tomb; since when no eye has seen and no hand has touched it.'
Lady Diana Wales seemed to be more impressed than might have been expected. 'It really gives one rather a shiver,' she said, 'to think that we are going to be the first, except the vicar.'
The pioneer with the big moustaches and the broken English did not descend after all by his favourite ladder, which indeed had only been used by some of the workmen conducting the excavation; for the clergyman led them round to a larger and more convenient entrance about a hundred yards away, out of which he himself had just emerged from his investigations underground. Here the descent was by a fairly gradual slope with no difficulties save the increasing darkness; for they soon found themselves moving in single file down a tunnel as black as pitch, and it was some little time before they saw a glimmer of light ahead of them. Once during that silent march there was a sound like a catch in somebody's breath, it was impossible to say whose; and once there was an oath like a dull explosion, and it was in an unknown tongue.
They came out in a circular chamber like a basilica in a ring of round arches; for that chapel had been built before the first pointed arch of the Gothic had pierced our civilization like a spear. A glimmer of greenish light between some of the pillars marked the place of the other opening into the world above, and gave a vague sense of being under the sea, which was intensified by one or two other incidental and perhaps fanciful resemblances. For the dog–tooth pattern of the Norman was faintly traceable round all the arches, giving them, above the cavernous darkness, something of the look of the mouths of monstrous sharks. And in the centre the dark bulk of the tomb itself, with its lifted lid of stone, might almost have been the jaws of some such leviathan.
Whether out of the sense of fitness or from the lack of more modern appliances, the clerical antiquary had arranged for the illumination of the chapel only by four tall candles in big wooden candlesticks standing on the floor. Of these only one was alight when they entered, casting a faint glimmer over the mighty architectural forms. When they had all assembled, the clergyman proceeded to light the three others, and the appearance and contents of the great sarcophagus came more clearly into view.
All eyes went first to the face of the dead, preserved across all those ages in the lines of life by some secret Eastern process, it was said, inherited from heathen antiquity and unknown to the simple graveyards of our own island. The Professor could hardly repress an exclamation of wonder; for, though the face was as pale as a mask of wax, it looked otherwise like a sleeping man, who had but that moment closed his eyes. The face was of the ascetic, perhaps even the fanatical type, with a high framework of bones; the figure was clad in a golden cope and gorgeous vestments, and high up on the breast, at the base of the throat, glittered the famous gold cross upon a short gold chain, or rather necklace. The stone coffin had been opened by lifting the lid of it at the head and propping it aloft upon two strong wooden shafts or poles, hitched above under the edge of the upper slab and wedged below into the corners of the coffin behind the head of the corpse. Less could therefore be seen of the feet or the lower part of the figure, but the candle–light shone full on the face; and in contrast with its tones of dead ivory the cross of gold seemed to stir and sparkle like a fire.
Professor Smaill's big forehead had carried a big furrow of reflection, or possibly of worry, ever since the clergyman had told the story of the curse. But feminine intuition, not untouched by feminine hysteria, understood the meaning of his brooding immobility better than did the men around him. In the silence of that candle–lit cavern Lady Diana cried out suddenly: 'Don't touch it, I tell you!'
But the man had already made one of his swift leonine movements, leaning forward over the body. The next instant they all darted, some forward and some backward, but all with a dreadful ducking motion as if the sky were falling.
As the Professor laid a finger on the gold cross, the wooden props, that bent very slightly in supporting the lifted lid of stone, seemed to jump and straighten themselves with a jerk. The lip of the stone slab slipped from its wooden perch; and in all their souls and stomachs came a sickening sense of down–rushing ruin, as if they had all been flung off a precipice. Smaill had withdrawn his head swiftly, but not in time; and he lay senseless beside the coffin, in a red puddle of blood from scalp or skull. And the old stone coffin was once more closed as it had been for centuries; save that one or two sticks or splinters stuck in the crevice, horribly suggestive of bones crunched by an ogre. The leviathan had snapped its jaws of stone.
