also visualized others like him in a sea of arms, reaching for my dangling shirt tail as I hung there, all of them coming up to the surface to get me, or desperately reaching out as they were dragged down. A splurge of violent bubbling water popped to the surface, jolting me back to Skybar and, getting to my feet, I pulled myself to the shore and somehow managed to pull Kirby with me. He was still standing in a daze, eyes fixed on the tracks where the coaster car was falling toward us. And as we ran through the depot station past the empty coaster cars, I could hear the steady thud-thud-thud of the one car advancing on us. I shot a glance over my shoulder as we both ran on, my feet and eyes growing with every step. Then I let go of Kirby. I can't clearly remember when, but I remember all that ran through my mind 154
was
My legs were shaking, and my teeth began to chatter softly, and he walked up to me and put his arm around me.
'It's okay. We made it. We're pretty brave, huh? Right up and right down those rails. We're far away from it now, though. We're not there now'
I stared at him and wondered how the hell he got there. I couldn't recall dragging him with me. I couldn't believe how calm he stood there
– how he acted like it was all a scary movie at Starboard Cinema and we were walking home in the dark trying to calm ourselves down. Then he turned me toward the park and started to walk away.
'Coming?'
'Kirb, you're headin' the wrong way.'
I turned toward home and started to run again. After a while. Kirby came running up to me, and we didn't stop until we were five miles away from Skybar and on my front porch. I can still see the horror in poor Kirby's eyes as he saw his best friends and the Dragons drop to death before him. Even after seeing that smiling, rotting freak clambering from behind the safety bar of the coaster car that had rolled over Brant and the others, he stuck with me at the bottom and didn't run.
The only ones who acted as bravely as Kirby were the drunk Dragons who jumped at the first sight of the coaster car coming toward them.
Maybe it was bravery, maybe it was the liquor, but it doesn't matter because the 100 foot dive to the pond was a mistake either way. Brant and the rest may have tried to slide, but they never made it to safety and the authorities still haven't pulled their bodies from the murky pond waters to this day.
And still, in my dreams, I feel Kirby taking my hand and telling me it was okay; we were safe, we were home free. And then I heard the thud-thud-thud of a single SkyCoaster car rolling toward us. I want to tell Kirby not to look – 'Don't look, man!' I scream, but the words won't come out. He does look. And as the car rolls up to the deserted station, we see Randy Stayner lolling behind the safety bar, his head driven 155
almost into his chest. The fun-house clown begins to scream laughter somewhere behind us, and Kirby begins to scream with it. I try to run, but my feet tangle in each other and I fall, sprawling. Behind me I can see Randy's corpse pushing the safety bar back and he begins to stumble toward me, his dead, shredded fingers hooked into seeking claws. I see these things in my dreams, and in the moments before I wake, screaming, in my wife's arms, I know what the grown-ups must have seen that summer in the freak tent that was for Adults Only. I see these things in my dreams, yes, but when I visit Kirby in that place where he still lives, that place where all the windows are cross-hatched with heavy mesh, I see them in his eyes. I take his hand and his hand is cold, but I sit with him and sometimes I think: These things happened to me when I was young.
156
THE LEPRECHAUN
Incomplete novel King was writing for his son Owen in 1983, just as he had written
While on a trip to California, he wrote about 30 more pages of the story in the same notebook, which was lost off the back of his motorcycle (somewhere in coastal New Hampshire) on a trip from Boston to Bangor. He mentioned that he could reconstruct what was lost, but had not gotten around to it (as of June, 1983). The only part that still exists today is the 5 typescript pages that had been transcribed. The 5 pages, plus a 3-page cover letter to a senior editor at Viking are now owned by a King collector.
Once upon a time – which is how all the best stories start – a little boy named Owen was playing outside his big red house. He was pretty bored because his big brother and big sister, who could always think of things to do, were in school. His daddy was working, and his mom was sleeping upstairs. She asked him if he would like a nap, but Owen didn't really like naps. He thought they were boring.
He played with his G.I. Joe men for awhile, and then he went around to the back and swung on the swing for awhile. He gave the tetherball a big hit with his fist –
He got around to the front of the house and that was when he saw Springsteen in the grass. Springsteen was his big sister's new cat. Owen liked most cats, but he didn't like Springsteen much. He was big and black, with deep green eyes that seemed to see everything. Every day Owen had to make sure that Springsteen wasn't trying to eat Butler.
Butler was Owen's guinea pig. When Springsteen thought no one was around, he would jump up on the shelf' where Butler's big glass cage was and stare in through the screen on top with his hungry green eyes.
Springsteen would sit there, all crouched down, and hardly move at all.
Springsteen's tail would wag back and forth a little, and sometimes one of his ears would flick a bit, but that was all.
he would make him get down. Sometimes Springsteen put his claws out (although he knew better than to try to put them in Owen) and Owen imagined the black cat saying,