East is East

all its seething jungle urgency—and he hurried for it.

But it wasn’t as easy as all that.

He paused in the crude stone doorframe, glanced right and left—a driveway, cars, shrubs, trees, lawn—and then made his break, bolting for the band of vegetation that rose up at the far end of the lawn, thick and reclusive and no more than a hundred feet away. He was bent low and scurrying like a crab, already ten steps out of hiding and exposed for all the world to see, when suddenly he froze. There was a dog there, right in front of him, lifting its leg against a tree. A dog. Better than forty dogs, better than the snarling seething pack that had closed in on him at Ruth’s, but a dog nonetheless—and no lap dog either, but a big raw-boned gangling shepherd sort of thing that looked as if it had been put together with spare parts. The dog finished its business in that moment and Hiro saw its eyes leap with something like recognition as it loped toward him, a woof—a tiny grandfatherly woof—rippling from its throat. Hiro was planted, rooted, he’d grown up out of the ground like a native shrub, hopeless and immobile. The woof would become a concatenation of woofs, an improvisatory riff of woofing, followed by bared teeth and the bloodcurdling howls and the angry voices of discovery, while through it all the clink of handcuffs played in counterpoint. Was this it? Was it over already?

It might have been, had not the sensory organs of his fingertips communicated a swift tactile message to him: he was holding a half-eaten drumstick. Holding meat. Chicken. Dripping and irresistible. And what did dogs eat? Dogs ate meat. “Here, boy,” he whispered, making a kissing noise with his lips, “good boy,” and then he was inserting greasy bone in woofless mouth. But even as he did so and even as the dog melted away from him in greedy preoccupation, he heard a ribald screech of laughter and looked up to see three hakujin—two men and a woman—emerge from the very line of trees into which he’d hoped to disappear. They were dressed in tennis whites and carrying racquets, and they hadn’t noticed him yet—or if they had they didn’t remark it, absorbed as they were in themselves. The woman leaned into the men with a bawdy whoop and all three doubled up, spastic with laughter.

Though in that moment he recalled the words of Jocho—A true samurai must never seem to flag or lose heart—Hiro found himself on the verge of panic, mental disintegration and physical collapse. He could not move. He was caught in a bad dream, powerless, his limbs as useless as a quadriplegic’s, and they were coming for him, coming to devour his flesh and crack his bones. His eyes flew to the points of the compass: there was the dog, happily frolicking with the scrap of chicken, and there was the line of trees that promised release—and there, interposed between him and his goal, were the tennis players, they who at any moment would look up in stunned surprise and raise a shout of horror and dismay. What to do? He hadn’t a clue. Move, and he was dead. Stand still, very still, and he was dead too. All at once the decision was made for him: a pair of stocky women in bonnets and tentlike sundresses suddenly rounded the far corner of the barn with a great booming shout. “If it isn’t McEnroe and Connors!” the smaller of the two bellowed in the direction of the tennis players. “And Chrissie Evert too!” the larger added in a stentorian shrill.

That was it. That was enough. Suddenly Hiro was moving, head down, back to them, walking with purpose and determination, as if he belonged here, just another artist out for a stroll on the grounds. Directly ahead of him was the parking lot, with its cars and pavement, shrubs and trees and flowers in plucked beds, the big house rising above it in the near distance: it wasn’t the direction he would have chosen. “Patsy!” a woman’s voice cried behind him, “Clara!” And then one of the men shouted, “Vodka and gin!” This was followed by a general roar and a spate of lubricious laughter.

“Just heading over ourselves!”

“Join us?”

“Join you? We’ll lead the way—better yet, we’ll race you!”

Whoops and more whoops.

“Last one”—out of breath—“last one there’s a rotten egg!”

Hiro kept going, dog, women and tennis trio fading away in his wake, certain that at any moment the hue and cry would rise up to engulf him. The drive curved through the trees in front of him and a huge forsythia bush rose up to block the house from view. He saw a Toyota, an American car that looked like a Toyota, and a Mercedes—a big, royal blue Mercedes sedan—parked at the curb with its trunk open. And then, as the grass gave way to pavement under his feet and the shouts at his back subsided to a trickle of giggles and guffaws, something Ruth had said came back to him: It’s got a trunk the size of the Grand Canyon.

