Females, complete in all their parts

Except (His clay gave out) the hearts.

“No matter,” Satan cried; “with speed

I’ll fetch the very hearts they need” —

So flew away and soon brought back

The number needed, in a sack.

That night earth range with sounds of strife —

Ten million males each had a wife;

That night sweet Peace her pinions spread

O’er Hell — ten million devils dead!

G.J.

FIB, n. A lie that has not cut its teeth. An habitual liar’s nearest approach to truth: the perigee of his eccentric orbit.

When David said: “All men are liars,” Dave,

Himself a liar, fibbed like any thief.

Perhaps he thought to weaken disbelief

By proof that even himself was not a slave

To Truth; though I suspect the aged knave

Had been of all her servitors the chief

Had he but known a fig’s reluctant leaf

Is more than e’er she wore on land or wave.

No, David served not Naked Truth when he

Struck that sledge-hammer blow at all his race;

Nor did he hit the nail upon the head:

For reason shows that it could never be,

And the facts contradict him to his face.

Men are not liars all, for some are dead.

Bartle Quinker

FICKLENESS, n. The iterated satiety of an enterprising affection.

FIDDLE, n. An instrument to tickle human ears by friction of a horse’s tail on the entrails of a cat.

To Rome said Nero: “If to smoke you turn

I shall not cease to fiddle while you burn.”

To Nero Rome replied: “Pray do your worst,

‘Tis my excuse that you were fiddling first.”

Orm Pludge

FIDELITY, n. A virtue peculiar to those who are about to be betrayed.

FINANCE, n. The art or science of managing revenues and resources for the best advantage of the manager. The pronunciation of this word with the i long and the accent on the first syllable is one of America’s most precious discoveries and possessions.

FLAG, n. A colored rag borne above troops and hoisted on forts and ships. It appears to serve the same purpose as certain signs that one sees and vacant lots in London — “Rubbish may be shot here.”

FLESH, n. The Second Person of the secular Trinity.

FLOP, v. Suddenly to change one’s opinions and go over to another party. The most notable flop on record was that of Saul of Tarsus, who has been severely criticised as a turn-coat by some of our partisan journals.

FLY-SPECK, n. The prototype of punctuation. It is observed by Garvinus that the systems of punctuation in use by the various literary nations depended originally upon the social habits and general diet of the flies infesting the several countries. These creatures, which have always been distinguished for a neighborly and companionable familiarity with authors, liberally or niggardly embellish the manuscripts in process of growth under the pen, according to their bodily habit, bringing out the sense of the work by a species of interpretation superior to, and independent of, the writer’s powers. The “old masters” of literature — that is to say, the early writers whose work is so esteemed by later scribes and critics in the same language — never punctuated at all, but worked right along free-handed, without that abruption of the thought which comes from the use of points. (We observe the same thing in children to-day, whose usage in this particular is a striking and beautiful instance of the law that the infancy of individuals reproduces the methods and stages of development characterizing the infancy of races.) In the work of these primitive scribes all the punctuation is found, by the modern investigator with his optical instruments and chemical tests, to have been inserted by the writers’ ingenious and serviceable collaborator, the common house-fly — Musca maledicta. In transcribing these ancient MSS, for the purpose of either making the work their own or preserving what they naturally regard as divine revelations, later writers reverently and accurately copy whatever marks they find upon the papyrus or parchment, to the unspeakable enhancement of the lucidity of the thought and value of the work. Writers contemporary with the copyists naturally avail themselves of the obvious advantages of these marks in their own work, and with such assistance as the flies of their own household may be willing to grant, frequently rival and sometimes surpass the older compositions, in respect at least of punctuation, which is no small glory. Fully to understand the important services that flies perform to literature it is only necessary to lay a page of some popular novelist alongside a saucer of cream-and-molasses in a sunny room and observe “how the wit brightens and the style refines” in accurate proportion to the duration of exposure.

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