freight train, his run being from Moonstone to Denver. Ray was a big

fellow, with a square, open American face, a rock chin, and features

that one would never happen to remember. He was an aggressive idealist,

a freethinker, and, like most railroad men, deeply sentimental. Thea

liked him for reasons that had to do with the adventurous life he had

led in Mexico and the Southwest, rather than for anything very personal.

She liked him, too, because he was the only one of her friends who ever

took her to the sand hills. The sand hills were a constant

tantalization; she loved them better than anything near Moonstone, and

yet she could so seldom get to them. The first dunes were accessible

enough; they were only a few miles beyond the Kohlers’, and she could

run out there any day when she could do her practicing in the morning

and get Thor off her hands for an afternoon. But the real hills—the

Turquoise Hills, the Mexicans called them—were ten good miles away, and

one reached them by a heavy, sandy road. Dr. Archie sometimes took Thea

on his long drives, but as nobody lived in the sand hills, he never had

calls to make in that direction. Ray Kennedy was her only hope of

getting there.

This summer Thea had not been to the hills once, though Ray had planned

several Sunday expeditions. Once Thor was sick, and once the organist in

her father’s church was away and Thea had to play the organ for the

three Sunday services. But on the first Sunday in September, Ray drove

up to the Kronborgs’ front gate at nine o’clock in the morning and the

party actually set off. Gunner and Axel went with Thea, and Ray had

asked Spanish Johnny to come and to bring Mrs. Tellamantez and his

mandolin. Ray was artlessly fond of music, especially of Mexican music.

He and Mrs. Tellamantez had got up the lunch between them, and they were

to make coffee in the desert.

When they left Mexican Town, Thea was on the front seat with Ray and

Johnny, and Gunner and Axel sat behind with Mrs. Tellamantez. They

objected to this, of course, but there were some things about which Thea

would have her own way. “As stubborn as a Finn,” Mrs. Kronborg sometimes

said of her, quoting an old Swedish saying. When they passed the

Kohlers’, old Fritz and Wunsch were cutting grapes at the arbor. Thea

gave them a businesslike nod. Wunsch came to the gate and looked after

them. He divined Ray Kennedy’s hopes, and he distrusted every expedition

that led away from the piano. Unconsciously he made Thea pay for

frivolousness of this sort.

As Ray Kennedy’s party followed the faint road across the sagebrush,

they heard behind them the sound of church bells, which gave them a

sense of escape and boundless freedom. Every rabbit that shot across the

path, every sage hen that flew up by the trail, was like a runaway

thought, a message that one sent into the desert. As they went farther,

the illusion of the mirage became more instead of less convincing; a

shallow silver lake that spread for many miles, a little misty in the

sunlight. Here and there one saw reflected the image of a heifer, turned

loose to live upon the sparse sand-grass. They were magnified to a

preposterous height and looked like mammoths, prehistoric beasts

standing solitary in the waters that for many thousands of years

actually washed over that desert;—the mirage itself may be the ghost

Вы читаете The Song of the Lark
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату