The English Patient

and approach the Uweinat plateau from a new direction. I find myself in a broad wadi full of acacia trees.

   There was a time when mapmakers named the places they travelled through with the names of lovers rather than their own. Someone seen bathing in a desert caravan, holding up muslin with one arm in front of her. Some old Arab poet’s woman, whose white-dove shoulders made him describe an oasis with her name. The skin bucket spreads water over her, she wraps herself in the cloth, and the old scribe turns from her to describe Zerzura.

So a man in the desert can slip into a name as if within a discovered well, and in its shadowed coolness be tempted never to leave such containment. My great desire was to remain there, among those acacias. I was walking not in a place where no one had walked before but in a place where there were sudden, brief populations over the centuries—a fourteenth-century army, a Tebu caravan, the Senussi raiders of 1915. And in between these times—nothing was there. When no rain fell the acacias withered, the wadis dried out … until water suddenly reappeared fifty or a hundred years later. Sporadic appearances and disappearances, like legends and rumours through history.

In the desert the most loved waters, like a lover’s name, are carried blue in your hands, enter your throat. One swallows absence. A woman in Cairo curves the white length of her body up from the bed and leans out of the window into a rainstorm to allow her nakedness to receive it.

   Hana leans forward, sensing his drifting, watching him, not saying a word. Who is she, this woman?

   The ends of the earth are never the points on a map that colonists push against, enlarging their sphere of influence. On one side servants and slaves and tides of power and correspondence with the Geographical Society. On the other the first step by a white man across a great river, the first sight (by a white eye) of a mountain that has been there forever.

When we are young we do not look into mirrors. It is when we are old, concerned with our name, our legend, what our lives will mean to the future. We become vain with the names we own, our claims to have been the first eyes, the strongest army, the cleverest merchant. It is when he is old that Narcissus wants a graven image of himself.

But we were interested in how our lives could mean something to the past. We sailed into the past. We were young. We knew power and great finance were temporary things. We all slept with Herodotus. “For those cities that were great in earlier times must have now become small, and those that were great in my time were small in the time before.… Man’s good fortune never abides in the same place.”

   In 1936 a young man named Geoffrey Clifton had met a friend at Oxford who mentioned what we were doing. He contacted me, got married the next day, and two weeks later flew with his wife to Cairo.

The couple entered our world—the four of us, Prince Kemal el Din, Bell, Almasy and Madox. The name that still filled our mouths was Gilf Kebir. Somewhere in the Gilf nestled Zerzura, whose name occurs in Arab writings as far back as the thirteenth century. When you travel that far in time you need a plane, and young Clifton was rich and he could fly and he had a plane.

Clifton met us in El Jof, north of Uweinat. He sat in his two-seater plane and we walked towards him from the base camp. He stood up in the cockpit and poured a drink out of his flask. His new wife sat beside him.

“I name this site the Bir Messaha Country Club,” he announced.

I watched the friendly uncertainty scattered across his wife’s face, her lionlike hair when she pulled off the leather helmet.

They were youth, felt like our children. They climbed out of the plane and shook hands with us.

That was 1936, the beginning of our story.…

They jumped off the wing of the Moth. Clifton walked towards us holding out the flask, and we all sipped the warm alcohol. He was one for ceremonies. He had named his plane Rupert Bear. I don’t think he loved the desert, but he had an affection for it that grew out of awe at our stark order, into which he wanted to fit himself—like a joyous undergraduate who respects silent behaviour in a library. We had not expected him to bring his wife, but we were I suppose courteous about it. She stood there while the sand collected in her mane of hair.

What were we to this young couple? Some of us had written books about dune formation, the disappearance and reappearance of oases, the lost culture of deserts. We seemed to be interested only in things that could not be bought or sold, of no interest to the outside world. We argued about latitudes, or about an event that had happened seven hundred years earlier. The theorems of exploration. That Abd el Melik Ibrahim el Zwaya who lived in Zuck oasis pasturing camels was the first man among those tribes who could understand the concept of photographs.

The Cliftons were on the last days of their honeymoon. I left them with the others and went to join a man in Kufra and spent many days with him, trying out theories I had kept secret from the rest of the expedition. I returned to the base camp at El Jof three nights later.

The desert fire was between us. The Cliftons, Madox, Bell and myself. If a man leaned back a few inches he would disappear into darkness. Katharine Clifton began to recite something, and my head was no longer in the halo of the camp’s twig fire.

There was classical blood in her face. Her parents were famous, apparently, in the world of legal history. I am a man who did not enjoy poetry until I heard a woman recite it to us. And in that desert she dragged her university days into our midst to describe the stars—the way Adam tenderly taught a woman with gracious metaphors.

These then, though unbeheld in deep of night,

Shine not in vain, nor think, though men were none,

That Heav’n would want spectators, God want praise;

Millions of spiritual Creatures walk the Earth

Unseen, both when we wake, and when we sleep:

All these with ceaseless praise his works behold

Both day and night: how often from the steep

Of echoing Hill or Thicket have we heard

Celestial voices to the midnight air,

Sole, or responsive each to others note

Singing their great Creator …

That night I fell in love with a voice. Only a voice. I wanted to hear nothing more. I got up and walked away.

   She was a willow. What would she be like in winter, at my age? I see her still, always, with the eye of Adam. She had been these awkward limbs climbing out of a plane, bending down in our midst to prod at a fire, her elbow up and pointed towards me as she drank from a canteen.

A few months later, she waltzed with me, as we danced as a group in Cairo. Though slightly drunk she wore an unconquerable face. Even now the face I believe that most revealed her was the one she had that time when we were both half drunk, not lovers.