even as she told him she'd have to get it from the display. Her niece owned a big soft panda toy, which she had, for reasons which would probably make sense only to another little girl, named Paulette. Somewhere inside of Paulette was an electronic circuit-board and a memory chip on which were stored about four hundred short, simple sentences such as 'I like to hug, don't you?' and 'I wish you'd never go away.' Whenever you poked Paulette above her fuzzy little navel, there was a brief pause and then one of those lovesome little remarks would come out, almost jerk out, in a somehow remote and emotionless voice that seemed by its tone to deny the content of the words. Ellen thought Paulette was the nuts. Molly thought there was something creepy about it; she kept expecting Ellen to poke the panda-doll in the guts someday and it would surprise them all (except for Aunt Molly from Castle Rock) by saying what was really on its mind. 'I think tonight after you're asleep I'll strangle you dead,' perhaps, or maybe just 'I have a knife.'

Pop Merrill sounded like Paulette the stuffed panda this morning. His blank gaze was uncannily like Paulette's. Molly had thought any change from the old man's usual leer would be a welcome one. She had been wrong.

Molly bent over the display, for once totally unconscious of the way her rump was poking out, and tried to find what the old man wanted as quickly as she could. She was sure that when she turned around, Pop would be looking at anything but her. This time she was right. When she had the film and started back (brushing a couple of errant fall leaves from one of the boxes), Pop was still staring at the cigarette racks, at first glance appearing to look so closely he might have been inventorying the stock. It took a second or two to see that that expression was no expression at all, really, but a gaze of almost divine blankness.

Please get out of here, Molly prayed. Please, just take your film and go. And whatever else you do, don't touch me. Please.

If he touched her while he was looking like that, Molly thought she would scream. Why did the place have to be empty? Why couldn't at least one other customer be in here, preferably Sheriff Pangborn, but since he seemed to be otherwise engaged, anyone at all? She supposed Mr Constantine, the pharmacist, was in the store someplace, but the drug counter looked easily a quarter of a mile away, and while she knew it couldn't be that far, not really, it was still too far for him to reach her in a hurry if old man Merrill decided to touch her. And suppose Mr Constantine had gone out to Nan's for coffee with Mr Keeton from the selectmen's office? The more she thought about that possibility, the more likely it seemed. When something genuinely weird like this happened, wasn't it an almost foregone conclusion that it should happen while one was alone?

He's having a mental breakdown of some kind.

She heard herself saying with glassy cheerfulness: 'Here you are, Mr Merrill.' She put the film on the counter and scooted to her left and behind the register at once, wanting it between her and him.

The ancient leather purse came out of Pop Merrill's pants, and her stuttering fingers miskeyed the purchase so she had to clear the register and start again.

He was holding two ten-dollar bills out to her.

She told herself they were only rumpled from being squashed up with the other bills in that little pocketbook, probably not even old, although they looked old. That didn't stop her galloping mind, however. Her mind insisted that they weren't just rumpled, they were rumpled and slimy. It further insisted that old wasn't the right word, that old wasn't even in the ballpark. For those particular items of currency, not even the word ancient would do. Those were prehistoric tens, somehow printed before Christ was born and Stonehenge was built, before the first low-browed, no-neck Neanderthal had crawled out of his cave. They belonged to a time when even God had been a baby.

She didn't want to touch them.

She had to touch them.

The man would want his change.

Steeling herself, she took the bills and shoved them into the cash register as fast as she could, banging a finger so hard she ripped most of the nail clear off, an ordinarily exquisite pain she would not notice, in her extreme state of distress, until sometime later ... when, that was, she had chivvied her willing mind around enough to scold herself for acting like a whoopsy little girl on the edge of her first menstrual period.

At the moment, however, she only concentrated on getting the bills into the register as fast as she could and getting her hand off them, but even later she would remember what the surfaces of those tens had felt like. It felt as if they were actually crawling and moving under the pads of her fingers; as if billions of germs, huge germs almost big enough to be seen with the naked eye, were sliding along them toward her, eager to infect her with whatever he had.

But the man would want his change.

She concentrated on that, lips pressed together so tightly they were dead white; four singles that did not, absolutely did not want to come out from beneath the roller that held them down in the cash drawer. Then a dime, but oh jesus-please-us, there were no dimes, and what the hell was wrong with her, what had she done to be saddled for so long with this weird old man on the one morning in recorded history when he actually seemed to want to get out of here in a hurry?

She fished out a nickel, feeling the silent, stinky loom of him so close to her (and she felt that when she was finally forced to look up she would see he was even closer, that he was leaning over the counter toward her), then three pennies, four, five ... but the last one dropped back into the drawer among the quarters and she had to fish for it with one of her cold, numb fingers. It almost squirted away from her again; she could feel sweat popping out on the nape of her neck and on the little strip of skin between her nose and her upper lip. Then, clutching the coins tightly in her fist and praying he wouldn't have his hand outstretched to receive them so she would have to touch his dry, reptilian skin, but knowing, somehow knowing that he would she looked up, feeling her bright and cheery LaVerdiere's smile stretching the muscles of her face in a kind of frozen scream, trying to steel herself for even that, telling herself it would be the last, and never mind the image her stupid, insisting mind kept trying to make her see, an image of that dry hand suddenly snapping shut over hers like the talon of some old and horrid bird, a bird not of prey, no, not even that, but one of carrion; she told herself she did not see those images, absolutely did NOT, and, seeing them all the same, she looked up with that smile screaming off her face as brightly as a cry of murder on a hot still night, and the store was empty.

Pop was gone.

He had left while she was making change.

Molly began to shudder all over. If she had needed concrete proof that the old geezer was not right, this was it. This was proof positive, proof indubitable, proof of the purest ray serene: for the first time in her memory (and in the living memory of the town, she would have bet, and she would have won her bet), Pop Merrill, who refused to tip even on those rare occasions when he was forced to eat in a restaurant that had no take-out service, had left a place of business without waiting for his change.

Molly tried to open her hand and let go of the four ones, the nickel, and the five pennies. She was stunned to find she couldn't do it. She had to reach over with her other hand and pry the fingers loose. Pop's change dropped to the glass top of the counter and she swept it off to one side, not wanting to touch it.

And she never wanted to see Pop Merrill again.

CHAPTER 15

Pop's vacant gaze held as he left LaVerdiere's. It held as he crossed the sidewalk with the boxes of film in his hand. It broke and became an expression of somehow unsettling alertness as he stepped off into the gutter ... and stopped there, with one foot on the sidewalk and one planted amid the litter of squashed cigarette butts and empty potato-chip bags. Here was another Pop Molly would not have recognized, although there were those who had been

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