ramp. On one side of them was the dredged and widened pond in which the rental boats were kept, and on the other, the channel that led to Billy’s Lake and the infinite shifting maze of watery trails that snaked through the swamp beyond it. It was drizzling still and the sky hung low over the treetops in a dull metallic wash. The place was quiet but for the handful of fishermen loading their boats with a soft murmur of expectation, and the jays and catbirds that cursed one another intermittently from the trees. The water, peat-stained and tepid, was the color of fresh-brewed tea.

Saxby stood at the door of the Mercedes and watched Roy back the trailer down the ramp. When the trailer was in the water, Roy cut the engine, pulled the parking brake and got out to release the boat, while Saxby ambled to the rear of the Mercedes to fetch his gear. He wouldn’t need the oxygen and plastic bags till he headed home with what he hoped would be the nucleus of his breeding stock, but he was thinking of his waders, minnow traps and dip net, as well as the little thirty-foot seine that might just come in handy in a relatively clear patch of water. He hadn’t opened the trunk since he’d hastily loaded it some twelve or thirteen hours earlier, but as he fit the key into the lock he could visualize its contents, already leaping ahead to picture them stowed away in the bottom of Roy’s boat and the boat itself gliding off under the sure silent stroke of their paddles. The lock accepted the key. The key turned in the lock.

It was the sort of thing that happens every day.

A Jungle

What had happened to her? what was wrong with her? where was the visionary who woke up rigid, forsaking breakfast to stride boldly through the dripping forest to the nunnery of the studio, the cross of her art? Ruth didn’t know. All she knew was that she felt as drained of energy as when she’d contracted mono as a teenager. She had a headache—it seemed as if she’d had a headache for days, weeks, the better part of her life—and her limbs felt tentative, as if they weren’t really attached. Maybe she was coming down with something, maybe that was it.

It was dawn, just, the light pale and listless, and she made a groggy but furtive dash for the bathroom down the hall—thank god no one was stirring yet—and then slipped back to her room and fell into the bed as if her legs had been shot out from under her. Thirty seconds more and she would have been gone, pulled back down into the vestibule of sleep, but then the phone rang deep in the bowels of the house and consciousness took hold of her. The sound was faint, distant, the buzz of an insect on the far side of the room—but she knew it was ringing for her. She knew it. Very faintly, and again at an incalculable distance, she heard footsteps—Owen’s footsteps—crossing the downstairs hallway to the phone in the foyer. She fought to keep her eyes closed, to shake it off, but the phone was ringing and she knew it was ringing for her.

Three times it rang, four, and then it choked off in the middle of the fifth ring. She couldn’t begin to hear the murmur of Owen’s voice, but she imagined it, and she listened as the footsteps started up again, as the dull stealthy tread of them recrossed the foyer, mounted the stairs and started down the upper hallway. She sat up. It was her father, she was sure of it. The doctor had warned him—the stress of the courtroom, the late nights, the obsessive tennis and racquetball, the cigarettes, martinis, New York steaks. Her father! Grief flooded her. She saw his face as clearly as if he were standing there beside her, the glint of his wire-frame glasses, the splash of gray in his beard, the look of the menscb, the lawgiver, the man of wisdom and peace … there would be a funeral, of course, and that would mean she’d have to leave Thanatopsis for a week, maybe longer. Black crepe. She’d look good in that, slim through the hips, and her tan would glow … but her father, it was her father, her daddy, and now she was naked to the world—

The footsteps halted outside her door, and then came Owen’s knock and his subdued rasp—no language games, no chirp of humor: “Ruth, it’s for you. Long-distance.”

She knew it, she knew it.

“It’s Saxby.”

Saxby? Suddenly the picture clouded over. Her father was all right, he was okay, as healthy as the Surgeon General himself and sleeping peacefully at one of the better addresses in Santa Monica. But it was—six o’clock? What could Saxby want at six o’clock? Her heart gave a little skip of fear—was he hurt? But no. Why would he be calling if he was hurt—it would be the police or the hospital, wouldn’t it? And then she thought of his fish. If he was dragging her out of bed because of some damned little loopy-eyed fish—

“Ruth, wake up. Telephone.”

