household soap too, I could tell by the smell, and brushes, I was here on the stair shaking my doormat when she arrived. The one who came yesterday was a youngish girl with one of those fetching hats that are all the fashion these days, but she didn't stay long. What do you make of it, Frankly, I don't know what to say, he moved in only a week ago and two women have been here already. This one came to do the cleaning, it's only natural, a man on his own needs someone to keep the place tidy. The other one could be a relative, he must have relatives. But I find it very odd, did you notice that all this week he never left the apartment except at lunchtime. Did you know he's a doctor, I knew that right away, the charwoman addressed him as doctor when she was here Sunday, Do you think he's a doctor of medicine or a lawyer, I couldn't tell you, but don't worry, when I go pay the rent, I'll ask, the agent is bound to know. It's always good to have a medical doctor in the building, you never know when we might need him. So long as he's reliable. I must see if I can catch this charwoman of his, to remind her to wash her flight of stairs once a week, these stairs have always been kept spotless, Yes, do tell her, don't let her think she can treat us like a couple of dogs. She'd better know who she's dealing with, said the neighbor from the fourth floor, thus concluding the judgment and the dialogue. The only thing left to mention is the silent scene of her slowly climbing back upstairs to her apartment, treading softly in her woven slippers. At the door of Ricardo Reis she listens carefully, putting her ear to the keyhole. She can hear the noise of running water, and the charwoman singing in a low voice.
It was a very busy day for Lydia. She put on the smock she had brought with her, tied up her hair and covered it with a kerchief, rolled up her sleeves, and set to work with enthusiasm, nimbly avoiding the playful teasing that Ricardo Reis felt was expected of him when their paths crossed, an error on his part, from a lack of experience and psychological insight, because this woman at the moment seeks no pleasure other than that of dusting, washing, and sweeping. She is so accustomed to these chores that there is really no effort involved, and so she sings, but softly lest the neighbors think that the charwoman is taking liberties on this her first day working for the doctor. When it was time for lunch, Ricardo Reis, who during the morning had been driven from the bedroom to the study, from the study to the dining room, from the dining room to the kitchen, from the kitchen to the bathroom, emerging from the bathroom only to begin all over again in reverse order, with brief respites in the two empty rooms, saw that Lydia was showing no signs of interrupting her work, so he said, with embarrassment, As you know, I have no food in the house. An awkward rendering of his thoughts. Without disguise the sentence would sound like this, I'm going out for lunch, but I can't take you with me to the restaurant, it wouldn't look right, what will you do. She would reply with exactly the same words she uses now, Lydia, at least, cannot be accused of being two-faced, Go and have your lunch, I brought a small bowl of soup from the hotel and some stewed meat, I'll heat them up and that'll do me fine, and take your time, too, then we won't be tripping over each other's feet. She laughed as she spoke, wiped the perspiration from her face with the back of her left hand while with the other she adjusted the kerchief, which was slipping down. Ricardo Reis touched her on the shoulder, said, Well, good-bye for now, and left. He was halfway down the stairs when he heard doors open on the second and fourth floors, these were the neighbors coming to warn Lydia in chorus, Now then, dear, don't forget to wash your master's stairs, but on seeing the doctor they scurried back inside. The moment Ricardo Reis steps onto the pavement, the woman on the fourth floor will go down to the woman on the second floor and the two of them will whisper, I got such a fright, Have you ever known a tenant to go out and leave the charwoman in the apartment on her own, Very trusting, I must say, perhaps she cleaned for him at his previous place, Perhaps, senhora, perhaps, I don't deny it, but they could also be having an affair, men are such rogues, they never miss an opportunity. Away with you, he is a doctor of medicine, A doctor could still be a rogue, men are a bad lot, Mine isn't so bad, Nor mine. Until later, senhora, and don't let that hussy give us the slip, Don't you worry, she won't get past my door without being given her orders. It proved unnecessary. In the middle of the afternoon Lydia went out onto the landing armed with a brush, mop, and bucket. The woman on the fourth floor quietly watched from above as the wooden steps resounded to the blows of the heavy brush. The dirty water was mopped up and squeezed into the bucket, the bucket water was emptied three times, and the entire building filled with the clean smell of strong soap. There's no denying it, this charwoman knows her job, the neighbor on the second floor can tell at once, and she goes out of her way to speak to her on the pretext of taking in her doormat just as Lydia reaches her landing, My word, girl, you've done a splendid job on those stairs, it's nice to know we have such a reliable tenant on the third floor. The doctor insists that everything be clean and tidy, he likes to see things done properly, it makes a pleasant sight. It most