mood in camp felt optimistic.

Thirty days after Hyacinth's disappearance, which was also twenty days after Bakhtiian's return to the army, they came to a great river that wound through the land. There, like a vision on the other side of the river, Diana saw a city with gleaming white walls and silver towers and goats grazing peaceably outside the walls amid the sprawl of huts and hovels where, presumably, the poorest people lived. The city astonished her, all marble and colored tile, a romantic's dream. Beyond the city, grain ripened in the sun, and farther still, orchards blanketed the gentle slopes of surrounding hills. This was a beautiful countryside, rich, fertile, and handsome. And yet, on this side of the river, the army arranged its camp on fields long since trampled and withered by the summer's heat. She felt a sudden, sharp sympathy for the Habakar people and for their lands. What a horrible thing it was, to destroy such beauty. How had this piece survived? Had the jaran army been unable to cross the river?

But even as she thought it, she saw a troop of red-shirted, armored horsemen riding out from around the city: jaran riders. What if one of them was Anatoly? She had an hour before her call for rehearsal, so she ran to the Veselov camp, hoping to get news from Anna.

The Veselov camp was settling in for what Diana could now recognize was a long stay-at least two days. Girls beat carpets and laid them out to air in the sun. Three boys dug out a huge fire pit in the center of the camp, in front of Anna's great tent. Mira, running around with a pack of children, caught sight of Diana and ran over to greet her with a kiss. Diana hoisted her up and went in search of her mother. She found Anna at the other edge of camp, saying good-bye to her husband. Kirill rode off with a handful of other men, including the gorgeous cousin Vasil, and Arina turned and saw Diana.

'I'm so pleased to see you.' Arina kissed her on each cheek and regarded her with pleasure. They exchanged more commonplaces as they walked back into camp.

'Will the camp be staying here for long?' Diana asked.

'Yes. There's forage and supplies to be had here. Yaroslav Sakhalin has returned.'

'With his whole army?'

'Oh, no. Evidently they've laid in a siege at the king's royal city, but Sakhalin returned to see if it was true that Bakhtiian did not die. Then he'll return. Kirill went to attend Bakhtiian.' She said it proudly. Diana thought it sweet how proud Arina was of her husband, who had done so well despite his debilitating injury. 'He can use his hand again, although it's very weak.'

'He can? How did that happen?'

'The gods graced him, I suppose. I think he's suffered enough.' Arina paused to survey her domain and to direct some girls in the placement of an awning, two tents, and a bronze stove. 'Do you think,' Arina added in a lower voice, 'that I'm selfish to hope that, even if his arm does heal, Kirill won't be able to ride with the army again?'

Which, like all of these men, was probably his greatest desire. 'No,' said Diana softly, touching Anna's hand, 'I don't think so. Is there any news of Anatoly? Did he come back with his uncle?' A surge of hope shook through her.

'I don't know. But Kirill will know, surely, when he returns.'

Diana lingered there until it was time for rehearsal, but Kirill did not return. That night, Anatoly did not come to her tent. In the morning Owen appeared in high good humor, having managed a coup of sorts. He had convinced Bakhtiian to let the troupe ride with a jaran escort into the Habakar city and there put on a performance. He chose The Caucasian Chalk Circle in its untranslated, unexpurgated form, since these Habakar people could not understand them anyway and would presumably have no problem accepting a male as judge. Diana already played the leading role, and Owen and Ginny, as understudies, could cover Hyacinth's parts.

They rode out in the wagons about noon. Members of the Veselov jahar had been assigned as their escort. Arina agreed to come along, and the excursion along a winding road past a bend in the river and to the long pontoon bridge laid out over the waters proved marvelous. It was hot, but not too hot. Trees lined the riverside, shading the road. Rushes carpeted the shore. Out on the water, with the huge inflated skins and wooden road rocking beneath them, a breeze sprang up and curled in Diana's hair and cooled her cheeks. The muddy water flowed on, oblivious to their passing. If only Anatoly were here, this day would be perfect, but Arina had not seen Kirill since he went to council with Bakhtiian. Vasil had come back to lead the little expedition, but he had no news. However, Anna had heard from Mother Sakhalin that Anatoly was not with his uncle and that, indeed, Yaroslav Sakhalin had already ridden out at dawn, to go back to his army.

