last real five-and-dime, a long dim room with the feeble, fly-specked overhead globes hung on chains and reflected murkily in the creaking but often-waxed wooden floor, had been The Ben Franklin Store. It had given up the ghost in 1978 to make way for a video-games arcade called Galaxia and E-Z Video Rentals, where Tuesday was Toofers Day and no one under the age of twenty could go in the back room.

LaVerdiere's carried everything the old Ben Franklin had carried, but the goods were bathed in the pitiless light of Maxi-Glo fluorescent bars which gave every bit of stock its own hectic, feverish shimmer. Buy me! each item seemed to shriek. Buy me or you may die! Or your wife may die! Or your kids! Or your best friend! Possibly all of them at once! Why? How should I know? I'm just a brainless item sitting on a Prefab LaVerdiere's shelf! But doesn't it feel true? You know It does! So buy me and buy me RIGHT ... NOW!

There was an aisle of notions, two aisles of first-aid supplies and nostrums, an aisle of video and audio tapes (both blank and pre-recorded). There was a long rack of magazines giving way to paperback books, a display of lighters under one digital cash-register and a display of watches under another (a third register was hidden in the dark corner where the pharmacist lurked in his lonely shadows). Halloween candy had taken over most of the toy aisle (the toys would not only come back after Halloween but eventually take over two whole aisles as the days slid remorselessly down toward Christmas). And, like something too neat to exist in reality except as a kind of dumb admission that there was such a thing as Fate with a capital F, and that Fate might, in its own way, indicate the existence of that whole 'other world' about which Pop had never before cared (except in terms of how it might fatten his pocketbook, that was) and about which Kevin Delevan had never before even thought, at the front of the store, in the main display area, was a carefully arranged work of salesmanship which was billed as the FALL FOTO FESTIVAL.

This display consisted of a basket of colorful autumn leaves spilling out on the floor in a bright flood (a flood too large to actually have come from that one basket alone, a careful observer might have concluded). Amid the leaves were a number of Kodak and Polaroid cameras - several Sun 660s among the latter - and all sorts of other equipment: cases, albums, film, flashbars. In the midst of this odd cornucopia, an oldfashioned tripod rose like one of H. G. Wells's Martian death-machines towering over the crispy wreck of London. It bore a sign which told all patrons interested enough to look that this week one could obtain SUPER REDUCTIONS ON ALL POLAROID CAMERAS & ACCESSORIES!

At eight-thirty that morning, half an hour after LaVerdiere's opened for the day, 'all patrons' consisted of Pop Merrill and Pop alone. He took no notice of the display but marched straight to the only open counter, where Molly Durham had just finished laying out the watches on their imitationvelvet display-cloth.

Oh no, here comes old Eyeballs, she thought, and grimaced. Pop's idea of a really keen way to kill a stretch of time about as long as Molly's coffee-break was to kind of ooze up to the counter where she was working (he always picked hers, even if he had to stand in line; in fact, she thought he liked it better when there was a line) and buy a pouch of Prince Albert tobacco. This was a purchase an ordinary fellow could transact in maybe thirty seconds, but if she got Eyeballs out of her face in under three minutes, she thought she was doing very well indeed. He kept all of his money in a cracked leather purse on a chain, and he'd haul it out of his pocket - giving his doorbells a good feel on the way, it always looked to Molly - and then open it. It always gave out a little screee-eek! noise, and honest to God if you didn't expect to see a moth flutter out of it, just like in those cartoons people draw of tightwads. On top of the purse's contents there would be a whole mass of paper money, bills that looked somehow as if you shouldn't handle them, as if they might be coated with disease germs of some kind, and jingling silver underneath. Pop would fish out a dollar bill and then kind of hook the other bills to one side with one of those thick fingers of his to get to the change underneath - he'd never give you a couple of bucks, hunh-uh, that would make everything go too quick to suit him - and then he'd work that out, too. And all the time his eyes would be busy, flicking down to the purse for a second or two but mostly letting the fingers sort out the proper coins by touch while his eyes crawled over her boobs, her belly, her hips, and then back up to her boobs again. Never once her face; not even so far as her mouth, which was a part of a girl in which most men seemed to be interested; no, Pop Merrill was strictly interested in the lower portions of the female anatomy. When he finally finished - and no matter how quick that was, it always seemed like three times as long to Molly - and got the hell out of the store again, she always felt like going somewhere and taking a long shower.