Lady Diana was looking at the wreck with eyes that had an electric glare as of lunacy; her red hair looked scarlet against the pallor of her face in the greenish twilight. Smyth was looking at her, still with something dog–like in the turn of his head; but it was the expression of a god who looks at a master whose catastrophe he can only partly understand. Tarrant and the foreigner had stiffened in their usual sullen attitudes, but their faces had turned the colour of clay. The Vicar seemed to have fainted. Father Brown was kneeling beside the fallen figure, trying to test its condition.
Rather to the general surprise, the Byronic lounger, Paul Tarrant, came forward to help him.
'He'd better be carried up into the air,' he said. 'I suppose there's just a chance for him.'
'He isn't dead,' said Father Brown in a low voice, 'but I think it's pretty bad; you aren't a doctor by any chance?'
'No; but I've had to pick up a good many things in my time,' said the other. 'But never mind about me just now. My real profession would probably surprise you.'
'I don't think so,' replied Father Brown, with a slight smile. 'I thought of it about halfway through the voyage. You are a detective shadowing somebody. Well, the cross is safe from thieves now, anyhow.'
While they were speaking Tarrant had lifted the frail figure of the fallen man with easy strength and dexterity, and was carefully carrying him towards the exit. He answered over his shoulder:
'Yes, the cross is safe enough.'
'You mean that nobody else is,' replied Brown. 'Are you thinking of the curse, too?'
Father Brown went about for the next hour or two under a burden of frowning perplexity that was something beyond the shock of the tragic accident. He assisted in carrying the victim to the little inn opposite the church, interviewed the doctor, who reported the injury as serious and threatening, though not certainly fatal, and carried the news to the little group of travellers who had gathered round the table in the inn parlour. But whereever he went the cloud of mystification rested on him and seemed to grow darker the more deeply he pondered. For the central mystery was growing more and more mysterious, actually in proportion as many of the minor mysteries began to clear themselves up in his mind. Exactly in proportion as the meaning of individual figures in that motley group began to explain itself, the thing that had happened grew more and more difficult to explain. Leonard Smyth had come merely because Lady Diana had come; and Lady Diana had come merely because she chose. They were engaged in one of those floating Society flirtations that are all the more silly for being semi–intellectual. But the lady's romanticism had a superstitious side to it; and she was pretty well prostrated by the terrible end of her adventure. Paul Tarrant was a private detective, possibly watching the flirtation, for some wife or husband; possibly shadowing the foreign lecturer with the moustaches, who had much the air of an undesirable alien. But if he or anybody else had intended to steal the relic, the intention had been finally frustrated. And to all mortal appearance, what had frustrated it was either an incredible coincidence or the intervention of the ancient curse.
As he stood in unusual perplexity in the middle of the village street, between the inn and the church, he felt a mild shock of surprise at seeing a recently familiar but rather unexpected figure advancing up the street. Mr Boon, the journalist, looking very haggard in the sunshine, which showed up his shabby raiment like that of a scarecrow, had his dark and deep–set eyes (rather close together on either side of the long drooping nose) fixed on the priest. The latter looked twice before he realized that the heavy dark moustache hid something like a grin or at least a grim smile.
'I thought you were going away,' said Father Brown a little sharply. 'I thought you left by that train two hours ago.'
'Well, you see I didn't,' said Boon.
'Why have you come back?' asked the priest almost sternly.
'This is not the sort of little rural paradise for a journalist to leave in a hurry,' replied the other. 'Things happen too fast here to make it worth while to go back to a dull place like London. Besides, they can't keep me out of the affair–I mean this second affair. It was I that found the body, or at any rate the clothes. Quite suspicious conduct on my part, wasn't it? Perhaps you; think I wanted to dress up in his clothes. Shouldn't I make a lovely parson?'
And the lean and long–nosed mountebank suddenly made an extravagant gesture in the middle of the market–place, stretching out his arms and spreading out his dark–gloved hands in a sort of burlesque benediction and saying: 'Oh, my dear brethren and sisters, for I would embrace you all….'
