhood. I had already decided to break in from the rear where I would be less visible. I went directly around back and looked in the porch window. Then I tried the back screen door. Everything was locked. I pulled out my gun and crept silently along the side of the house looking for a good window to break. I found one in the middle where the security bars were loose. I pulled one away, bending the old screws until the bar came off in my hand. Then I reached through the remaining two bars and broke the glass with my gun, found the latch, and slid the window open.
I stood quietly for a minute, listening for trouble: an alarm or a drooling Rottweiler. The house remained quiet. A strange truth is a lot of police officers don't install electronic security because they think that no street burglar would be stupid or brave enough to try and rip them off. I jumped up and shinnied through the window, squeezing between the two remaining security bars, and dropped inside.
I landed in a guest bedroom. Cardboard boxes full of junk were all over the floor. I didn't bother with them, but instead moved out into the hall. The smart thing to do was to clear the house first, to make sure there wasn't some armed homie crashing on the front couch. I knew I didn't have much time, but even so, I decided to do a quick shake to be safe. It wouldn't do Alexa much good for me to get shot as an intruder.
The house was so small that it only took a few minutes. There were three bedrooms; one had been converted into an office for Slade. The front area consisted of a dining room, living room, kitchen, and guest bath. The whole place wasn't 1,200 square feet. The furniture was old. Nothing matched. It was the kind of look you end up with after a relationship fails and you divide everything up. Before Alexa, I'd had half a dozen apartments furnished exactly like this.
Most shakes start in the bedroom because that's where people tend to hide their secrets. The master was a third larger than the two guest bedrooms. The walls were painted blue. LAPD blue or Crip blue? I wondered. The space was dominated by an unmade king-sized bed. A large Spanish dresser sat opposite it against the wall. There was a closet full of Fila running suits, known in law enforcement as 211 suits because for some reason hold-up specialists from the hood seemed to favor them.
I went quickly through the hanging clothes, checking pockets for notes, cards, or other personal debris. Nothing. I then turned to three cardboard boxes stacked on the floor and found that each one was packed with old clothes. At the back of the closet, my eye fell on a large, rectangular, black case about three feet long by one foot high. I pulled it out, broke the lock with a metal hanger, and pried the lid open. Lying on the bottom in black cut Styrofoam was a fully automatic Beretta AR-70 with two thirty-round clips. I looked down at the illegal firearm and wondered what David Slade used it for. I closed the box and pushed it back into the recesses of the closet.
Next, I searched the dresser. In with his socks, Slade had some thong underwear, some condoms, and in the bottom drawer, half a dozen hand-laundered, five-hundred-dollar silk shirts. It seemed extravagant for a guy on a sergeant's salary. There were half a dozen pictures in silver frames on top of the dresser. In all of them, Slade was dressed in silk or satin, wearing tasteless, chunky, diamond-encrusted jewelry. His straightened Marcelled hair glistened. In several shots, he had his arm around some very hot-looking ladies. Some were white, some African- American. In one picture he was with a prominent, up-and-coming rapper whose name I couldn't remember, but had seen on TV. Both were grinning and throwing Crip gang signs.
Then, I heard two car doors slam out front. I flipped off the bedroom light and sprinted back to the guest room just as I heard knocking on the front door.
'This is the police. Open up!' I heard Rafie yell. Then the door was being pounded on again and Sepulveda shouted, 'Shane, if you're in there, open up or we'll break it down!'
I was halfway out the window when I heard the front door smash open. I landed on the grass, did a shoulder roll and came up running. I was just passing the garage when I noticed a brand-new, white Cadillac Escalade parked inside. Most cops drive midline Japanese iron. Not that a cop can't get financing on a ninety-thousand-dollar sled, but it seemed a little out of place sitting in Slade's ghetto garage. He had really pimped out the ride with twenty-inch, custom chrome wheels, known in the hood as blades or dubs. The car was talking to me. Something, some instinct, told me I had to check it out. I veered into the garage and tried to open the driver's side door. Locked. I could see the alarm light flashing. No alarm in the house, but a dude always wires his snap. Go figure.
I glanced over my shoulder at the back porch and saw lights going on inside. I heard Rafie and Tommy calling my name. It wouldn't be long before they'd be out here. I started frantically looking around for a hide-a-key under
