loves a man (so my mother used to express her opinion), it is that man's fault, no matter what the obstacles may be, if he fails to make her his wife. Reverting to this view in various ways, she pressed it on my consideration one day in these words:
'There is one drawback, George, to my happiness in being here with you. I am an obstacle in the way of your communicating with Mrs. Van Brandt.'
'You forget,' I said, 'that she has left England without telling me where to find her.'
'If you were free from the incumbrance of your mother, my dear, you would easily find her. Even as things are, you might surely write to her. Don't mistake my motives, George. If I had any hope of your forgetting her—if I saw you only moderately attracted by one or other of the charming women whom we know here—I should say, let us never speak again or think again of Mrs. Van Brandt. But, my dear, your heart is closed to every woman but one. Be happy in your own way, and let me see it before I die. The wretch to whom that poor creature is sacrificing her life will, sooner or later, ill-treat her or desert her and then she must turn to you. Don't let her think that you are resigned to the loss of her. The more resolutely you set her scruples at defiance, the more she will love you and admire you in secret. Women are like that. Send her a letter, and follow it with a little present. You talked of taking me to the studio of the young artist here who left his card the other day. I am told that he paints admirable portraits in miniatures. Why not send your portrait to Mrs. Van Brandt?'
Here was the idea of which I had been vainly in search! Quite superfluous as a method of pleading my cause with Mrs. Van Brandt, the portrait offered the best of all means of communicating with Miss Dunross, without absolutely violating the engagement to which her father had pledged me. In this way, without writing a word, without even sending a message, I might tell her how gratefully she was remembered; I might remind her of me tenderly in the bitterest moments of her sad and solitary life.
The same day I went to the artist privately. The sittings were afterward continued during the hours while my mother was resting in her room, until the portrait was completed. I caused it to be inclosed in a plain gold locket, with a chain attached; and I forwarded my gift, in the first instance, to the one person whom I could trust to assist me in arranging for the conveyance of it to its destination. This was the old friend (alluded to in these pages as 'Sir James') who had taken me with him to Shetland in the Government yacht.
I had no reason, in writing the necessary explanations, to express myself to Sir James with any reserve. On the voyage back we had more than once spoken together confidentially of Miss Dunross. Sir James had heard her sad story from the resident medical man at Lerwick, who had been an old companion of his in their college days. Requesting him to confide my gift to this gentleman, I did not hesitate to acknowledge the doubt that oppressed me in relation to the mystery of the black veil. It was, of course, impossible to decide whether the doctor would be able to relieve that doubt. I could only venture to suggest that the question might be guardedly put, in making the customary inquiries after the health of Miss Dunross.
In those days of slow communication, I had to wait, not for days, but for weeks, before I could expect to receive Sir James's answer. His letter only reached me after an unusually long delay. For this, or for some other reason that I cannot divine, I felt so strongly the foreboding of bad news that I abstained from breaking the seal in my mother's presence. I waited until I could retire to my own room, and then I opened the letter. My presentiment had not deceived me.
Sir James's reply contained these words only: 'The letter inclosed tells its own sad story, without help from me. I cannot grieve for her; but I can feel sorry for you.'
The letter thus described was addressed to Sir James by the doctor at Lerwick. I copy it (without comment) in these words:
'The late stormy weather has delayed the vessel by means of which we communicate with the mainland. I have only received your letter to-day. With it, there has arrived a little box, containing a gold locket and chain; being the present which you ask me to convey privately to Miss Dunross, from a friend of yours whose name you are not at liberty to mention.
'In transmitting these instructions, you have innocently placed me in a position of extreme difficulty.
'The poor lady for whom the gift is intended is near the end of her life—a life of such complicated and terrible suffering that death comes, in her case, literally as a mercy and a deliverance. Under these melancholy circumstances, I am, I think, not to blame if I hesitate to give her the locket in secret; not knowing with what associations this keepsake may be connected, or of what serious agitation it may not possibly be the cause.
'In this state of doubt I have ventured on opening the locket, and my hesitation is naturally increased. I am quite ignorant of the remembrances which my unhappy patient may connect with the portrait. I don't know whether it will give her pleasure or pain to receive it, in her last moments on earth. I can only decide to take it with me, when I see her to-morrow, and to let circumstances determine whether I shall risk letting her see it or not. Our post to the South only leaves this place in three days' time. I can keep my letter open, and let you know the result.
'I have seen her; and I have just returned to my own house. My distress of mind is great. But I will do my best to write intelligibly and fully of what has happened.
'Her sinking energies, when I first saw her this morning, had rallied for the moment. The nurse informed me that she had slept during the early hours of the new day. Previously to this, there were symptoms of fever, accompanied by some slight delirium. The words that escaped her in this condition appear to have related mainly to an absent person whom she spoke of by the name of 'George.' Her one anxiety, I am told, was to see 'George' again before she died.
'Hearing this, it struck me as barely possible that the portrait in the locket might be the portrait of the absent person. I sent her nurse out of the room, and took her hand in mine. Trusting partly to her own admirable courage and strength of mind, and partly to the confidence which I knew she placed in me as an old friend and adviser, I adverted to the words which had fallen from her in the feverish state. And then I said, 'You know that any secret of yours is safe in my keeping. Tell me, do you expect to receive any little keepsake or memorial from 'George'?
'It was a risk to run. The black veil which she always wears was over her face. I had nothing to tell me of the effect which I was producing on her, except the changing temperature, or the partial movement, of her hand, as it lay in mine, just under the silk coverlet of the bed.
'She said nothing at first. Her hand turned suddenly from cold to hot, and closed with a quick pressure on mine. Her breathing became oppressed. When she spoke, it was with difficulty. She told me nothing; she only put a question:
''Is he here?' she asked.
'I said, 'Nobody is here but myself.'
''Is there a letter?'
