sinewy way, an athlete: perhaps she’d underestimated him. She felt something stir in her, though the timing was inappropriate, to say the least. “Ruth, listen,” and his voice softened just perceptibly, from a snarl to a growl, “we’ve got enough on you right now to book you as an accessory to manslaughter in the death of Olmstead White, arson in Hog Hammock, harboring a fugitive from justice and giving false information to an agent of the federal government.” He paused to let the terminology have its effect. “Make it easy on yourself, will you? I mean, Sheriff Peagler can put the cuffs on you right now, if that’s what you want. But there’s no need for anybody to get nasty here. We just want to know the facts, that’s all.”
Abercorn eased back in his chair, as if he were settling in for the first act of a play. “Now,” he said, his voice placid, complacent, the voice of a man who already has what he wants, “when did the suspect, Hiro Tanaka, first contact you?”
The rest of the afternoon was a thing that hovered at the windows and took the breath out of the air, bloated and interminable. Ruth sweated in places she’d never sweated before—between the toes, in the runnels of her ears—and in the usual places too. Her thighs met in a glutinous embrace, the elastic band of her panties became a towel, a sponge, her breasts lay heavy and wet against her ribcage. Abercorn had read her her rights, and that scared her, and she sweated all the more. In another context it would have been comical, like something out of
More terminology.
She bowed her head and agreed with him. He was wise, and she was penitent.
In all, they kept her for nearly two hours. It was a classic grilling, right out of the INS handbook (if there was such a thing). Abercorn had settled down to play the pal, the protector, interceding for her against the grunts and curses and pained incoherent cries of Turco and the steady ferrety pursuit of Peagler, and she’d given him what he wanted. Mostly. She told him about Hiro making off with her lunch bucket and how she’d discovered it and took pity on him. And she admitted the business with the Oriental food—he was like a stray dog. Or cat. Didn’t they see that? It was like putting out a salt lick or a bird feeder. On the issue of harboring a fugitive, she was firm: she denied it outright. If he slept in her studio she knew nothing about it—there was no lock on the door, after all. As far as she knew he came only at lunchtime and took the food like a wild animal. And no, she’d never provided him with clothes or money or anything like that: it was just the food, and she left it there on the porch.
And then there came a point at which the three of them fell silent. Flushed and greasy, her hair and makeup devastated, she studied her feet and felt their eyes on her. In that moment she realized she had a headache. A tiny whirring drill began to bore through her skull, front to back, back to front, over and over. “You’re free to go now, Miss Dershowitz,” the sheriff had said, and Ruth got up and left the room in a daze. Mercifully, the front hallway was deserted.
She made her way to her room, shrugged out of her clothes and let the window fan dry the sweat from her skin. She took an aspirin and two short hits from the pint of bourbon she kept on the night table, and she began to feel better, if only marginally. It was then that she thought of Hiro. He was out there now in the infernal heat of that crumbling cell, awaiting prison, deportation and whatever the Japanese would do to him after that. She thought of the Rape of Nanking, the Bataan Death March, Alec Guinness emerging from the sweatbox in
Hiro. Poor Hiro. She
She woke to a discreet, solicitous tapping at the door. It was five in the afternoon. There was a stale taste in her mouth, the residue of nicotine and bourbon. “Yes?” she called.
It was Saxby, waking her for the second time that day. This time there were no recriminations. This time he was beaming, grinning, puffed up to the roots of his hair with boyish glee. “Ruth! Ruth!” he cried, and it sounded like a dog’s bark at the door, and then he was in the room, on the bed, snatching her hands up in his own.
“Ruth!” he cried again, as if she’d been lost for years. His eyes were swimming. He looked delirious. “Ruth!” he shouted, though he was right there, right on the bed beside her. He didn’t ask how she was feeling, how the interrogation had gone, whether they were going to shackle her to a bunch of spouse abusers on the chain gang or hang her by her thumbs—he just kept repeating her name, over and over. She wanted to know if he was drunk.
“Drunk? Hell, no: Ruth!”—there it was again—“Ruth!”—and again—“Roy Dotson just called!”
Yes? And so?
“He’s found them. My albinos. I’m out the door this minute.” And then he was up from the bed, shuffling his big feet, jerking his limbs and tugging at his ears like one of the afflicted.
“Really?” She was grinning back at him now, feeling good, feeling happy for him, though the fish business was an ongoing mystery to her. Why fish? she wanted to ask him. What was the attraction? Seals, she could see, otters, the purple gallinule, for Christ’s sake—but fish? They were cold-blooded, stupid, gaping mouths and cartoon eyes: she hated fish. Hated aquariums. Hated dip nets and seines, canoes, rivers, lakes, swamps, hated it all. But watching him there in the stippled shadows of the lace curtains, tasting his excitement, she was happy.
Then he bent to kiss her, deep and hard—the kiss of an explorer leaving home, the kiss of a lepidopterist or spelunker—and he was out the door. But then he was back, poking his head round the doorframe. “Oh, yeah,” he said, hanging there, his motor revving, fish on the brain, “I almost forgot: How’d it go? With the sheriff and all?”
The question brought her back, and for a moment she was afraid all over again, but then it passed. She was okay. She was in one piece. Hiro was in jail and her novella was shot full of holes—literally—but they weren’t going to do anything to her. She could write another novella, forget all about the Japanese and their weird rites and customs, let somebody else portray suicide in the surf and sex in kimonos. She had Sax and Septima and Thanatopsis House, she had Irving Thalamus and Laura Grobian—and Jane Shine was gone for the weekend. No, there was nothing to worry about, nothing at all.
“How’d it go?” She repeated his question, reaching for a cigarette and feeling Olympian, impervious, unscathed, La Dershowitz ascendant. She took a minute with the response, Saxby hanging there in the doorway, the late shafts of the sun gilding the curtains till they seemed solid as pillars. “Fine,” she said. “Just fine.”
On Sundays, Armand served dinner at seven and sometimes a bit later, depending on his whim and the mood of the colonists. Sunday was, after all, the day of rest, or so Septima reasoned, and long before she’d engaged her current chef she’d pushed back cocktails and dinner by an hour on the Lord’s Day, and it was now a Thanatopsis tradition. Sunday afternoons were long and languorous, and no one stirred before six, when the first sunburned and subdued clumps of artists began to gather on the patio or in the front parlor for cocktails. Sometimes there would be music—a poet would sit down at the piano or a biographer would reveal a hidden talent for the clarinet, ravishing the room with the adagio from Mozart’s concerto or a Gershwin medley—and the ice cubes would tumble into shaker or glass with a rhythmic click that was salvation itself for the sun-dazed and weary.
It was close to seven when Ruth came down for dinner. She’d scrubbed and showered and scrubbed again, ridding herself of any vestige of the sweaty film that had clung to her earlier that afternoon, clogging her pores and making her feel dirty and vulnerable while Abercorn hung over her with his unfinished face and chummy questions. She was wearing a white Guatemalan peasant blouse embroidered with bright blue flowers and matching full skirt, and she descended the steps and crossed the front hallway feeling light, airy, lustral, feeling unconquerable all over again.
