wrapped in clear plastic sheeting, her limbs stiff and cold. Her body battered and bruised. Her head wrapped in a blue plastic freezer bag.
'Christ,' said Rennie, reaching into the open car boot with a gloved hand, prodding the cold, pale skin through the clear plastic. 'She's rock solid Logan turned and stared at the muted figure of Michael Dunbar. He was an unassuming-looking man, late twenties to early thirties, in tan chinos and a denim shirt, both ironed to razor- creased perfection. Tidy haircut sitting above a slightly rectangular, clean-shaven face. Killer. 'Well, Mr Dunbar,' said Logan trying to keep the anger out of his voice. 'Care to explain why you've got a naked woman's corpse in the boot of your car?' Dunbar bit his lip and shook his head. 'I see,' said Logan. 'Well, guess what? Doesn't matter if you want to tell us or not. We've caught you red handed. Soon as we've finished searching the premises, we're all going down to the station. And you're going to get fingerprinted and DNA-sampled and then the forensic boys are going to tie you to the two other women you've killed.'
'You…' Dunbar's dinner-plate eyes slid from Logan's face across to the open boot of the car and its cold? dead contents. 'I… I don't want to go. I want to speak to a lawyer.'
I'll bet you bloody do.' Logan turned round to see DC Rennie, still staring into the car boot, with his mouth hanging open. 'Rennie, get on the phone – I want a duty doctor, pathologist and the PF over here, and I want them here now.' Rennie dragged his eyes from the woman's battered corpse and his mobile from his pocket as Logan marched their suspect out into the hall, where the noisy sounds of a search in progress rattled down from the upstairs rooms. Four uniformed officers from FHQ, turning the place upside down.
A banging at the front door, and a familiar dirty-grey moustache and its owner struggled into the hallway, carrying a large box of equipment. 'Where d'you want us?' Logan told him to start with the body in the garage, then pretended not to notice the line of white-boiler-suited technicians whistling Heigh-Ho, Heigh-Ho, It's Off To Work We Go as they trooped through the hall.
When the last grey box had been manhandled out of sight, Logan took a look around the bottom floor, dragging Michael Dunbar with him. Large lounge: festooned with photographs of Dunbar, a woman, and three children – two boys, one girl; spotless carpet and ornament-free mantelpiece.
The kitchen was similarly immaculate, big enough to accommodate a breakfast bar and a dining table. Utility room off the kitchen: upright freezer full of ready meals, dishwasher, sink, cupboards. There was one more door leading off the hall, but when Logan tried the handle it was locked.
'Where's this lead?' Dunbar wouldn't meet his eyes. Logan poked him in the chest. 'Give me your keys.'
'You… you can't do this! I want a lawyer. You can't come in here and do this. This is my home!'
'Yes I can: I have a warrant.' Rachael Tulloch had rushed it through in record-breaking time. 'Now give me your keys.' 1… I don't feel well, I need to lie down 'Give me the bloody keys!'
With trembling hands, Dunbar pulled out a gleaming bunch of keys. Logan snatched them, trying one after another in the sturdy Yale lock until the thing went 'click' and the door swung open. A flight of wooden steps disappeared down into the darkness. Logan flicked the light switch and a dim glow filled the area at the bottom of the stairs.
'Rennie!' he shouted back into the garage and the constable came trotting out, still clutching his mobile phone to his ear, telling whoever it was on the other end that they needed the pathologist now, not next week. Logan pushed Dunbar at the constable.
'What you want me to do with him?'
'Buy him dinner and take him dancing. What the hell do you think I want you to do with him? Hold on to him!'
Logan turned and headed down the steps, already feeling guilty about snapping at the constable. He stopped, apologized and told Rennie he could come too, just as long as he kept hold of Dunbar and didn't let him accidentally fall down the stairs.
The basement steps were enclosed on either side with plasterboard and rough lengths of timber, thick ribbons of grey wire looping across the ceiling between the exposed joists.
And then Logan stepped out into the cellar proper, plastic sheeting scrunching beneath his shoes, and saw what was down there. 'Oh shit.'
Rennie: 'What? What is it?'
Dunbar: 'I really don't feel well! I have to go lie down Clear plastic sheeting covered the floor, sparkling in the light from the bare bulb like ripples on the surface of a dark lake. It was all the way up the far wall as well, held in place by reams and reams of silver duct tape. Ensuring the crumpled, naked woman – lying on her back with her legs spread at twenty past six, pale skin covered in purple-yellow bruises, face unrecognizably swollen and bloody, arms tied together above her head, fixed to the wall with a six-inch bolt – left no stains.
She wasn't moving.
A scuffling sound behind him and sudden intake of breath – that would be Rennie – then Dunbar said again, 'I… I'm really not feeling well…'
Logan grabbed him by the collar and rushed him backwards, crashing the man against the bare brick wall. 'You sick, twisted piece of shit!' Dunbar's eyes went wide, fear sparking from the edges, and Logan froze. He let go of the man's shirt and backed away. Dunbar wasn't worth it.
He wasn't worth it… But Logan seriously wanted to beat the living hell out of him.
Trembling with the effort, he turned and inched his way across the plastic sheeting, feeling it shift and slither beneath his feet as he picked his way carefully to the battered body, trying not to stand in any evidence. As First Attending Officer it was his responsibility to make sure the victim wasn't in need of medical assistance, even though it was bloody obvious she was dead. Christ, she looked as if she'd been run over by a combine harvester. There wasn't an inch of her that wasn't covered with a bruise or contusion. Maybe it was time for Michael Dunbar to fall down the stairs after all. Grimacing, Logan snapped on a fresh pair of latex gloves and squatted down beside the body, peering at the ruined face, trying to match the battered mess with any of the women he'd seen prowling the red light district, offering a good time in exchange for cold hard cash. Instead of which she'd got a cold hard death at the hands of-
1
A bubble of blood swelled and popped between her swollen lips. She was still alive!
Interview room four had an unwashed smell about it that seemed to make Michael Dunbar very uncomfortable.
He sat on the edge of his seat, obviously trying not to fidget, while Logan made DC Rennie do the tapes and introduction bit. They'd dragged Dunbar back to the station, processed him and got him into an interview room without having to talk to DI Steel: according to Big Gary she was still going at it with Clair Pirie and didn't want to be disturbed. This was followed by a leering, 'if you know what I mean…' Which meant that technically Logan was still in charge.
'So, Michael, or can I call you Mikey?' said Logan, settling back in his seat.
'Michael. Please. Michael. Not Mikey.'
'OK, Michael it is then.' Logan smiled at him. 'Why don't you tell us all about the two women we found in your house today? You can start with the one who's still alive if you like?'
'I have no idea what you're talking about,' said Dunbar, staring dully at the tape recorder, watching the spindles go round and round behind the glass.
'Don't be stupid, Michael: we found them in your house!
You were there remember?'
He took a long, shuddering breath. 'I really don't feel well.'
'Yeah? Well the duty doctor says there's nothing wrong with you. Not like the poor cow we pulled out of your basement – fractured skull, broken arms, legs, ribs, fingers, internal bleeding… feel free to jump in any time.'
'She was having an affair.' The words came out in a flat monotone. 'She…' He closed his eyes and took a deep breath, holding it in, then letting it out in a long, shivering breath. 'His name was Kevin and he was a chartered accountant. I… I come home one evening and they're SCREWING in our bed, while the kids are downstairs watching
