Uncollected Stories 2003

Slade rushed to her and they embraced, Sam Columbine forgotten.

Slade was just about to ask her how things were going when Sam Columbine, evil rat that he was, crept up behind him and shot Slade in the back three times.

'Thank God!' Polly whispered as she and Sam embraced 'At last. he's gone and we are free, my darling!'

Yeah,' Sam growled. 'How are things going Polly?'

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“You don't know how terrible it's been,' she sobbed. 'Not only was he killing everybody, but he was queerer than a three-dollar bill.'

'Well it's over,' Sam said.

'Like fun!' Slade said. He sat up and blasted them both. 'Good thing I was wearing my bullet proof underwear,' he said, lighting a new Mexican cigar. He stared at the cooling bodies of Sam Columbine and Polly Peachtree, and a great wave of sadness swept over him. He threw away his cigar and lit a joint. Then he walked over to where he had tethered Stokely, his black stallion. He wrapped his arms around Stokely's neck and held him close.

'At last, darling,' Slade whispered. 'We're alone.'

After a long while, Slade and Stokely rode off into the sunset in search of new adventures.

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THE BLUE AIR COMPRESSOR

A gruesome short story King wrote when he was in college and then revised a decade later for a reprint in Heavy Metal. First published in Onan in 1971.

The house was tall, with an incredible slope of shingled roof. As he walked up toward it from the shore road, Gerald Nately thought it was almost a country in itself, geography in microcosm. The roof dipped and rose at varying angles above the main building and two strangely-angled wings; a widow's walk skirted a mushroom-shaped cupola which looked toward the sea; the porch, facing the dunes and lusterless September scrubgrass, was longer than a Pullman car and screened in. The high slope of roof made the house seem to beetle its brows and loom above him. A Baptist grandfather of a house.

He went to the porch and after a moment of hesitation, through the screen door to the fanlighted one beyond. There was only a wicker chair, a rusty porch swing, and an old discarded knitting basket to watch him go. Spiders had spun silk in the shadowy upper corners. He knocked.

There was silence, inhabited silence. He was about to knock again when a chair someplace inside wheezed deeply in its throat. It was a tired sound. Silence. Then the slow, dreadfully patient sound of old, overburdened feet finding their way up the hall. Counterpoint of cane: Whock...whock...whock... The floorboards creaked and whined. A shadow, huge and unformed in the pearled glass, bloomed on the fanlight. Endless sound of fingers laboriously solving the riddle of chain, bolt, and hasp lock. The door opened. 'Hello,' the nasal voice said flatly. 'You're Mr. Nately. You've rented the cottage. My husband's cottage.'

'Yes,' Gerald said, his tongue swelling in his throat. 'That's right.

And you're – '

'Mrs. Leighton,' the nasal voice said, pleased with either her quickness or her name, though neither was remarkable. 'I'm Mrs.

Leighton.'

this woman is so goddam fucking big and old she looks like oh jesus christ print dress she must be six-six and fat my god shes fat as a hog can't smell her white hair long white hair her legs those redwood trees she could be a tank she could kill me her voice is out of any context like 49

a kazoo jesus if i laugh i can't laugh can she be seventy god how does she walk and the cane her hands are bigger than my feet like a goddam tank she could go through oak oak for christs sake.

'You write.' She hadn't offered him in.

'That's about the size of it,' he said, and laughed to cover his own sudden shrinking from that metaphor.

'Will you show me some after you get settled?' she asked. Her eyes seemed perpetually luminous and wistful. They were not touched by the age that had run riot in the rest of her

wait get that written down

image: 'age had run riot in her with luxuriant fleshiness: she was like a wild sow let loose in a great and dignified house to shit on the carpet, gore at the Welsh dresser and send the crystal goblets and wine-glasses all crash-atumble, to trample the wine colored divans to lunatic puffs of springs and stuffing, to spike the mirrorbright finish of the great hall floor with barbarian hoofprints and flying puddles of urine'

okay shes there its a story i feel her

body, making it sag and billow.

'If you like,' he said. 'I didn't even see the cottage from the Shore Road, Mrs. Leighton. Could you tell me where – '

'Did you drive in?'

'Yes. I left my car over there.' He pointed beyond the dunes, toward the road.

A smile, oddly one-dimensional, touched her lips. 'That's why. You can only see a blink from the road: unless you're walking, you miss it.'

She pointed west at a slight angle away from the dunes and the house.

'There. Right over that little hill.'

'All right,' he said, then stood there smiling. He really had no idea how to terminate the interview.

'Would you like to come in for some coffee? Or a Coca-Cola?'

'Yes,' he said instantly.

She seemed a little taken back by his instant agreement. He had, after all, been her husband's friend, not her own. The face loomed above Gerald, moonlike, disconnected, undecided. Then she led him into the elderly, waiting house.

She had tea. He had Coke, Millions of eyes seemed to watch them. He felt like a burglar, stealing around the hidden fiction he could make of her, carrying only his own youthful winsomeness and a psychic flashlight.

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