armed with horns, and so the element that was necessary to give the sensation of tragedy was not there, and the public, who wanted three times as much from Belmonte, who was sick with a fistula, as Belmonte had ever been able to give, felt defrauded and cheated, and Belmonte’s jaw came further out in contempt, and his face turned yellower, and he moved with greater difficulty as his pain increased, and finally the crowd were actively against him, and he was utterly contemptuous and indifferent. He had meant to have a great afternoon, and instead it was an afternoon of sneers, shouted insults, and finally a volley of cushions and pieces of bread and vegetables, thrown down at him in the plaza where he had had his greatest triumphs. His jaw only went further out. Sometimes he turned to smile that toothed, longjawed, lipless smile when he was called something particularly insulting, and always the pain that any movement produced grew stronger and stronger, until finally his yellow face was parchment color, and after his second bull was dead and the throwing of bread and cushions was over, after he had saluted the President with the same wolf-jawed smile and contemptuous eyes, and handed his sword over the barrera to be wiped, and put back in its case, he passed through into the callejon and leaned on the barrera below us, his head on his arms, not seeing, not hearing anything, only going through his pain. When he looked up, finally, he asked for a drink of water. He swallowed a little, rinsed his mouth, spat the water, took his cape, and went back into the ring.
Because they were against Belmonte the public were for Romero. From the moment he left the barrera and went toward the bull they applauded him. Belmonte watched Romero, too, watched him always without seeming to. He paid no attention to Marcial. Marcial was the sort of thing he knew all about. He had come out of retirement to compete with Marcial, knowing it was a competition gained in advance. He had expected to compete with Marcial and the other stars of the decadence of bull-fighting, and he knew that the sincerity of his own bull-fighting would be so set off by the false aesthetics of the bull-fighters of the decadent period that he would only have to be in the ring. His return from retirement had been spoiled by Romero. Romero did always, smoothly, calmly, and beautifully, what he, Belmonte, could only bring himself to do now sometimes. The crowd felt it, even the people from Biarritz, even the American ambassador saw it, finally. It was a competition that Belmonte would not enter because it would lead only to a bad horn wound or death. Belmonte was no longer well enough. He no longer had his greatest moments in the bull-ring. He was not sure that there were any great moments. Things were not the same and now life only came in flashes. He had flashes of the old greatness with his bulls, but they were not of value because he had discounted them in advance when he had picked the bulls out for their safety, getting out of a motor and leaning on a fence, looking over at the herd on the ranch of his friend the bull-breeder. So he had two small, manageable bulls withoui much horns, and when he felt the greatness again coming, just a little of it through the pain that was always with him, it had been discounted and sold in advance, and it did not give him a good feeling. It was the greatness, but it did not make bull-fighting wonderful to him any more.
Pedro Romero had the greatness. He loved bull-fighting, and I think he loved the bulls, and I think he loved Brett. Everything of which he could control the locality he did in front of her all that afternoon. Never once did he look up. He made it stronger that way, and did it for himself, too, as well as for her. Because he did not look up to ask if it pleased he did it all for himself inside, and it strengthened him, and yet he did it for her, too. But he did not do it for her at any loss to himself. He gained by it all through the afternoon.
His first “quite” was directly below us. The three matadors take the bull in turn after each charge he makes at a picador. Be!monte was the first. Marcial was the second. Then came Romero. The three of them were standing at the left of the horse. The picador, his hat down over his eyes, the shaft of his pic angling sharply toward the bull, kicked in the spurs and held them and with the reins in his left hand walked the horse forward toward the bull. The bull was watching. Seemingly he watched the white horse, but really he watched the triangular steel point of the pic. Romero, watching, saw the bull start to turn his head. He did not want to charge. Romero flicked his cape so the color caught the bull’s eye. The bull charged with the reflex, charged, and found not the flash of color but a white horse, and a man leaned far over the horse, shot the steel point of the long hickory shaft into the hump of muscle on the bull’s shoulder, and pulled his horse sideways as he pivoted on the pic, making a wound, enforcing the iron into the bull’s shoulder, making him bleed for Belmonte.