The rest was a whirl—deliberate, but a whirl nonetheless. There were more voices, men’s voices, and movement off to his left. It was now or never. Fighting the urge to run, he crossed the pavement in crisp, businesslike strides—movement behind the forsythia now, legs, shoes, a gabble of voices—and in one clean motion threw himself into the trunk of the Mercedes as if he were tumbling into bed. Things gouged and poked at him— fishing traps, a camp stove—but he didn’t have time to worry about it. He lifted his right hand from the depths of the trunk and took hold of the steel ribs of the lid, and then, as casually as if he were pulling the covers up over his head, he pulled it closed.

The Whiteness of the Fish

Son of a bitch. Son of a fucking bitch. The humiliation level here was climbing like a rocket. What had it taken them, six weeks to catch this joker? Six weeks to nail one sorry slump-shouldered fat-assed Nip who looked like he was about twelve years old. And now, when it was all over, when he’d been hauled in, reamed out and locked up like a hamster in a cage, the yokels turn around and let him go. Yeah. Right. And now what, call out the National Guard?

Lewis Turco was angry. He was incensed. It was getting dark and things were looking grim. Nobody knew anything, least of all the half-wit deputy who’d opened up the door to take the prisoner to the ferry and discovered an empty cell. Oh, the cell had chairs in it, all right, stacked up under the window, and the window had a couple bars left in it too, but it was empty space, one hundred percent Nipless. And then he’d asked his buddy about that, but his buddy had been out back taking a leak and so they figured they’d better tell the sheriff, and now here they all were, running around like mental defectives, shouting in everybody’s face. Meanwhile, the light was nearly gone, the artistic types were milling around on the patio enjoying the show, the dogs were back over there in Niggertown and the sheriff looked like he’d just chewed off a piece of his own ass and swallowed it. And the Nip—the Nip was probably halfway to Hokkaido. The incompetence of these people. The shit and stupidity. Jesus.

And these artists. Christ, they made him want to puke. Aberclown sucked up to them, especially the little Jew bitch who’d been hiding the guy all along—hiding him and then lying about it, just to jerk them off. Big joke. Ha, ha, ha. There she was now, right in the thick of it, cradling a drink and giving everybody that wide-eyed innocent look, pure as Rebecca of Sunnybrook Farm, what would she know about it?

He would have found out. If Aberclown had only let him go, he would have found out a hundred and five percent of everything she ever knew, from her daddy’s ATM number to how many hairs she had on her twat—he’d been in on some cold interrogations, men and women both, VC as hard and silent as stones, and nobody knew how to put the fear into them like he did—but with her it wasn’t an interrogation, it was a tea party. He’d sat there for two sweaty stinking hours with Aberclown and the sheriff and it was all he could do to keep himself from taking her by the hair and jerking her head back till her throat opened up like a slow drain with a snake down it. Damn. But Aberclown and the hick sheriff treated her like a senator’s wife or something and she threw out a couple crumbs and that was it. She hadn’t told them the half of it. Why should she? She was an artist, right?

He was standing there, fuming, when he felt a pressure on his arm and all at once he was staring up into the puffy face of another artist, a great big fluty-voiced ass of a woman with a cast in one eye. “What’s this all about?” she gasped. “What’s happening?”

He couldn’t help himself, he couldn’t—he felt himself slipping, three toes over the line and whatever you do don’t pull that ripcord. “What the fuck you think is happening,” he snarled, jerking his arm away from her. “It’s Armageddon, they’re fucking dogs out there, eating human flesh. Wake up, bitch.” The rage was racing in his veins as he watched her shrink away from him.

But what now? The sheriff had disappeared into the house, Aberclown’s big speckled face was coming up on his left like something out of planetary alignment and the deputies were standing around with their thumbs up their