ashes and ruins, at the buildings of Nero’s Golden Palace which glittered in the sunrise over on Esquiline. I was not really thinking of sites and business, although it did occur to me that my old house on Aventine had become too cramped and that for your sake I should have to acquire a new and more worthy house, as near to the Golden Palace as possible.
I turned away and went down from Palatine to cross over to the Golden Palace and seek audience at Nero’s morning reception. If I were to denounce Antonia, then I had to hurry so that no one did so before me. At the thought of the insanity of life, I burst out laughing, so that I was walking half-laughing, half-weeping, like a man in ecstasy.
Mimdus absurdus, the world is absurd, I repeated aloud to myself, as if I had found a new and astonishing truth. But in my state it seemed the greatest wisdom, though I calmed down later on and thought better of it.
My head cooled a little as I greeted the waiting people in the reception room, for I seemed to see animal heads on them all. This was such an astonishing sight that I had to brush my hand across my eyes.
In the glittering silver ivory salon, its floor decorated with a huge mosaic portraying a banquet of the gods, many people were gathered, pa-tiendy waiting until midday for a glimpse of Nero. The whole of the animal world was there, from a camel and a hedgehog to bulls and pigs. Tigellinus seemed to be so obviously a thin tiger to me that I clapped my hand to my mouth when I greeted him to stop myself from laughing aloud.
This strange delusion, which was probably caused by lack of sleep, love and my inner tension, passed when Nero allowed me to enter his bedroom before all the others, after I had sent a message to say my information was very important. He had had Acte as his bed companion. This showed that he had wearied of his vices and wished to return to natural habits, which happened sometimes.
I did not see Nero as an animal. Indeed, he seemed to me to be suffering, a man in despair from distrust, or perhaps a spoiled overfed child who could not understand why other people thought he was evil when he himself wished no one ill and was also a great singer, perhaps the greatest of his time, as he himself believed. I am no judge, for I am rather unmusical.
Anyhow, when I arrived, Nero was just doing the singing exercises he did every morning. His voice penetrated right through the whole of the Golden Palace. In between he gargled. Nero did not even dare eat fruit because some physician had said that it was not good for his voice. I think an apple or a few grapes are good with the usual morning honey-bread and also assist digestion, which is important for anyone who lives rather well after a certain age.
When I spoke Antonia’s name, my voice trembling and stammering, Nero’s salt gargle fastened in his throat, and he coughed as if he were about to choke. Acte had to thump him on the back and he was furious and chased her out of the room.
“What have you got to say about Antonia, you damned informer?” asked Nero, when Acte had gone and he could talk again.
I confessed that hitherto I had kept it from him that Antonia had been involved in Piso’s conspiracy, out of respect for her father Emperor Claudius, who in his time had been kind enough to give me the name Lausus when I received my man-toga. But my conscience would not leave me in peace when it came to Nero’s safety.
I threw myself onto my knees and told him that Antonia had many a time summoned me at night and with promises of rewards and high office, had tried to persuade me to join the conspiracy. She considered that as a close friend to Nero, I had excellent opportunities to plan to murder him with poison or a dagger.
To add salt to his wounds, I also told him that Antonia had promised to marry Piso after the coup. This absurd rumor wounded his vanity more than anything else, for Antonia had rejected Nero in a most decisive manner.
But Nero was doubtful still and did not trust me. It seemed to be beyond his understanding that a woman such as Antonia could have shown confidence in me, who in his eyes was an insignificant person.
He now had me arrested and put under the guard of the centurion on duty in the Palace, in one of the uncompleted rooms in which a well-known craftsman was doing a magnificent painting of the duel between Achilles and Hector on the walls of Troy. Nero was a Julian and wished to remind his guests that he was descended from an improper relationship between the Trojan Aeneas and Venus. So he never worshiped in the temple of Vulcan, for instance, but always spoke disparagingly of Vulcan. The influential guild of smiths did not like this at all.