On the other side of the river, Diana felt like she had come to some fairy country. Farmers stared at them from fields turning gold in the stark, clean light of the summer sun. The people looked cautious and frightened, but their clothes were sturdy and their faces hale. Grain trembled in the wind, flowing in waves across lush acreage, bordered by dry ditches out of which green shoots and scarlet lilies poked ragged heads. The city loomed before them. With their escort around them, the company passed through the open gates without the least trouble and trundled into a city for the first time in what seemed years.

Diana stared, enchanted by the scene. Gardens flowered between orderly groups of stone and mudbrick houses. Trees overhung the streets. A marble fountain graced a courtyard, glimpsed through a latticework doorway. A white citadel rose in the center of the city; off to one side soared the delicate minarets of what she presumed was either a palace or a temple. Down side streets she saw Habakar natives dressed in bright clothing, hurrying about their business. This main thoroughfare along which they rode sat deserted, as if the populace had been warned to stay out of their way. Pale brick paved the avenue, so smooth and cunningly fitted together that the wagons did not jolt at all as they made their way in to the central marketplace. Would it, too, be deserted?

But the market colonnade bustled with activity, even when they reached it with their escort of dread jaran riders. Streamers of variegated silk hung from the sexpartite vaults that made up the colonnade, which were otherwise open to the air on all sides. Diana could see that it was gloomy underneath the vaulted colonnades, but all around on the outskirts old women in embroidered black shawls sold fruit and vegetables from the backs of painted carts and men with frogged, knee-length brocaded jackets and dyed leather shoes hawked bolts of silk and utensils of bronze and iron. The intense bustle of the marketplace slowed to a halt as Habakar merchants and buyers froze and stared. Many melted away. Others, more brazen or perhaps simply resigned, returned to their business. Veselov fanned his riders out, and they sat with their horses on a tight rein and watched this activity with perplexed expressions. Owen herded the actors out of the wagons and, in record time, they set up the platform and placed the screens for their makeshift stage.

They drew an odd sort of audience while they set up. People stared but did not linger, as if they did not want to draw attention to themselves. Children edged close to watch and were dragged away by their elders.

Owen strode up to Diana as she adjusted a screen to Joseph's precise specifications: a 38-degree angle exactly, no more, no less. 'Diana. Who is that?' He gestured. She turned.

He was looking straight at Vasil Veselov, who sat astride his horse not fifty paces from them, watching the stage assembly with interest. With that absolute instinct for an audience that he possessed, Vasil shifted his gaze to look toward Owen and Diana.

'That's Vasil Veselov. He's Anna Veselov's cousin, and he's also dyan-warleader-of their tribe.'

'Perfect.' Owen examined Veselov. 'Look at the angle of the shoulders, and the tilt of the chin. He's canted just off center, too, in his seat on the horse, which draws attention without seeming to and without imperiling his stability in the saddle. And that face. Goddess, if I'd had that face, I would have stayed an actor.'

'A good thing you didn't have it, then,' retorted Diana, stung by his praise. It wasn't as if Veselov was acting; he was just being himself. She had never heard Owen praise anyone so extravagantly, not even Gwyn. 'Everyone says your genius is for directing.'

'So it is,' agreed Owen without a trace of arrogance. 'He's acting without knowing he's doing it, and he's doing it right, by and large. I've been watching him for the whole ride over here. He's taught himself the art of listening and the art of connecting. Do you know how many competent actors I've worked with who took years to get where he is now?'

Diana wondered ungraciously if Owen counted her among their number, but then Yomi came over to chase her back to the tent set up as a dressing room behind the platform.

The performance was a disaster and yet absolutely wonderful. The setting itself could not be improved upon. Coming onstage for her first entrance, Diana felt transported to some ancient scene. They could have been any group of itinerant actors out making their way along the Silk Road, the famous Earth trade route that ran across the mountains and deserts and steppes of Asia, stopping in this medieval oriental city made glorious by its marble

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