certainly does. These words were spoken not by Lydia but by the neighbor on the fourth floor, who was leaning over the banister. There is something voluptuous in the contemplation of newly washed stairs, in the smell of scrubbed wood, this is a fraternity of women who take pride in their domestic chores, it is a kind of mutual absolution, even if more fleeting than the rose. Lydia wished them a good afternoon, climbed back upstairs carrying her bucket and brush, her cloth and soap, shut the door firmly behind her, and muttered, Snooty old bitches, who do they think they're bossing around. She has finished, everything is spick-and-span, Ricardo Reis can now return, pass his finger over the surfaces of the furniture like those housewives always trying to find fault, inspect every nook and cranny. Suddenly Lydia is overcome by a great sadness, a sense of desolation, not because she is tired but because she realizes, though unable to express it in words, that she has served her purpose, all that remains to be done now is await her master's arrival, he will thank her, will wish to offer compensation for her industry and diligence, she will listen with an impassive smile, receive or not receive payment, and return to the hotel. Today she did not even visit her mother in order to find out if there was any news from her brother, not that she feels remorse, but it is as if she possesses nothing of her own. Now she changes back into her blouse and skirt, and as the perspiration cools on her body she sits on a bench in the kitchen, hands folded in her lap, waiting. She hears footsteps on the stairs, the key inserted into the lock, it is Ricardo Reis, he is in the passageway saying jocularly, This is like entering the abode of angels. Lydia gets to her feet, smiles at such flattery, suddenly feels contented, then deeply moved as he approaches with hands outstretched and open arms, Oh, don't touch me, I'm covered with sweat, I was just about to leave. Don't go yet, it's early, have a cup of coffee, I bought some cream cakes, why don't you have a bath first to freshen up. What an idea, me have a bath in your apartment, who ever heard of such a thing. It has never been heard of, but there is always a first time, do as I say. She objected no more, could not object, even if social convention decreed otherwise, because this was one of the happiest moments in her life, running the hot water, taking off her clothes, lowering herself slowly into the tub, feeling her weary limbs relax in the sensuous warmth of the water, using soap and sponge to lather her body, her legs, her thighs, her arms, her belly, her breasts, knowing that on the other side of the door a man is waiting for her. I can imagine what he is doing, what he is thinking, but if he should come in here, if he should see me, watch me sitting here naked, how shameful. Can it be shame that causes her heart to beat so fast, or is it fear. She steps from the bath. The human body always looks beautiful when it emerges glistening from water, Ricardo Reis thinks as he opens the door. Lydia, stark naked, covers her breasts and crotch with her hands, begs, Don't look at me. It is the first time she has faced him like this. Please go away, let me get dressed, she says in a low voice of embarrassment, but he smiles a smile of tenderness, desire, even mischief, and tells her, Don't put your clothes on, just dry yourself. He holds out a large towel, wraps it around her, then goes into the bedroom and removes his own clothes. The bed has just been made, the sheets smell new. Lydia enters, holding the towel tightly to conceal her body, she does not hold it like a transparent veil, but as she approaches the bed she drops it, finally courageous. This is no day for feeling cold, her body is burning inside and out, and now it is Ricardo Reis who is trembling, reaching out to her like a child. For the first time they are both naked, after waiting for so long. Spring was slow in coming but better late than never. On the floor below, perched on two high kitchen stools, one atop the other, at the risk of falling and dislocating her shoulder, the downstairs neighbor is trying to decipher the meaning of the sounds that now penetrate the ceiling. Her face is crimson with curiosity and excitement, her eyes shine with repressed depravity, this is how these women live and die, Would you believe what the doctor and that minx are up to. But who knows, perhaps they are only engaged in the honorable task of turning and beating the mattresses, though that takes some believing. When Lydia departed half an hour later, the neighbor on the second floor did not dare open her door, even daring has its limits, but contented herself with looking through the peephole with the eye of a hawk at an agile figure that swiftly passed, swathed in the odor of man as if it were armor. Ricardo Reis, in bed, closes his eyes. Now that his flesh has been gratified, he can begin to add the delicate and elusive pleasure of loneliness. He rolls over into the spot that Lydia occupied. Such a strange smell, the smell of a strange animal, but mutual, not of the one nor the other but of both. Enough, let us be silent, we do not belong here.
Day starts with morning, the week with Monday. At first light, Ricardo Reis began a long letter to Marcenda, laboriously pondering. What do we write to a woman whom we have kissed without declaring our love. To ask her forgiveness would be offensive, especially since she returned the kiss with passion. If on the other hand we did not
