A People's Tragedy: The Russian Revolution, 1891-1924

The arguments of the reactionaries were greatly strengthened by the tragic assassination of Alexander II in March 1881. The new Tsar was persuaded by his tutor and adviser, the Procurator of the Holy Synod, Konstantin Pobedonostsev, that continuing with the liberal reforms would only help to produce more revolutionaries like the ones who had murdered his father. Alexander III soon abandoned the project for a constitution, claiming he did not want a government of 'troublesome brawlers and lawyers'; forced the resignation of his reformist ministers (Abaza from Finance, Loris-Melikov from the Interior, and Dmitry Miliutin from War); and proclaimed a Manifesto reasserting the

principles of autocracy.¹⁰ This was the signal for a series of counter-reforms during Alexander Ill's reign. Their purpose was to centralize control and roll back the rights of local government, to reassert the personal rule of the Tsar through the police and his direct agents, and to reinforce the patriarchal order — headed by the nobility — in the countryside. Nothing was more likely to bring about a revolution. For at the same time the liberal classes of provincial society were coming to the view that their common interests and identity entailed defending the rights of local government against the very centralizing bureaucracy upon which the new Tsar staked so much.

ii The Thin Veneer of Civilization

When Prince Sergei Urusov was appointed Governor of Bessarabia in May 1903 the first thing he did was to purchase a guidebook of the area. This southwestern province of the Empire, wedged between the Black Sea and Romania, was totally unknown to the former graduate of Moscow University, thrice-elected Marshal of the Kaluga Nobility. 'I knew as little of Bessarabia', he would later admit, 'as I did of New Zealand, or even less.'

Three weeks later, after stopping in the capital for a briefing with the Tsar, he set off by train from Moscow to Kishinev, the capital of Bessarabia, some 900 miles away. The journey took two nights and three long days, the train chugging ever slower as it moved deeper and deeper into the Ukrainian countryside. Alone in his special compartment, Urusov used the time to study his guidebook in preparation for his first exchanges with the civic dignitaries he expected to meet on his arrival. He had written to the Vice-Governor, asking him to keep the reception party small. But as his train pulled into the station at Bendery, the first major town of the province, he saw through his carriage window a platform crowded with people and what looked like a full orchestral band. At the centre, cordoned off by a ring of policemen, stood the Vice-Governor in full dress uniform and the city's mayor with the chain of office bearing a platter of bread and salt. This was how the new Governor had always been welcomed in Bessarabia and no exception would be made for Urusov. In Kishinev, an hour and a half later, His Excellency the Governor was driven through the city in an open carriage drawn by six white horses. 'Men, women and children stood in crowded ranks on the sidewalks,' Urusov recalled. 'They bowed, waved their handkerchiefs, and some of them even went down on their knees. I was quite struck by the latter, not having been used to such scenes.' After a brief stop at the cathedral, where God's blessing was invoked for the work that lay ahead of him, Urusov was driven to the Governor's house, an

imposing neo-classical palace in the centre of the city, from which he would rule as the Tsar's viceroy over this distant corner of the Russian Empire.¹¹

With a population of 120,000 people, Kishinev was a typical provincial city. The administrative centre, situated in the 'upper city' on a hill, was a formal grid of broad and straight paved streets bordered by poplars and white acacias. The main boulevard, the Alexandrov, was particularly elegant, its pavements wide enough for horse-drawn trams to run along their edges. In addition to the Governor's House, it boasted a number of large stone buildings, offices and churches, which in Urusov's judgement 'would have made no unfavourable impression even in the streets of St Petersburg'. Yet not a stone's throw from these elegant neo-classical facades, in the 'lower city' straggling down the hillside, was a totally different world — a world of narrow and unpaved winding streets, muddy in the spring and dusty in the summer; of wooden shanties and overcrowded hovels which served as the homes and shops for the Russian, Jewish and Moldavian workers; a world of pigs and cows grazing in the alleys, of open sewers and piles of rubbish on the public squares; a world where cholera epidemics struck on average one year in every three. These were the two faces of every Russian city: the one of imperial power and European civilization, the other of poverty and squalor of Asiatic proportions.¹²

One could hardly blame Urusov for seeing his appointment as a kind of exile. Many governors felt the same. Accustomed to the cosmopolitan world of the capital cities, they were bound to find provincial society dull and narrow by comparison. The civic culture of provincial Russia was, even at the end of the nineteenth century, still in the early stages of development compared with the societies of the West. Most of Russia's cities had evolved historically as administrative or military outposts of the tsarist state rather than as commercial or cultural centres in their own right. Typically they comprised a small nobility, mostly employed in the local Civil Service, and a large mass of petty traders, artisans and labourers. But there was no real 'bourgeoisie' or 'middle class' in the Western sense. The burghers, who in Western Europe had advanced civilization since the Renaissance, were largely missing in peasant Russia. The professions were too weak and dependent on the state to assert their autonomy until the last decades of the nineteenth century. The artisans and merchants were too divided among themselves (they were historically and legally two separate estates) and too divorced from the educated classes to provide the Russian cities with their missing Burgertum. In short, Russia seemed to bear out Petr Struve's dictum: 'the further to the East one goes in Europe, the weaker in politics, the more cowardly, and the baser becomes the bourgeoisie'.¹³

As anyone familiar with Chekhov's plays will know, the cultural life of the average provincial town was extremely dull and parochial. At least that is how the intelligentsia — steeped in the culture of Western Europe — saw (with

some disgust) the backward life of the Russian provinces. Listen to the brother of the Three Sisters describing the place in which they lived:

This town's been in existence for two hundred years; a hundred thousand people live in it, but there's not one who's any different from all the others! There's never been a scholar or an artist or a saint in this place, never a single man sufficiently outstanding to make you feel passionately that you wanted to emulate him. People here do nothing but eat, drink and sleep. Then they die and some more take their places, and they eat, drink and sleep, too — and just to introduce a bit of variety into their lives, so as to avoid getting completely stupid with boredom, they indulge in their disgusting gossip and vodka and gambling and law-suits.

Kishinev was in this respect a very average town. It had twelve schools, two theatres and an open-air music hall, but no library or gallery. The social centre of the town was the Nobleman's Club. It was here, according to Urusov, that 'the general character of Kishinev society found its most conspicuous reflection. The club rooms were always full. The habitues of the club would gather around the card-tables from as early as 2 p.m., not leaving until 3 or 4 a.m. in winter; and in summer not until 6 or 7 a.m.' In Kishinev, as in most provincial towns, the social habits of the nobility had much more in common with those of the local merchants than with the aristocrats of St Petersburg. Stolypin's daughter, for example, recalled that in Saratov, where her father was once Governor, the wives of noblemen 'dressed so informally that on invitations it was necessary to specify 'evening dress requested'. Even then, they would sometimes appear at balls in dressing-gowns.'¹⁴

In a society such as this the provincial Governor inevitably played the role of a major celebrity. The high point of any social event was the moment when His Excellency arrived to grace the company with his presence. To receive an invitation to the annual ball at the Governors house was to have made it to the top of provincial society. Prince Urusov, being a modest sort of man, was taken aback by the god-like esteem in which he was held by the local residents: 'According to Kishinev convention, I was to go out exclusively in a carriage, escorted by a mounted guard, with the Chief of Police in the van. To walk or to go out shopping was on my part a grave breach of etiquette.' But other governors, less modest than himself, took advantage of their lofty status to behave like petty autocrats. One provincial Governor, for example, ordered the police to stop all the traffic whenever he passed through the town. Another would not allow the play to begin before he arrived at the local theatre. To lovers of liberty the provincial Governor was the very personification of tsarist

oppression and