A People's Tragedy: The Russian Revolution, 1891-1924

As the column approached the Narva Gates it was suddenly charged by a squadron of cavalry. Some of the marchers scattered but others continued to advance towards the lines of infantry, whose rifles were pointing directly at them. Two warning salvoes were fired into the air, and then at close range a third volley was aimed at the unarmed crowd. People screamed and fell to the ground but the soldiers, now panicking themselves, continued to fire steadily into the mass of people. Forty people were killed and hundreds wounded as they tried to flee. Gapon was knocked down in the rush. But he got up and, staring in

disbelief at the carnage around him, was heard to say over and over again: 'There is no God any longer. There is no Tsar.'³¹

There were similar massacres in other parts of the city. At the Troitsky Bridge, near the Peter and Paul Fortress, the marchers were mown down by gunfire and sabred by the Cossack cavalry. Gorky, who was in the crowd, recalls the death of one worker:

The dragoon circled round him and, shrieking like a woman, waved his sabre in the air . . . Swooping down from his dancing horse ... he slashed him across the face, cutting him open from the eyes to the chin. I remember the strangely enlarged eyes of the worker and . . . the murderer's face, blushed from the cold and excitement, his teeth clenched in a grin and the hairs of his moustache standing up on his elevated lip. Brandishing his tarnished shaft of steel he let out another shriek and, with a wheeze, spat at the dead man through his teeth.³²

Stunned and confused, the survivors made their way to Nevsky Prospekt in a last desperate bid to reach the Palace Square. The sunshine had brought out more than the usual number of Sunday afternoon promenaders, and many of them were to witness the shocking events that followed. A huge body of cavalry and several cannons had been posted in front of the palace to prevent the marchers from moving on to the square. But the crowd, some 60,000 of them, continued to build up, swollen by students and onlookers. As news of the massacres reached them, they began to push forward, jeering at the soldiers. Some of the Guards of the Preobrazhensky Regiment were ordered to clear the crowds around the Alexandrovsky Gardens, using whips and the flats of their sabres. But when this proved unsuccessful they took up firing positions. Seeing the rifles pointed at them, the demonstrators fell to their knees, took off their caps and crossed themselves in supplication. Suddenly, a bugle sounded and the soldiers fired into the crowd. A young girl, who had climbed up on to an iron fence to get a better view, was crucified to it by the hail of bullets. A small boy, who had mounted the equestrian statue of Prince Przewalski, was hurled into the air by a volley of artillery. Other children were hit and fell from the trees where they had been perching.

When the firing finally stopped and the survivors looked around at the dead and wounded bodies on the ground there was one vital moment, the turning-point of the whole revolution, when their mood suddenly changed from disbelief to anger. 'I observed the faces around me', recalled a Bolshevik in the crowd, 'and I detected neither fear nor panic. No, the reverend and almost prayerful expressions were replaced by hostility and even hatred. I saw these looks of hatred and vengeance on literally every face — old and young, men and women.

The revolution had been truly born, and it had been born in the very core, in the very bowels of the people.' In that one vital moment the popular myth of a Good Tsar which had sustained the regime through the centuries was suddenly destroyed. Only moments after the shooting had ceased an old man turned to a boy of fourteen and said to him, with his voice full of anger: 'Remember, son, remember and swear to repay the Tsar. You saw how much blood he spilled, did you see? Then swear, son, swear!'³³

Later, as the Sunday promenaders hurried home in a state of shock, the workers went on a rampage through the fashionable streets around the Winter Palace. They smashed windows, beat up policemen, threw rocks at the soldiers, and broke into the houses of the well-to-do. As darkness fell, the crowds began to build barricades in front of the Kazan Cathedral using benches, telegraph poles and furniture taken from buildings. More barricades were built in the workers' districts. Gangs went round looting liquor and gun shops. The streets were momentarily in the hands of the mob and the first red flags appeared. But these revolutionaries had no leaders and by midnight most of them had gone home.

