or whatever as end up playing sixty-nine pickup. Don't get me wrong: much as I like Brubeck, I am nonetheless bisexual as I ever was.'
Stagger finished his shuffling. 'Now, if you won't misunderstand, how about I teach you honeymoon bridge?' l#oc and Ginny went to the Laughs show the following Friday. The films had an odd, flat, gray quality, with black halos around any bright light; Stagger Lee explained that they were 'kinescopes,' films made from early television.
The shows had little comedy sketches, musical numbers, blackout jokes that lasted only seconds. Some of the longer playlets had no characters at all, just kitchen utensils or office machines moving to music; not really funny, past the first surprise, but oddly engrossing, watching the machinery dance.
The artist's name was Ernie Kovacs. During an intermission. Stagger said, 'If you'd seen a lot of television, this probably wouldn't look like much to you.'
Ginny said, 'Why?'
'Because ten years later, twenty, thirtv, the rest of television started to catch up to Kovacs's ideas. Do you remember what he said in the third program, about 'the first rule of television is, if something works, beat it to death'? Forty years after he said that, thirty after he died, TV was still following that law' Stagger looked past them, into an unseen distance. 'If television is ever allowed to function again, I think we could reconstruct everything good about it from Ernie.'
Doc said, joking, 'Is the world ready for that?'
'No,' Stagger said seriously. 'The world is never ready for anything until it's too late. By which time something else has arrived.'
They watched a sketch of people getting ready for something special, a party or a night out. There was no dialogue, just music, as the men in one apartment and the women in another showered, shaved, made up, dressed (Doc found himself staring hard at the technique of the garter strap in closeup). This tie wouldn't knot; that stocking was torn. The music was driving toward something, some tension that would have to be released.
A doorbell rang; the women dashed to answer it. Then, abruptly, Doc knew. There were three women in the apartment. There were two men at the door.
Two left with two, and the third woman, her hair and dress perfect, turned away. The camera was looking down on her from above, above the walls of the apartment. Doc did not think anyone in the theater was breathing, all waiting for a doorbell, a telephone. The woman wandered from one room to the other, small in the depths of the shot.
The walls of the apartment collapsed outward, the break of the chambered heart. The music crashed to a stop.
He found Ginny's arm, wrapped his fingers around it.
One of the ushers was leaning over Doc. 'Mr. Hallownight, you're needed outside, sir.'
He and Ginny went to the lobby. Stagger Lee was pulling on a long wool coat and scarf. He looked worried. 'Doc, Patrise wants us. Now.'
'What is it? Somebody hurt?'
'Not yet. Ginny, I'm sorry. We didn't know-Mr. Patrise didn't know, it came up suddenly and we've got no time. Will you get home okay?'
'Sure,' she said. 'tJnless I can help.'
'Patrise didn't ask for you. Good of you to offer, but you'd better not get involved. Take notes on the good bits, will you?'
She nodded, caught Doc's sleeve. 'Call me when you get home, okay?'
'Oh. Yeah, I will.'
Doc and Stagger slid into the TR3. 'So where are we going?'
'Down by the river.' He reached inside his coat, brought out a large, odd-looking pistol with a cylindrical wooden grip. 'Nice night for a drive,' he said. 'But what the hell.'
Doc drove into the iron tunnel under the L tracks. 'Magic's weaker down here than near Division, right? Does all this iron have something to do with that?'
'Heard about cold iron, have you?'
'Yeah. Did it keep the Truebloods out of the Loop? When they first came back, I mean?'
'No. As an antidote to magic in general and elves in particular, cold iron is way overrated. Some people suspect all it ever did mean was that iron weapons gave us a slightly better chance against the fair folks than bronze ones. Not to mention rocks and sticks.'
Doc slowed down, swung the Triumph around a wrecked car and a half-collapsed wall. Above, among the dark girders, there was a flash of bright metal. It moved. 'Stagger! You see that?'
'Shit! Don't slow down!'
A figure dropped from above. A flash of purplish light appeared near it, and a brilliant little comet flew past the car. Doc felt his hair prickle as it went by, and there was a sharp bang behind them.
'Maybe I should give the iron more credit,' Stagger Lee said.
Doc looked in the rear-view and saw two motorcycles swing out of an alley, figures in long coats gunning them. From under wide-brimmed hats, elf hair streamed long and white. Before Doc pulled his eyes back to the road ahead, he registered that the bikes didn't have any wheels in their forks: they were gliding an arm's length above the pavement.
Stagger leaned out and fired three times. One of the bikes laid down hard and skidded into an L stanchion.
Doc said, 'Where do I go up here?'
'Right, next chance.'
Doc slowed just enough to make the turn on all wheels, and saw another floating bike straight in the headlights. 'Hey, chicken,' he said under his breath, and floored it. The bike reared up on its rear non-wheel and came for them. Stagger fired another round, then swore and began working at the jammed gun.
The bike's headlight shone full-moon blue into Doc's eyes as they came together. There was a scraping noise, and the bike jumped the car, an empty fork ripping the canvas top as it went over. The Triumph wavered. Stagger had pulled something out of his coat. 'When I say now, punch for the next left!' He leaned out, threw the object. 'Now/'
Doc threw the bar down, heel-and-toed around the corner, seeing a ball of yellow and black fire erupt in the back corner of his eye. Then the two flying bikes plunged out of the light, just black streaks in the moment of vision but still running.
'Go! Go!'
Doc checked the rear-view. Yes, they were still back there. After a moment, two bikes with wheels swung in to join them: two white lights, two blue. Ahead was one of the river bridges, a steep arched one, unlighted, barely visible except as a black gap in the shimmering water. It looked scratchy, like a worn old film.
Stagger said, 'After the bridge, turn-'
'Look.' Doc flashed his brights, making the coiled wire blocking the crest of the bridge sparkle like dew on a spider's web. As they started up the slope, he pulled the handbrake, threw the little car into a four-wheel drift, praying they wouldn't roll. The suspension ran out of travel, and metal threw sparks. They came to a stop turned one-eighty, pointing straight at the bikes.
Stagger thumbed something on his pistol. It spat a long flame and played a bull-fiddle note. Two bikes went down, the others scattered. Doc drove. Loose bits of motorcycles sputtered and banged beneath the car. A body went whump against his door and was gone, all unseen.
There were no more lights behind them. They were alone.
'Where to now?'
'Let me think.'
'Should we just go back to-'
'No. We need to tell Patrise.' They were both gasping. 'It may have just been a random ambush.'
'You think so?'
'No.' Stagger started to put his head down, then jerked upright, looking around, behind, for more targets. 'Not with the bridge blocked. That took some work. So we really have to see Patrise. Turn right up here.'
A couple of blocks on, Doc felt himself relax, just a little, and then he laughed. Stagger Lee turned to look at