She was busy with her cigarette. It was all she could do to keep from grinning, grinning with guilt and shame and defiance, and that would only make it worse. And she needed Sax on her side, now more than ever. If he knew—and the thought made her stomach clench—then they all knew, and they wouldn’t find it very funny. She was an accessory, an aider and abettor. She could go to jail. “I wanted to tell you, Sax—I was going to—” she began, and then she trailed off. The light heightened. The room was silent. “Look, Sax: it was a game. Something I knew that none of them did—not Peter Anserine or Laura Grobian or Irving Thalamus either. I was insecure here, you know that. And this was something I could hold on to, something of my own—”
“Yeah,” he said, his voice thick with disgust and self-pity, “but what about me?”
She was angry suddenly. She was in trouble—deep trouble—and he’d put her there. “No,” she said, stabbing the cigarette at him for emphasis, “what about
His face changed. She loved him, she did, but he was weak inside, and now she had him. “You, you never told me,” he stammered. “I see him there on your porch and I’m thinking about all those cans of fried dace and bamboo shoots—what do you expect me to do? I mean, at least you could have told me.”
“You shit, Sax.” Now she was crying. Her shoulders quaked a bit and the sheet slipped to her waist. She reached for it, to cover her breasts, but then she let it fall away again. She could see herself as through the lens of a camera, sobbing in the morning light, in bed, naked to the waist, betrayed by her man and at the mercy of the authorities. It was a poignant moment, just like real life. She glanced up at Saxby. He was struck dumb.
“Don’t you ever think?” she gasped. “Don’t you know what this means? They’re going to come after
Saxby came to her. She felt him ease down on the bed, reach out to stroke her arm. “Hush,” he said. “You know I won’t let anything happen to you.”
“I’m scared,” she said, and she was holding him. “He was just—it was like a stray dog or something,” and then she was sobbing all over again.
Sheriff Peagler stopped by around noon, a grim-looking Abercorn and grimmer-looking Turco flanking him. There was no Sunday morning ferry, so they’d put Hiro in an old slave-holding cell for safekeeping till Ray Manzanar made his eight o’clock run to the mainland and back. (There was an earlier ferry, at six, but as the sheriff was to inform Ruth with an executioner’s grin, they were going to need all the daylight they had to comb over the scene for evidence.) Ruth knew the cell—it was out back of John Berryman, the closest of the studios to the big house, and currently occupied by Patsy Arena. Saxby had showed her the cell the day they arrived: it was the sort of thing tourists liked to look at. Actually, there were two cells, stone and crumbling plaster, big oaken doors with sliding bolts and a barred window twelve feet off the ground. The planters would immure a new slave in the one—wild- eyed, feverish, fresh from Goree or Dakar and the scarifying trip across the pitching wild sea—and in the other, a long-broken docile doddering old fatherly type, and the old slave would sweet-talk the new one, calm his fears, indoctrinate him. The cells were in an outbuilding behind the studio. If it weren’t for the trees, you could have seen it from the big house.
Ruth had had four hours to compose herself, though all Than-atopsis was abuzz with the news. She’d posted Saxby at the door—Irving had been by, Sandy, Bob, Ina, Regina, even Clara and Patsy, but Saxby wouldn’t let them in. She’d hear the knock, watch Saxby rise, pull back the door and step into the hallway, and then she’d strain to hear the whispered colloquy that followed. At eleven, Septima herself, regal in a blue silk dress with lace trim and pearls, huffed her way up the stairs. Saxby couldn’t deny his own mother, and he helped her into the room. Ruth was in bed still, feeling like an invalid, though she’d pulled on a blouse and shorts. “I really don’t know whatever this is all about,” Septima began in her breathy old patrician’s tones, “but I do suspect that you are entirely innocent of any wrongdoin’, Ruthie—isn’t that right?”
Ruth assured her that it was. “If he was in there, Septima—and it burns me to think of all that beautiful old paneling all shot full of holes, and god knows what they did to my typewriter and the manuscript I’ve been slaving over for the last six weeks—if he was there, you have to know it was totally without my knowledge or consent. He snuck in at night, I guess. Who’s to stop him?”