Gapon, meanwhile, had taken refuge in Gorky's apartment. His beard was cut off, his hair cropped short and his face made up by one of Gorky's theatrical friends, who, according to the writer, 'did not quite understand the tragedy of the moment and made him look like a hairdresser or a salesman in a fashionable shop'. That evening Gorky took the revolutionary priest to a meeting at the Free Economic Society in order to dispel the growing rumours of his death. Practically the whole of the St Petersburg intelligentsia was crammed into the small building on Zabalkansky Avenue. They were outraged by the news that 'thousands' of people had been slaughtered (the true figures were probably in the region of 200 killed and 800 wounded). 'Peaceful means have failed,' the disguised figure shouted. 'Now we must go over to other means.' He appealed for money to help the 'workers' party' in its 'struggle for freedom'. Suddenly, chaos broke out in the hall as people recognized Gapon. But the priest managed to escape through a back door and returned to Gorky's apartment. There he wrote an address to his 'Comrade Workers' in which he urged them to 'tear up all portraits of the blood-sucking Tsar and say to him: Be Thou damned with all Thine August Reptilian Progeny!' Hours later, in a new disguise, Gapon fled to Finland and then abroad.³⁴*

* At the end of January Gapon turned up in Geneva, where he fell in with the revolutionaries in exile. Their theoretical disputes were above him and, seduced by international fame, he soon left for London to write his autobiography. Having made himself a celebrity, Gapon had no more use for the revolutionary movement. In December he returned to Russia, where he supported the Witte government and even co-operated with the secret police against the socialists. In March 1906, for reasons that are unclear, he was brutally murdered by agents of the secret police, including his closest associate, who on 9 January had rescued him from the massacre at the Narva Gates.

That night Gorky wrote to his separated wife, Ekaterina, in Nizhnyi Novgorod: And so, my friend, the Russian Revolution has begun: I send you my sincere congratulations. People have died — but don't let that trouble you — only blood can change the colour of history.'³⁵

Two days later he was arrested, along with the other members of the deputation to Witte and Mirsky on 8 January (they had foolishly left their visiting cards). All of them were charged (quite ridiculously, though it showed the extent of the regime's fears) with belonging to a 'revolutionary convention' which had planned to seize power and establish a 'provisional government'. They were imprisoned in the Peter and Paul Fortress.³⁶

* * * The events of 'Bloody Sunday', as 9 January became known, brought Gorky closer to the Bolsheviks. Gorky had first met Lenin in 1902 and had quickly fallen into a love-hate relationship with him. He had since been active in attracting funds for the Social Democrats from rich industrialists, such as Savva Morozov, who clearly saw the writing on the wall ('These days it is necessary to be friends with one's enemies,' Morozov had once said to the Bolshevik Krasin). Gorky's relationship with the Bolsheviks was never easy or straightforward. As with many intellectuals, his commitment to the revolution was romantic and idealist. He saw it as a vast struggle of the human spirit for freedom, brotherhood and spiritual improvement. His was essentially a humanist view, one which placed the individual at its heart, and he could never quite bring himself to accept the iron discipline or the narrow dogmatism of the Bolsheviks. 'I belong to none of our parties', he once wrote to the painter Repin, 'and I am glad of it. For this is freedom, and man is greatly in need of that.' The gipsies, gamblers, beggars and swindlers who filled the pages of his stories were all struggling in their own small way for individual freedom and dignity: they were not the representatives of an organized 'proletariat'. People struggled, classes did not struggle, that was Gorky's view. Gorky, in his own words, 'could admire but not like' wooden dogmatists like Lenin who tried to compress life's diversity into their abstract theory. Being fully human meant, in his view, loving passionately and painfully the living, sinning, and — forgive me — pitiful Russian'.³⁷ It was almost a Christian view of human redemption through revolution (and Gorky flirted with Christianity). Such ideas were common among the radical intelligentsia. Witness