She caught herself. “Yes, yes, I’m awake. Tell him I’ll be right there.”

The footsteps retreated. She bent to shuffle through the mess on the floor. She was looking for her terry- cloth robe, and her cigarettes, and maybe something to wrap round her hair in case anyone was up. She found the robe—she’d borrowed it from a hotel in Las Vegas on her way out from California, and there was a rich reddish stain over the left breast where she’d upended a glass of cranberry juice on it—and she came up with the cigarettes too, but no lighter and no scarf. She caught a glimpse of herself in the bureau mirror—sunken eyes, too much nose, a frenzy of fractured little lines tugging at her mouth—and then she ducked out the door, cradling her cigarettes, and found herself staring into the huge startled gypsy eyes of Jane Shine.

Jane was on her way to the bathroom. She was wearing an antique silk kimono over a white voile nightgown and her feet were prettily encased in a pair of pink satin mules. Her hair, ever so slightly mussed from sleep, was thicker, curlier and glossier than any mere mortal’s had a right to be. Her face, bereft of makeup, was perfect.

Ruth was wearing a fifty-nine-cent pair of Taiwanese flipflops, the stolen robe was six sizes too big and practically stiff with filth, and her face, as she knew from her glancing appraisal in the bureau mirror, was the face of one of the walking dead. Sleepy, oblivious, off-guard, Ruth had stepped out of her room with a vague idea of the telephone, and there she was, Jane Shine, her greatest enemy, looking like some forties actress having breakfast in bed on the backlot of Metro-Goldwyn-Mayer.

Jane’s eyes narrowed. Her face was alert but impassive. She blinked twice, stepped round Ruth as if she were a minor nuisance, a small but annoying impediment to her majestic progress—a pile of luggage, a potted palm left out of place by the help—and floated on down the hall with a gentle swish of silk. Oh, the bitch, the bitch! Not a word, not an excuse me or beg pardon, not a good morning, hello, goodbye, drop dead, anything. Oh, the icy arrogant bitch!

Ruth just stood there, immobilized, rigid with hate. She waited for the click of the bathroom door behind her, and then she started down the hallway, clenching her jaws so hard her teeth had begun to ache by the time she reached the phone at the foot of the stairs. “Sax?” she practically snarled into the receiver.

His voice came right back at her. He was excited about something—fish, no doubt—and her mood, which was poisonous to begin with, took a turn for the worse. “Ruth,” he was saying, “listen, I’ve got to tell you this before anybody else does—”

She cut him off. All he cared about was fish. Lewis Turco had hurt her, had taken her by the hair and hurt her, and all he cared about was fish. “He grabbed me by the hair, Sax, and he called me a bitch in front of everybody, called me a lying Jew bitch right out on the patio in front of everybody.” The phone gave it back to her —she could hear the outrage trembling in her voice, a slice of anger that fell away into hurt. “If he thinks he’s going to get away with it, he’s crazy … I’ll sue him. I will. I’ll file a complaint… Sax,” she bleated, “oh, Sax.”

There was a silence on the other end of the line. Saxby was confused, and when he was confused he got flustered. “What are you telling me, somebody pulled your hair?” And then he made a leap. “You mean the Japanese kid? Is that how he escaped?”

“Japanese kid? I’m talking about Turco. Lewis Turco. The little Nazi jerk that tags around with Detlef. He went berserk out on the patio last night and he”—her voice broke—“he assaulted me. He went for Irving too, and Sandy. You should see the bruises on Sandy’s chest. He wouldn’t touch me if you were here, he wouldn’t dare, but —but—” She felt herself breaking down.

“Ruth, stop it. Listen to me.”

Saxby wouldn’t allow it, wouldn’t listen. He had something to tell her, something more important than the fact that some overdeveloped clod had beat up his girlfriend, some miraculous fish find, the news that would send shock waves through the world of overgrown adolescents who spent their entire lives watching fish fuck in little glass tanks. She was angry. “No, you listen. He attacked me, goddamn it—”

“Ruth, the Japanese kid is here. Hiro. Hiro Tanaka. He’s here.”

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