shaking stopped and she froze at the steps. Two seconds later she turned on her heel and ran back down the street to where Porter had stopped the car. The moment she had put her foot on the step leading up to the porch, she saw her ripeness mellowing and rotting before a heap of red velvet scraps on a round oak table. The car was still there, its motor purring. Corinthians ran toward it faster than she had ever run in her life, faster than she’d cut across the grass on Honore Island when she was five and the whole family went there for a holiday. Faster even than the time she flew down the stairs having seen for the first time what the disease had done to her grandfather. She put her hand on the door handle and found it locked. Porter was sitting pretty much the way he was when she’d tried to slam the door. Bending down, she rapped on the window. Porter’s profile did not move. She rapped again, louder, mindless of who might see her under the gray beech tree just around the corner from home. So close and yet so far, she felt as though she were in a dream; there, but not there, within a hair’s breadth but not reaching it.
She was First Corinthians Dead, daughter of a wealthy property owner and the elegant Ruth Foster, granddaughter of the magnificent and worshipped Dr. Foster, who had been the second man in the city to have a two-horse carriage, and a woman who had turned heads on every deck of the
Corinthians continued to make roses, but she hated that stupid hobby and gave Lena any excuse to avoid it. They spoke to her of death. First the death of the man in the blue wings. Now her own. For if Porter did not turn his head and lean toward the door to open it for her, Corinthians believed she would surely die. She banged her knuckles until they ached to get the attention of the living flesh behind the glass, and would have smashed her fist through the window just to touch him, feel his heat, the only thing that could protect her from a smothering death of dry roses.
He did not move. In a panic, lest he shift gears and drive away, leaving her alone in the street, Corinthians climbed up on the fender and lay full out across the hood of the car. She didn’t look through the windshield at him. She just lay there, stretched across the car, her fingers struggling for a grip on steel. She thought of nothing. Nothing except what her body needed to do to hang on, to never let go. Even if he drove off at one hundred miles an hour, she would hang on. Her eyes were shut tight with the effort of clinging to the hood, and she didn’t hear the door open and shut, nor Porter’s footsteps as he moved around to the front of the car. She screamed at first when he put his hand on her shoulders and began pulling her gently into his arms. He carried her to the passenger’s side of the car, stood her on her feet while he opened the door and helped her ease into the seat. In the car, he pressed her head onto his shoulder and waited for her soft crying to wane before he left the driver’s seat to pick up the purse she had let fall on the sidewalk. He drove away then to number 3 Fifteenth Street, a house owned by Macon Dead, where sixteen tenants lived, and where there was an attic window, from which this same Henry Porter had screamed, wept, waved a shotgun, and urinated over the heads of the women in the yard.
It was not yet midnight and hot—hot enough to make people angry, had it not been for a pleasant smell in the air, like sweet ginger. Corinthians and Porter entered the hall that opened off the front door. Except for a hem of light under the kitchen door, where a card game was in progress, there was no sign of any other tenant.
Corinthians saw only the bed, an iron bed painted hospital white. She sank down on it as soon as she got into the room and stretched, scoured, vacuumed, and for the first time simple. Porter undressed after she did and lay down beside her. They were quiet for a minute, then he turned over and parted her legs with his.
Corinthians looked down at him. “Is this for me?” she asked.
“Yes,” he said. “Yes, this is for you.”
“Porter.”
“This is…for you. Instead of roses. And silk underwear and bottles of perfume.”
“Porter.”
“Instead of chocolate creams in a heart-shaped box. Instead of a big house and a great big car. Instead of long trips…”
“Porter.”
“…in a clean white boat.”
“No.”
“Instead of picnics…”
“No.”
“…and fishing…”
“No.”
“…and being old together on a porch.”
“No.”
“This is for you, girl. Oh, yes. This is for you.”
They woke at four o’clock in the morning, or rather she did. When she opened her eyes she saw him staring at her and those were either tears in his eyes or sweat. It was very hot in that room in spite of the open window.
“The bathroom,” she murmured. “Where is the bathroom?”