area in the great man's presence. When Sean returned to the art room, his ardour, far from being cooled by the Malacca cane, was rather inflamed to unbearable proportions, but he realized he had to change tactics.
He discussed it with his henchman, Snotty Arbuthnot, and was only mildly discouraged by Snotty's advice. 'Forget it, man. Every fellow in school is whacking away thinking about Marsh Mallows --' the nickname was a reference to Clare East's bosom, 'but Tug saw her at the movies with some chap at least thirty, with a mustache and his own car. They were smooching away like mad dogs in the back row. Why don't you go and see Poodle instead?' Poodle was a sixteen-year-old from Rustenberg Girls' School, just across the railway line from Bishops. She was a young lady with a mission in life, to see as many boys across the borders of manhood as she could fit into her busy afternoons. Though Sean had never spoken to her, she had been a spectator at every one of his recent cricket matches and she had sent a message to him through a mutual friend suggesting a meeting in the pine forest on Rondebosch Common.
'She looks like a poodle,' Sean dismissed the suggestion scornfully, and resigned himself to distant adoration of Clare East, until one day he was searching her desk for those black Portuguese cigarettes for which he had developed a taste. Love did not mean he could not steal from her. In a locked drawer which he picked with a paper clip, he came across a stiff cardboard folder tied with green ribbons. The folder contained over twenty pencil drawings of nude male models, all of them signed and dated by Clare East, and after the first jealous shock, Sean realized that each drawing was of a different subject with only one common feature. While the models' faces had been roughed in, their genitals had been depicted in minute and loving detail, and all of them were fully tumescent.
What Sean had discovered was Clare's collection of scalps, or an equivalent thereof. Clare East had strong tastes, but even more than garlic and red wine she needed men in her diet. This was so evident in the secret folder that all Sean's deflated hopes were once more revived, and that night he commissioned Michael, for the sum of five shillings, to paint a portrait of Clare East in Sean's art book.
Michael was in the junior art class and was able to make his studies for the portrait without the model's knowledge, and the completed work surpassed even Sean's expectations. He submitted the portrait and at the end of the following session Clare dismissed the class with a rider, .'Oh Sean, will you please remain behind?' When the art room was cleared, she opened his art book at the painting of herself.
'Did you do this, Sean?' she asked. 'It really is very good.' The question was innocent enough, but the difference between the portrait and Sean's own murky compositions was so evident that even he saw the danger of claiming authorship.
'I was going to tell you I did it,' he admitted openly, 'but I can't lie to you, Miss East. I paid my brother to do it for me.' 'Why, SeanT 'I suppose because I like you so much,' he mumbled, and to her surprise she saw that he was actually blushing. Clare was touched.
Up to that time she had actively disliked this boy. He was brash and cocky and a disruptive influence in her class. She was certain that it was he who was stealing her cigarettes.
This unsuspected sensitivity surprised her, and suddenly she realized that his bumptious behaviour had been to attract her attention. She relented towards him, and over the following days and weeks she showed Sean that she had forgiven him, by giving him small largesse - from a special smile to an extra few minutes of her time tidying up his creative efforts.
In return Sean began leaving gifts in her desk, thereby confirming her suspicion that he had been into it before. However, the theft of cigarettes stopped and she accepted the offerings of fruit and flowers without comment, just a smile and a nod as she passed his easel.
Then one Friday afternoon she opened her drawer and there lay a blue enamel box with 'Garrards' in gold lettering on the lid. She opened it with her back turned to the class, and she started uncontrollably and almost dropped the box as she realized that it contained a brooch of white gold. The centrepiece was a large star sapphire, and even Clare, who was no judge of gems, realized that it was an exquisite stone. It was surrounded by small diamonds set in a star pattern. Clare experienced a giddy rush of avarice. The brooch must certainly be worth many hundreds of pounds, more money than she had ever had in her hand at one time, more than a year's salary at her present parsimonious rate of pay.
Sean had taken the piece from his mother's dressing-table and hidden it in the thatch of the saddle room behind the stables until the furore had died down. All the house servants had been interrogated, first by Shasa, who was outraged by this breach of faith. Nothing, apart from liquor, had ever been stolen by his employees before. When his own investigations ran into a dead end, Shasa called in the police.
Fortunately for Sean, it transpired that one of the junior maids had previously served a six-month sentence for theft from an employer. She was obviously guilty and the Wynberg magistrate gave her eighteen months, her offence compounded by her obstinate refusal to return the stolen brooch. Since she was now over twenty-one years, the maid was sent to the Pollsmoor Women's Prison.
Sean had waited another ten days for the incident to be forgotten before presenting the gift to the object of his passion. Clare East was mightily tempted. She realized that the brooch must have been stolen, but on the other hand she was, as usual for her, in serious financial difficulty. This was the only reason she had taken on her present employment. She looked back with nostalgic regret on the idle days of eating and drinking and painting and making love which had led her into her present embarrassed circumstances. The brooch would solve it all'. She had no scruples of conscience, but a terror of being convicted of theft. She knew that her free and creative soul would wither behind the bars of a women's prison.
Surreptitiously she returned he brooch to her desk drawer and for the rest of that art period she was distracted and withdrawn. She chain-smoked cigarettes and kept well clear of the rear of the art room, where Sean made a fine picture of innocence as he applied himself with unusual industry to his easel. She did not have to tell him to remain behind when the bell rang at the end of the period.
He came to where she sat at her desk.
'Did you like it?' he asked softly, and she opened the drawer and placed the enamel box in the centre of the desk between them.
'I cannot accept it, Sean,' she said. 'You know that very well.' She didn't want to ask him where he had obtained it. She didn't want to know, and involuntarily she reached out to touch the box for the last time. The enamel surface felt like a new-laid egg, smooth and warm to the touch.
'It's all right,' Sean said quietly. 'Nobody knows. They think somebody else took it. It's quite safe.' Had the child seen through her so easily? She stared at him. Was it one amoral soul recognizing another? It made her angry to be found out, to have her greed so exposed. She took her hand off the box and placed it in her lap.
She drew a breath, and steeled herself to repeat her refusal, but Sean stilled her by opening his art book and taking out three loose leaves. He placed them beside the blue enamel box, and she drew a hissing breath. They were her own drawings from her fun folder, signed by herself.
