“Channing,” I said. “Elizabeth Channing.”

Albert shook his head. “Nobody could have imagined that that woman would cause so much trouble,” he added with a short laugh. “Not even your father.”

Inevitably I recalled how the people of Chatham had finally laid a large portion of the blame for what happened on Black Pond at my father’s feet. It was the price he’d paid for hiring Miss Channing in the first place, then turning what everyone considered a blind eye to her behavior, a delinquency that his neighbors had never been able to forget, nor his wife forgive.

“You think he ever suspected anything, Henry?”

I remembered the look on my father’s face as he’d closed the door of his office that day, with Mr. Parsons in his dark suit, reaching into the box he’d placed on the chair beside him, drawing out a book with one hand, a length of gray rope with the other, Miss Channing standing before him in a white dress. “Not of what they thought she did. No, I don’t think he ever suspected her of that.”

“Why, I wonder,” Albert said casually, as if he were discussing no more than a local curiosity, “I mean, she was pretty strange, wasn’t she?”

For a moment I thought I saw her sitting silently on the other side of the room, staring at me as she had that last time, her hair oily, matted, unwashed, her skin a deathly pale, but still glowing incandescently from out of the surrounding shadows. In a low, unearthly whisper I heard her repeat her last words to me: Go now, Henry Please.

“No, she wasn’t strange,” I said. “But what happened to her was.”

Albert shrugged. “Well, I was just a little boy at the time, so really, about all I remember is that she was very pretty.”

I recalled my father’s eyes the day she’d approached him across the summer lawn of Milford Cottage, her bare feet in the moist green grass, then the look on Mr. Reed’s face as he’d gazed at her on the hill that snowy November morning. “She was beautiful,” I told Albert Parsons, my eyes now drifting toward the window, then beyond it, to the lighthouse she’d fled from that terrible afternoon. “But she couldn’t help that, could she?”

“Well, one thing’s for sure,” Albert said. “It was the man who was the real shocker in the whole thing. The other teacher, I mean.”

“Leland Reed.”

“That’s right.” Albert released a quick, mocking laugh. “I mean, God almighty, Henry, who’d have thought that a man like him would interest a young woman as pretty as that Channing woman was?” He shook his head at the curiousness of human beings, their woeful randomness and unpredictability, the impenetrable wilderness they make of life. “Why, hell, that Reed fellow looked like a damn freak, as I remember it, always limping around, his face all scarred up. Just a rag of a man, mat’s what my father said. His very words. Just a rag of a man.”

I drew my eyes away from the lighthouse and settled them on the old oak that stood across the way, its bare limbs rising upward, twisting and chaotic, a web without design. Beyond it, down a distant street that led to the marina, I could make out the gray roof of the old boat-house where Mr. Reed and I had labored to build his boat. In my memory of those days I could see him working frantically through the night, painting, varnishing, making the final preparations for its maiden voyage. Like someone whispering invisibly in my ear, I heard mm say, Disappear, disappear, the grim incantation of his final days.

“Of course that Channing woman certainly saw some thing in him,” Albert said. He smiled. “What can you say, Henry? The mysteries of love.”

But the nature of what Miss Channing might have seen in Leland Reed seemed hardly to matter to Albert, Jr. He crushed his cigar into the ashtray. “They didn’t get away with it though,” he said. “That’s the main thing. I once heard my fattier say that he’d never have gotten to the bottom of it—that he’d have just thought it was all some kind of terrible accident—if it hadn’t been for you.”

I felt something give in the thick wall I’d built around my memory of that time. In my mind I saw Mr. Parsons standing in front of me, the two of us on the playing field behind Chatham School, facing each other in a blue twilight, Mr. Parsons suddenly twisting his head in the general direction of Black Pond before returning his gaze to me, his hand coming to a soft paternal rest upon my shoulder. Thank you, Henry. I know how hard it is to tell the truth.

The newspaper headline stated the fact baldly: STUDENT TESTIFIES IN CHATHAM SCHOOL AFFAIR.

There’d been a photograph beneath the headline, a young man in dark trousers and a gray jacket, his black hair now slicked back and neatly combed, a figure that had not in the least resembled the wild-eyed boy who’d stood at the top of the lighthouse some weeks before, madly drawing one frenzied portrait after another, rendering Chatham as a reeling nightmare world.

Others in the village have no doubt forgotten what I said upon the stand, but I never have, nor ever will. So that on that day over forty years later, when I’d sat in my office with Albert Parsons, Jr., watching him light his second cigar, I’d seen it all unfold once again, myself in the witness box, dressed in the black trousers and gray jacket of Chatham School, my hair neatly combed, all my wild ideas of flight and freedom now brought to heel by Mr. Parsons’ first question: When did you first meet Elizabeth Channing?

After that he’d continued gently, pacing back and forth while I sat rigidly in the witness box, a bright morning sun pouring in from the high windows, flashing rhythmically in the lenses of his glasses as he moved through blinding shafts of light.Mr. Parsons: Now, you are a student at Chatham School, are you not, Henry? Witness: Yes, sir.Mr. Parsons: And you took English with Mr. Leland Reed, I believe, and art with the defendant, Miss Elizabeth Channing?Witness: Yes.Mr. Parsons: And would you say that Mr. Reed took a special interest in you? Witness: Yes, he did.Mr. Parsons: And Miss Charming too? Witness: Yes.Mr. Parsons: How would you describe the interest Miss Channing took in you, Henry?Witness: Well, mostly she was interested in my drawing. She told me that she thought I had talent, and that I should get a sketchbook and draw in my spare time.

Sitting in the witness box, listening to my own voice, I remembered all the times I’d tucked that same sketchbook beneath my arm and set out from my house on Myrtle Street, a lone figure marching solemnly into the village or strolling down the beach, fired by the idea of an artistic life, of roaming the world as Miss Channing’s father had, a creature with no fixed abode.Mr. Parsons: And did you do a great deal of drawing at this time?Witness: Yes, I did.Mr. Parsons: But that was not your only activity at this time, was it, Henry?Witness: Activity?Mr. Parsons: Well, you also became involved in another project during that year at Chatham School, didn’t you? With Mr.

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