The smell of paint irritated me as much as the artist’s self-conscious performance. He would not permit me to talk to my guard even in whispers, in case we disturbed him in his important work. I was affronted that Nero had not put me under the guard of a tribune so that I had to make do with the company of a centurion, although he was a Roman knight. To pass the time and soothe my inner tension, we could have talked about horses if only that conceited craftsman had not forbidden it.
I dared not insult him, for he was high in Nero’s favor. Nero treated him with respect and had given him citizenship. So he always painted dressed in a toga, however absurd it looked. Nero had once even said that he would be glad to promote him to the rank of knight, but nevertheless had not done so. A colored animal trainer was one thing, but a craftsman who painted pictures as a profession-no, there are limits. Even Nero realized this.
I had to wait until the afternoon, but Nero did have food sent to me from his own table, so I was not all that anxious. The centurion and I played dice in silence and we drank some wine, though not enough to intoxicate him since he was on duty. I took the opportunity to send a message to Claudia to say that I had been arrested as a suspect.
Although your mother knew perfectly well I had to secure your future, in her woman’s way she did not like the politically necessary role of informer. I now wished to make her a little anxious for my safety, although I myself was not as anxious as I led her to understand in the message. But then I knew Nero’s whims and did not trust his advisers, not even Tigellinus, although for several reasons he owed me a debt of gratitude.
I was temptingly wealthy, even if I had done my best to hide the true size of my fortune. I remembered uneasily the death of Consul Vestinus, whom we had not even taken into the conspiracy. Fortunately, I knew that Statilia Messalina was on my side for this very reason.
Of course, no marriage had yet taken place between her and Nero, for the laws prescribe a waiting period of nine months, but Statilia was preparing a brilliant wedding feast anyhow, and Nero had already had a foretaste of her charms while Vestinus was still alive. Nero had presumably turned to Acte when Statilia was making sacrifices to the Moon Goddess to make herself a better woman. I knew Acte was sympathetic toward the Christian teaching, and she tried to strengthen Nero’s good qualities, which indeed he possessed, though the task was probably beyond any woman.
Statilia did the opposite. She was the first woman in Rome to introduce the originally German fashion of wearing her left breast bared. She could afford to do this, for she was proud of her well-shaped breasts. Women who were less well equipped by nature were affronted by this new fashion and thought it indecent, as if there were something evil in showing a lovely breast. Even the priestesses at public sacrifices and the Vestals themselves appear on some occasions with their breasts bared, so the habit is more hallowed by a thousand years of tradition rather than indecent in any way.
By the evening, Tigellinus had gathered sufficient evidence of Antonia’s part in the conspiracy from the men who were still alive in Tul-lianum. Two cowardly informers had hastened up as well, to receive a share in the reward. Unblinkingly, they swore that Antonia really had promised to marry Piso as soon as he could rid himself of his wife, and that they had even exchanged betrothal gifts. At the search of Antonia’s house, a necklace of Indian rubies bought secredy by Piso from a Syrian goldsmith was found. How it came to be in Antonia’s house I do not know, nor do I wish to know.
All this evidence convinced Nero. He put on an act of despair, though naturally he was secretly pleased to have a legal reason for killing Antonia. To show me favor he invited me to see the menagerie in his new garden, where Epaphroditus had arranged a private display for his amusement. I was surprised to see some naked boys and girls tied to posts near the lion cages. Epaphroditus was equipped with an animal trainer’s red-hot iron and a sword at his side, but he made a sign to me that I need not worry.
To tell the truth, I was quite frightened when a dull roar was suddenly heard and a lion came rushing toward the posts, its tail thrashing. It rose on its hind legs to claw at the naked victims and sniffed at their sex organs in a disgusting way. To my astonishment the youngsters suffered no injuries at all as they twisted and turned in terror. When the lion had calmed down a little, Epaphroditus stepped forward and thrust his sword into its belly so that the blood spattered forth and the lion tumbled over, kicking its paws about in the air and dying as credibly as one could wish for.
