Away up at the headwaters of the Missouri, near the British possessions, I found myself one afternoon rather unexpectedly on the shore of an ocean.
At less than a gunshot from where I stood was as plainly defined a seabeach as one could wish to see. The eye could follow it in either direction, with all its bays, inlets and promontories, to the horizon. The sea was studded with islands, and these with tall trees of many kinds, both islands and trees being reflected in the water with absolute fidelity. On many of the islands were houses, showing white beneath the trees, and on one which lay farthest out seaward was a considerable city, with towers, domes and clusters of steeples. There were ships in the offing whose sails glistened in the sunlight and, closer in, several boats of novel but graceful design, crowded with human figures, moved smoothly among the lesser islands, impelled by some power invisible from my point of view, each boat attended by its inverted reflection “crowding up beneath the keel.” It must be admitted that the voyagers were habited after a somewhat uncommon fashion—almost unearthly, I may say—and were so grouped that at my distance I could not clearly distinguish their individual limbs and attitudes. Their features were, of course, entirely invisible. None the less, they were plainly human beings—what other creatures would be boating? Of the other features of the scene—the coast, islands, trees, houses, city and ships hull-down in the offing—I distinctly affirm an absolute identity of visible aspect with those to which we are accustomed in the realm of reality; imagination had simply nothing to do with the matter. True, I had not recently had the advantage of seeing any such objects, except trees, and these had been mighty poor specimens, but, like Macduff, I “could not but remember such things were,”
nor had I forgotten how they looked.
Of course I was not for an instant deceived by all this: I knew that under it all lay a particularly forbidding and inhospitable expanse of sagebrush and cactus, peopled with nothing more nearly akin to me than prairie dogs, ground owls and jackass rabbits—that with these exceptions the desert was as desolate as the environment of Ozymandias’ “vast and trunkless legs of stone.” But as a show it was surely the most enchanting that human eyes had ever looked on, and after more years than I care to count it remains one of memory’s most precious possessions. The one thing which always somewhat impairs the illusion in such instances—the absence of the horizon water-line—did not greatly abate the vraisemblance in this, for the large island in the distance nearly closed the view seaward, and the ships occupied most of the remaining space. I had but to fancy a slight haze on the farther water, and all was right and regular. For more than a half-hour this charming picture remained intact; then ugly patches of plain began to show through, the islands with their palms and temples slowly dissolved, the boats foundered with every soul on board, the sea drifted over the headlands in a most unwaterlike way, and inside the hour since,
like stout Cortez, when with eagle eyes He stared at the Pacific, and all his men Looked at each other with a wild surmise, Silent upon a peak in Darien,
I had discovered this unknown sea all this insubstantial pageant had faded like the baseless fabric of the vision that it was and left not a rack behind.
In some of its minor manifestations the mirage is sometimes seen on the western coast of our continent, in the bay of San Francisco, for example, causing no small surprise to the untraveled and unread observer, and no small pain to the spirits of purer fire who are fated to be caught within earshot and hear him pronounce it a “mirridge.” I have seen Goat Island without visible means of support and Red Rock suspended in mid-air like the coffin of the Prophet. Looking up toward Mare Island one most ungracious morning when a barbarous norther had purged the air of every stain and the human soul of every virtue, I saw San Pablo Bay margined with cliffs whose altitude must have exceeded considerably that from whose dizzy verge old eyeless Gloster, falling in a heap at his own feet, supposed himself to have sailed like a stone.
One more instance and “I’ve done, i’ faith.” Gliding along down the Hudson River one hot summer afternoon in a steamboat, I went out on the afterguard for a breath of fresh air, but there was none to be had. The surface of the river was like oil and the steamer’s hull slipped through it with surprisingly little disturbance. Her tremor was for once hardly perceptible; the beating of her paddles was subdued to an almost inaudible rhythm. The air seemed what we call “hollow” and had apparently hardly enough tenuity to convey sounds. Everywhere on the surface of the glassy stream were visible undulations of heat, and the light steam of evaporation lay along the sluggish water and hung like a veil between the eye and the bank. Seated in an armchair and overcome by the heat and the droning of some prosy passengers near by, I fell asleep. When I awoke the guards were crowded with passengers in a high state of excitement, pointing and craning shoreward. Looking in the same direction I saw, through the haze, the sharp outlines of a city in gray silhouette. Roofs, spires, pinnacles, chimneys, angles of wall —all were there, cleanly cut out against the air.
“What is it?” I cried, springing to my feet.
“That, sir,” replied a passenger stolidly, “is Poughkeepsie.”
It was. A SOLE SURVIVOR
Among the arts and sciences, the art of Sole Surviving is one of the most interesting, as (to the artist) it is by far the most important. It is not altogether an art, perhaps, for success in it is largely due to accident.
One may study how solely to survive, yet, having an imperfect natural aptitude, may fail of proficiency and be early cut off. To the contrary, one little skilled in its methods, and not even well grounded in its fundamental principles, may, by taking the trouble to have been born with a suitable constitution, attain to a considerable eminence in the art.
Without undue immodesty, I think I may fairly claim some distinction in it myself, although I have not regularly acquired it as one acquires knowledge and skill in writing, painting and playing the flute. O yes, I am a notable Sole Survivor, and some of my work in that way attracts great attention, mostly my own.
You would naturally expect, then, to find in me one who has experienced all manner of disaster at sea and the several kinds of calamity incident to a life on dry land. It would seem a just inference from my Sole Survivorship that I am familiar with railroad wrecks, inundations (though these are hardly dry-land phenomena),