Septima sniffed. She trained her watery gray eyes on something outside the window. “And you never noticed anythin’ amiss, Ruthie? Nothin’ out of place?”
Ruth was ready for this one. She forced a smile, and she shrugged. “I’m embarrassed to say it,” she said, indicating the room, which was a festival of strewn underwear, tops, socks, shoes, spine-crushed books, rolls of toilet paper and tattered magazines, “but you know, I’ve never been much at keeping things up. It’s my artistic temperament, I guess.” She looked up at Sax. He looked away. “Sax can tell you: where it drops, it stays.”
Sheriff Peagler wanted to know the same thing.
It was noon. They were in the front parlor—she and Saxby, Peagler, Abercorn and Turco—and the door was shut behind them. It was hot—stifling—and though the windows were open wide, there wasn’t even the hint of a breeze. The house was quiet. The diehards among the colonists were dispersed in their studios, typing, painting, molding clay and poring over scores; the others were sailing, fishing, taking the air in Savannah.
Sheriff Peagler—Theron Peagler, college-educated and cold as a snake—leaned toward her. He was sitting in a leather wing chair and he held an untouched glass of ice water in his hand. In a minute he would ask Saxby to leave the room. Rut now he leaned forward to ask Ruth if she’d ever noticed anything out of place in the studio—the furniture moved around, the windows up, anything.
Ruth had spent some time on her makeup, marshaling all the weapons in her arsenal. She had a feeling she was going to need them. She’d glanced at Abercorn when they stepped into the room, but that was it—she really couldn’t look him in the eye. Not yet, anyway. She took a minute. Smoothed her skirt. Composed herself. “Septima —Mrs. Lights—asked me the same thing. But you must have seen the place, I mean, even before they started shooting it up”—a dig, a tiny dig—“and it’s a real mess. I’m sorry. I’m just not much for housekeeping. I mean, I don’t notice things.”
This was the point at which the sheriff glanced up at Saxby and asked if he wouldn’t mind leaving the room.
Saxby looked at Ruth, and then at the sheriff, and finally he heaved himself up out of the chair and strode across the floor. Ruth counted his footsteps—eight, nine, ten—and listened to the gentle, well-oiled click of the heavy walnut door as it shut behind him. She felt hot and cold suddenly and her heart was singing in her ears. She could hear them breathing on either side of her. There was no other noise.
No one said a word. Hot and cold. Ruth stared at the carpet and for a moment she considered going faint with the heat, but she rejected the notion as soon as it entered her head—it would only incriminate her. They were toying with her, she realized, toying with her, the little pricks. She felt Abercorn’s eyes on her, and she lifted her head.
The blotted skin, pink eyes, hair like false whiskers: how could she ever have considered him even remotely attractive? He was trying to stare her down, a crease of rage between his hard pink bunny’s eyes. Let him stare. She gave it right back to him.
“Miss Dershowitz.” The sheriff was addressing her. She held Abercorn’s gaze a second longer than she had to, and then turned to look at the leathery little man in the jeans, workshirt and badge. He looked sly, insidious, a man who’d heard all the alibis and knew all the answers. Her courage failed her. She would break down, that’s it. Break down and admit it all.
“About the food. We found—what do you call it—
“I wouldn’t know.” Her own voice sounded strange to her, distant. “Maybe he brought the stuff in at night. I don’t eat dried roots.”
“Cut the shit, lady.” Turco’s voice came at her like a kick in the side, and she shot her eyes at him; he was perched on the edge of the chair, mouth working in his beard, a little homunculus, the gnome that violates the virgin in the fairy tale. “Just cut it, will you? You been jerking us around here for six weeks now.”
Ruth turned away from him. She would break down, yes, but prettily, and in her own good time.
“Enough,” Abercorn spat, and Ruth was shocked at the rage in his voice. He was big, powerful in a lank and