The bull did not insist under the iron. He did not really want to get at the horse. He turned and the group broke apart and Romero was taking him out with his cape. He took him out softly and smoothly, and then stopped and, standing squarely in front of the bull, offered him the cape. The bull’s tail went up and he charged, and Romero moved his arms ahead of the bull, wheeling, his feet firmed. The dampened, mud-weighted cape swung open and full as a sail fills, and Romero pivoted with it just ahead of the bull. At the end of the pass they were facing each other again. Romero smiled. The bull wanted it again, and Romero’s cape filled again, this time on the other side. Each time he let the bull pass so close that the man and the bull and the cape that filled and pivoted ahead of the bull were all one sharply etched mass. It was all so slow and so controlled. It was as though he were rocking the bull to sleep. He made four veronicas like that, and finished with a half-veronica that turned his back on the bull and came away toward the applause, his hand on his hip, his cape on his arm, and the bull watching his back going away.
In his own bulls he was perfect. His first bull did not see well. After the first two passes with the cape Romero knew exactly how bad the vision was impaired. He worked accordingly. It was not brilliant bull-fighting. It was only perfect bull-fighting. The crowd wanted the bull changed. They made a great row. Nothing very fine could happen with a bull that could not see the lures, but the President would not order him replaced.
“Why don’t they change him?” Brett asked.
“They’ve paid for him. They don’t want to lose their money.”
“It’s hardly fair to Romero.”
“Watch how he handles a bull that can’t see the color.”
“It’s the sort of thing I don’t like to see.”
It was not nice to watch if you cared anything about the person who was doing it. With the bull who could not see the colors of the capes, or the scarlet flannel of the muleta, Romero had to make the bull consent with his body. He had to get so close that the bull saw his body, and would start for it, and then shift the bull’s charge to the flannel and finish out the pass in the classic manner. The Biarritz crowd did not like it. They thought Romero was afraid, and that was why he gave that little sidestep each time as he transferred the bull’s charge from his own body to the flannel. They preferred Belmonte’s imitation of himself or Marcial’s imitation of Belmonte. There were three of them in the row behind us.
“What’s he afraid of the bull for? The bull’s so dumb he only goes after the cloth.”
“He’s just a young bull-fighter. He hasn’t learned it yet.”
“But I thought he was fine with the cape before.”
“Probably he’s nervous now.”
Out in the centre of the ring, all alone, Romero was going on with the same thing, getting so close that the bull could see him plainly, offering the body, offering it again a little closer, the bull watching dully, then so close that the bull thought he had him, offering again and finally drawing the charge and then, just before the horns came, giving the bull the red cloth to follow with that little, almost imperceptible, jerk that so offended the critical judgment of the Biarritz bull-fight experts.
“He’s going to kill now,” I said to Brett. “The bull’s still strong. He wouldn’t wear himself out.”
Out in the centre of the ring Romero profiled in front of the bull, drew the sword out from the folds of the muleta, rose on his toes, and sighted along the blade. The bull charged as Romero charged. Romero’s left hand dropped the muleta over the bull’s muzzle to blind him, his left shoulder went forward between the horns as the sword went in, and for just an instant he and the bull were one, Romero way out over the bull, the right arm extended high up to where the hilt of the sword had gone in between the bull’s shoulders. Then the figure was broken. There was a little jolt as Romero came clear, and then he was standing, one hand up, facing the bull, his shirt ripped out from under his sleeve, the white blowing in the wind, and the bull, the red sword hilt tight between his shoulders, his head going down and his legs settling.
“There he goes,” Bill said.
Romero was close enough so the bull could see him. His hand still up, he spoke to the bull. The bull gathered himself, then his head went forward and he went over slowly, then all over, suddenly, four feet in the air.
They handed the sword to Romero, and carrying it blade down, the muleta in his other hand, he walked over to in front of the President’s box, bowed, straightened, and came over to the barrera and handed over the sword and muleta.
“Bad one,” said the sword-handler.
