family not know that she had been doing it for two years.

She avoided the other maids on the street, and those whom she saw regularly on the bus assumed that she had some higher household position than theirs since she came to work in high-heeled shoes and only a woman who didn’t have to be on her feet all day could stand the pressure of heels on the long ride home. Corinthians was careful; she carried no shopping bag of shoes, aprons, or uniforms. Instead she had a book. A small gray book on which Contes de Daudet was printed in gold lettering on its cover. Once she was inside Miss Graham’s house she changed into her uniform (which was a discreet blue anyway, not white) and put on a pair of loafers before she dropped to her knees with the pail of soapy water.

Miss Graham was delighted with Corinthians’ dress and slightly uppity manners. It gave her house the foreign air she liked to affect, for she was the core, the very heartbeat, of the city’s literary world. Michael-Mary Graham was very considerate of Corinthians. When she had large dinner parties, a Swedish cook was hired and the heavy work was done by the old white rummy she shared with the Goodwill Industries. Nor was she impatient with Corinthians’ undistinguished everyday cooking, for Michael-Mary ate several small plain meals. It was also a pleasure and a relief to have a maid who read and who seemed to be acquainted with some of the great masters of literature. So nice to give a maid a copy of Walden for Christmas rather than that dreary envelope, and to be able to say so to her friends. In the world Michael-Mary Graham inhabited, her mild liberalism, a residue of her Bohemian youth, and her posture of sensitive lady poet passed for anarchy.

Corinthians was naive, but she was not a complete fool. She never let her mistress know she had ever been to college or Europe or could recognize one word of French that Miss Graham had not taught her (entrez, for example). Actually, the work Corinthians did was good for her. In that house she had what she never had in her own: responsibility. She flourished in a way, and exchanged arrogance occasionally for confidence. The humiliation of wearing a uniform, even if it was blue, and deceiving people was tempered by the genuine lift which came of having her own money rather than receiving an allowance like a child. And she was surprised to discover that the amount of neatly folded bills Michael-Mary handed her each Saturday at noon was within two dollars of the amount real secretaries took home each week.

Other than scrubbing the kitchen tile and keeping a hard shine on the wooden floors, the work was not hard. The poetess lived alone and shaped her time and activities carefully in order to meet the heavy demands of artistic responsibility. Being a poet she could, of course, do little else. Marriage, children—all had been sacrificed to the Great Agony and her home was a tribute to the fastidiousness of her dedication (and the generosity of her father’s will). Colors, furnishings, and appointments had been selected for their inspirational value. And she was fond of saying, in deprecating some item, “I couldn’t write a line with that in the house.” That might be a vase, the new toilet bowl the plumbers hauled in, a plant, or even the Christmas wreath St. John’s third-grade class presented to her in gratitude for the moving reading she’d given at their holiday assembly. Every morning between ten and noon she wrote, and every afternoon between three and four-fifteen. Evenings were often given over to discussions and meetings with local poets, painters, musicians, and writers of fiction, at which they praised or condemned other artists, scorned the marketplace and courted it. Of this group Michael-Mary Graham was the queen, for her poetry had been published—first in 1938, in a volume called Seasons of My Soul; there was a second collection in 1941, called Farther Shores. What was more, her poems had appeared in at least twenty small literary magazines, two “slicks,” six college journals, and the Sunday supplements of countless newspapers. She was also the winner, between 1938 and 1958, of nine Poet of the Year awards, culminating finally in the much-coveted State Poet Laureateship. At the ceremony, her most famous poem, “Watchword,” was performed by the Choral Speech Society of St. John’s High School. None of that, however, had mitigated the reluctance of her publishers to bring out her complete collected works (tentatively called The Farthest Shore). But there was no question in her mind that they would come around.

When Miss Graham first saw Corinthians, she was not at all impressed with her. First, because the prospective employee came ten minutes early for the interview and Michael-Mary, who adhered to her schedule to the minute, was forced to answer the door in a print peignoir. Already irritated by this lapse, she was further disenchanted by the woman’s delicate frame. Obviously she could not put up the screens, take down the storm windows, or endure any sustained heavy cleaning. But when she learned the woman’s name, Michael-Mary was so charmed by the sound of “Corinthians Dead,” she hired her on the spot. As she told friends later, her poetic sensibility over- whelmed her good judgment.

They got on well together, mistress and maid, and by the sixth month of her stay, Michael-Mary suggested that she learn how to type. So Corinthians was almost on her way to becoming an amanuensis after all.

Shortly after Miss Graham encouraged her to take typing so she might be helpful with some of her mistress’s work, a black man sat down next to Corinthians on the bus. She took little notice of him—only that he was ill- dressed and appeared elderly. But soon she became aware that he was staring at her. A quick corner-of-the-eye peek to verify this was met by his radiant smile. Corinthians turned her head and kept it so until he got off.

The next day he was there again. Once more she made her disdain clear. The rest of the week passed without his watchful eyes. But on the following Monday he was back, looking at her with an expression that stopped just short of a leer. These occasional meetings went on for a month or so. Corinthians thought she should be afraid of him, for something in his manner suggested waiting—a confident, assured waiting. Then one morning he dropped a white envelope on the seat beside her just before he got off the bus. She let it lie there all the way to her stop, but couldn’t resist scooping it up as surreptitiously as possible when she stood to pull the cord.

Standing at the stove, waiting for Michael-Mary’s milk to skim, she opened the envelope and withdrew a greeting card. Raised letters of the word “Friendship” hung above a blue and yellow bouquet of flowers and were repeated inside above a verse.

Friendship is an outstretched hand,

A smile of warm devotion.

I offer both to you this day,

With all the heart’s emotion.

A white hand of no particular sex held another, smaller, blue and yellow bouquet. There was no signature.

Corinthians threw it in the brown paper bag opened for the day’s garbage. It stayed there all day, but it also stayed on her mind. When evening came, she reached down through the grapefruit rind, the tea leaves, and the salami casing to find it, brush it clean, and transfer it to her purse. She couldn’t explain to herself why. The man was a complete nuisance and his flirtation an insult. But no one, not anyone at all, had made any attempt (any serious attempt) to flirt with her in a long time. At the very least the card was good for conversation. She wished he had signed it, not because she wanted to know his name, but so it would look more authentic—otherwise somebody might think she bought it herself.

For two weeks afterward the man was not on the bus. When he did appear, it was hard for Corinthians not to speak or acknowledge his presence. As they neared the place where he usually got off, he leaned over to her and said, “I truly hope you didn’t mind.” She looked up, gave him a small smile, and shook her head. He said nothing more.

But on subsequent days they did exchange greetings and finally they began to talk. In a while they were

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