So she braced herself, put on her best it's-only-eight-thirty-and-I've-got-seven-and-a-half-hours-to-go smile, and stood at the counter as Pop approached. She told herself, He's only looking at you, guys have been doing that since you sprouted, and that was true, but this wasn't the same. Because Pop Merrill wasn't like most of the guys who had run their eyes over her trim and eminently watchable superstructure since that time ten years ago. Part of it was that Pop was old, but that wasn't all of it. The truth was that some guys looked at you and some - a very few - seemed to actually be feeling you up with their eyes, and Merrill was one of those. His gaze actually seemed to have weight; when he fumbled in his creaky old-maid's purse on its length of incongruously masculine chain, she seemed to actually feel his eyes squirming up and down her front, lashing their way up her hills on their optic nerves like tadpoles and then sliding bonelessly down into her valleys, making her wish she had worn a nun's habit to work that day. Or maybe a suit of armor.

But her mother had been fond of saying What can't be cured must be endured, sweet Molly, and until someone discovered a method of weighing gazes so those of dirty men both young and old could be outlawed, or, more likely, until Pop Merrill did everyone in Castle Rock a favor by dying so that eyesore of a tourist trap he kept could be torn down, she would just have to deal with it as best she could.

But today she was in for a pleasant surprise - or so it seemed at first. Pop's usual hungry appraisal was not even an ordinary patron's look; it seemed utterly blank. It wasn't that he looked through her, or that his gaze struck her and bounced off. It seemed to Molly that he was so deep in his thoughts that his usually penetrating look did not even reach her, but made it about halfway and then petered out - like a man trying to locate and observe a star on the far side of the galaxy with just the naked eye.

'May I help you, Mr Merrill?' she asked, and her feet were already cocking so she could turn quickly and reach up for where the pouches of tobacco were kept. With Pop, this was a task she always did as quickly as possible, because when she turned and reached, she could feel his eyes crawling busily over her ass, dropping for a quick check of her legs, then rising again to her butt for a final ocular squeeze and perhaps a pinch before she turned back.

'Yes,' he said calmly and serenely, and he might as well have been talking to one of those automated bank machines for all the interest in her he showed. That was fine by Molly. 'I'd like some' and then either a word she didn't hear right or one that was utter gibberish. If it was gobbledegook, she thought with some hope, maybe the first few parts of the complicated network of dykes, levees, and spillways the old crock had constructed against the rising sea of senility were finally giving way.

It sounded as if he had said toefilmacco, which wasn't a product they stocked ... unless it was a prescription drug of some sort.

'I beg pardon, Mr Merrill?'

'Film,' he said, so clearly and firmly that Molly was more than disappointed; she was convinced he must have said it just that way the first time and her ears had picked it up wrong. Maybe she was the one who was beginning to lose her dykes and levees.

'What kind would you like?'

'Polaroid,' he said. 'Two packs.' She didn't know exactly what was going on here, but it was beyond doubt that Castle Rock's premier dirty old man was not himself today. His eyes would still not focus, and the words ... they reminded her of something, something she associated with her five-year-old niece, Ellen, but she couldn't catch hold of it.

'For what model, Mr Merrill?'

She sounded brittle and actressy to herself, but Pop Merrill didn't even come close to noticing. Pop was lost in the ozone.

After a moment's consideration in which he did not look at her at all but seemed instead to study the racks of cigarettes behind her left shoulder, he jerked out: 'For a Polaroid Sun camera. Model 660.' And then it came to her,

Вы читаете Four Past Midnight
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату
×