knew what I wanted to do with my fifty grand. All I needed was to find the right copy of the right book.
I sent out feelers. Booksellers around the country began calling me with tips. By the middle of the fourth week, I had been touted to the Boston Book Galleries and an upcoming Burton that was rumored to be everything I wanted. I made plans to fly East.
How can I describe the joy of pulling down those sweetheart books for twenty-nine thousand and change? I knew I’d probably have to pay what the trade considered a premium. Dealers dropped out of the bidding early, and the contest winnowed down to two collectors and me. When it went past twenty I thought the hell with it, I wasn’t buying these books for resale, this was food for the soul and I didn’t care if I had to spend the whole fifty grand. The Seattle stash was found money, in my mind. People who gamble in casinos on Indian reservations sometimes call their winnings Indian money. They put it in a cookie jar and give themselves permission to lose it all again. But a book like the Burton set is never a gamble. I wasn’t about to throw my bankroll at a roulette table, but thinking of it as Indian money made me instantly more competitive and ultimately the high bidder. There was a time when it would have been unthinkable to spend so much on a single first edition. I laugh at those days.
I laughed a lot in the wake of Boston. I was amazed at how far my Burton story had been flung. It surpassed even Janeway’s Rule of Overkill, which goes like this: getting the media’s interest can be so much more difficult than keeping it. Reporters and editors are such pessimistic bastards—everyone wants a few inches of their space or a minute of their time, and they put up walls that are all but impregnable. Editors will send a grumbling reporter many miles to cover a man with a butterfly collection and ignore some shameful injustice that’s been growing in their own backyards forever. Out-of-town experts thrill them, but anyone who openly tries to lure them will get brushed off faster than a leper at a nudist colony. The key to the gate is your own indifference. Be shy enough and the media will swarm. At that point anything can happen.
I was indifferent, I was almost coy, and overnight I became the most prominent Richard Burton specialist in America. I didn’t claim to be the best or the brightest: I probably wasn’t the wisest, whitest, darkest, wittiest, and listen, this part’s hard to believe, I may not have even been the prettiest. The events that put me on the map were arbitrary and embarrassingly unjustified. A single piece in
At home I had twenty calls on my answering machine, including one from Miranda. Because of the Denver angle, both local papers had carried my AP story from Boston. Lee had seen it, and of course he wanted to see the books. Miranda invited me for “supper” that night, making the distinction that this was not “dinner,” it was family, and there would just be the three of us. It was a weeknight; we’d make it a short evening for the good of us all. Lee was in the middle of a complicated trial and I had lots of work to do. Even Miranda had an early date the next morning, at a neighborhood old-folks’ home where she worked as a volunteer.
We ate on their patio, laughing over my close call with Archer the last time I had seen them. “I was holding my breath,” Miranda said: “For a minute I thought you were going to take him apart before God and all of us.” She glanced at Lee and said, “Not that Cliff wouldn’t have been justified, sweetheart. I know the man’s your oldest friend, and it’s certainly not my habit to apologize for my guests. But that one’s a real bastard and I just don’t like him.”
Lee smiled in that easy way he had. “Hal’s had a hard life. That’s what you need to understand about him before you judge him too harshly.”
“Why is it
“Give him just a little break, Miranda. His family was against his writing career from the start and he had to struggle all through his life. His early books—all the ones that people are now calling modern classics—were rejected by everybody for years. He has suffered the tortures of the damned—the truly gifted man whose talent was ignored for decades, actually. If he’s bitter it’s because of the bestseller mentality and what he sees as the dumbing-down of our literature.”
“I know that but it’s such an old, tedious story. He’s hardly the first writer to feel unappreciated. How many talented people never do get recognized? You don’t see them whining about it, or causing a fuss when all someone wants to do is admire them. There’s just no excuse for boorish behavior. He should cut off his ear and enjoy some real pain.”
I asked for a truce. “I’m sure he didn’t mean anything by it. Really, I barely noticed it.”
Abruptly, thankfully, Lee changed the subject. “Let’s look at your books,” he said, and we went back into the house. He studied the three volumes in awe, as if he couldn’t believe what he was seeing. “My God,” he said. “Where on earth did these come from?” Ultimately, I didn’t know: the auction house wasn’t required to disclose consignors’ names. Miranda wondered who Charles Warren had been, how someone who had received such a warm inscription could remain so unknown to Burton’s biographers. Finally Lee brought up his own volumes to compare. There was no comparison. Lee’s were near fine, more than good enough for most collectors of hundred-year-old books. Mine were a full cut above that: unblemished, stratospheric, factory-fresh. Placing the two sets side by side gave new meaning to the words
“I’d say you did well, even at thirty thousand,” he said. “In fact, if you want to sell them and make some instant money…”
“I’m going to hang on to these, Lee. They’re going into my retirement fund.”
That night I had a message from Erin on my machine. “I am going crazy on some planet called Rock Springs. Now I know what happens when all hope dies—rock springs eternal. My desperation simply cannot be described! It’s so bad that I’m actually calling
