disappointment or displeasure, her velvety brown eyes filled with tears, and she would lift her chin and walk silently away. If we ran after her and tried to appease her, it did no good. She walked on unmollified. I used to think that no eyes in the world could grow so large or hold so many tears as Nina's. Mrs. Harling and Antonia invariably took her part. We were never given a chance to explain. The charge was simply: `You have made Nina cry. Now, Jimmy can go home, and Sally must get her arithmetic.' I liked Nina, too; she was so quaint and unexpected, and her eyes were lovely; but I often wanted to shake her.
We had jolly evenings at the Harlings' when the father was away. If he was at home, the children had to go to bed early, or they came over to my house to play.
Mr. Harling not only demanded a quiet house, he demanded all his wife's attention. He used to take her away to their room in the west ell, and talk over his business with her all evening. Though we did not realize it then, Mrs. Harling was our audience when we played, and we always looked to her for suggestions.
Nothing flattered one like her quick laugh.
Mr. Harling had a desk in his bedroom, and his own easy-chair by the window, in which no one else ever sat. On the nights when he was at home, I could see his shadow on the blind, and it seemed to me an arrogant shadow. Mrs. Harling paid no heed to anyone else if he was there. Before he went to bed she always got him a lunch of smoked salmon or anchovies and beer. He kept an alcohol lamp in his room, and a French coffee-pot, and his wife made coffee for him at any hour of the night he happened to want it.
Most Black Hawk fathers had no personal habits outside their domestic ones; they paid the bills, pushed the baby-carriage after office hours, moved the sprinkler about over the lawn, and took the family driving on Sunday. Mr. Harling, therefore, seemed to me autocratic and imperial in his ways. He walked, talked, put on his gloves, shook hands, like a man who felt that he had power. He was not tall, but he carried his head so haughtily that he looked a commanding figure, and there was something daring and challenging in his eyes. I used to imagine that the ,nobles' of whom Antonia was always talking probably looked very much like Christian Harling, wore caped overcoats like his, and just such a glittering diamond upon the little finger.
Except when the father was at home, the Harling house was never quiet. Mrs.
Harling and Nina and Antonia made as much noise as a houseful of children, and there was usually somebody at the piano. Julia was the only one who was held down to regular hours of practising, but they all played. When Frances came home at noon, she played until dinner was ready. When Sally got back from school, she sat down in her hat and coat and drummed the plantation melodies that Negro minstrel troupes brought to town. Even Nina played the Swedish Wedding March.
Mrs. Harling had studied the piano under a good teacher, and somehow she managed to practise every day. I soon learned that if I were sent over on an errand and found Mrs. Harling at the piano, I must sit down and wait quietly until she turned to me. I can see her at this moment: her short, square person planted firmly on the stool, her little fat hands moving quickly and neatly over the keys, her eyes fixed on the music with intelligent concentration.
IV
I won't have none of your weevily wheat,
and I won't have none of your barley,
But I'll take a measure of fine white flour,
to make a cake for Charley.'
WE WERE SINGING rhymes to tease Antonia while she was beating up one of Charley's favourite cakes in her big mixing-bowl.
It was a crisp autumn evening, just cold enough to make one glad to quit playing tag in the yard, and retreat into the kitchen. We had begun to roll popcorn balls with syrup when we heard a knock at the back door, and Tony dropped her spoon and went to open it.
A plump, fair-skinned girl was standing in the doorway. She looked demure and pretty, and made a graceful picture in her blue cashmere dress and little blue hat, with a plaid shawl drawn neatly about her shoulders and a clumsy pocket-book in her hand.
`Hello, Tony. Don't you know me?' she asked in a smooth, low voice, looking in at us archly.
Antonia gasped and stepped back.
`Why, it's Lena! Of course I didn't know you, so dressed up!'
Lena Lingard laughed, as if this pleased her. I had not recognized her for a moment, either. I had never seen her before with a hat on her head--or with shoes and stockings on her feet, for that matter. And here she was, brushed and smoothed and dressed like a town girl, smiling at us with perfect composure.
`Hello, Jim,' she said carelessly as she walked into the kitchen and looked about her. I've come to town to work, too, Tony.'
`Have you, now? Well, ain't that funny' Antonia stood ill at ease, and didn't seem to know just what to do with her visitor.
The door was open into the dining-room, where Mrs. Harling sat crocheting and Frances was reading. Frances asked Lena to come in and join them.
`You are Lena Lingard, aren't you? I've been to see your mother, but you were off herding cattle that day. Mama, this is Chris Lingard's oldest girl.'
Mrs. Harling dropped her worsted and examined the visitor with quick, keen eyes. Lena was not at all disconcerted. She sat down in the chair Frances pointed out, carefully arranging her pocket-book and grey cotton gloves on her lap. We followed with our popcorn, but Antonia hung back-- said she had to get her cake into the oven.
`So you have come to town,' said Mrs. Harling, her eyes still fixed on Lena.
`Where are you working?'
`For Mrs. Thomas, the dressmaker. She is going to teach me to sew. She says I have quite a knack. I'm through with the farm. There ain't any end to the work on a farm, and always so much trouble happens. I'm going to be a dressmaker.'
`Well, there have to be dressmakers. It's a good trade. But I wouldn't run down the farm, if I were you,' said Mrs. Harling rather severely. `How is your mother?'
