snicking and scratching through the leaves over his head; like most people, Uhl was aiming too high when firing downhill.

It was cooler, damper, dimmer in under the trees. Almost like the smell and feel of the air inside the barn. There were a lot of bushes, but it was possible to work your way through. The bushes made him hard to see, and the tree trunks made him hard to hit.

He veered to the right as he went on. The shooting had stopped again, and after a minute he stopped too. He listened and heard nothing.

Would Uhl come down here to get him? It would almost even the odds, the two of them in the woods. He might get behind Uhl, he might get the edge on him. Or he might even get out of the woods with Uhl still in them, get back up the slope to the house, get one of the other guns in there. If Uhl wasn’t carrying all four guns with him.

Parker moved again. He still could hear nothing from Uhl. He headed back at a sharp angle so he’d come out far to the right of where he’d gone in. He wanted to know what Uhl was up to. He had to know what Uhl was up to. Could he afford to leave Parker alive, could he take a chance on that? Or would he think it a bigger chance to come in here after Parker? Which chance would he want to take?

Ahead, through the trees, Parker could see the grassy slope. He moved more cautiously, bent forward, his suit and shoes the wrong clothing for this place and this kind of stalking. But he needed to leave the suit jacket on — the white shirt would be too obvious a target. And black street oxfords were still better than no shoes at all.

He heard the car start. He went forward to the edge of the woods, looking up, and saw Uhl back his Chevy out of the barn. He left the motor running and hurried into the house, and a minute later he came out with two small cardboard suitcases. They’d had four of those, one for each of them to carry his share away in, but it had apparently taken only two to transport the entire haul.

Uhl put the two cases in the trunk of the Chevy and then came by the side of the barn to look downslope at the woods. He didn’t see Parker, and Parker couldn’t make out the expression on his face. After a minute he turned and went back into the house.

Go up the slope? Try to get to the car? It looked too much like a trap, left out there running with the money in it. Parker waited.

Uhl came running back out. Why running? He suddenly seemed to be feeling much more urgency than before. He ran around the Chevy and into the barn.

What was he up to? Parker’s hands were closed into his fists, but there was nothing he could do; he could only stand and watch and wait to see what Uhl did next.

Smoke. Curling out the broken windows of the house.

The son of a bitch had set the house on fire.

Parker moved out of the woods and ran crouching to the right until the barn was between him and the house, and then he ran up the hill. He knew what Uhl was up to in the barn, and if he could get there before Uhl was set, there was still a chance.

He couldn’t. He heard the roar of Uhl’s car before he got up as far as the barn, and as he came running around the barn he saw the Chevy bumping and slewing down the farther slope toward the dirt road.

The house was really burning now, the old wood catching fast and burning hot. Flames stuck their tongues out all the empty windows. He could feel the heat on his face.

The barn. He turned toward the entrance to the barn, and when the car in there blew up it knocked him flat.

Five

Nighttime. Parker sat in darkness, his back against a tree. It was cold now, and even damper in the woods than it had been in daytime.

The fire was long since out, but there was still light on top of the hill. Arc lights had been set up around the perimeter of the hilltop, all pointed inward, glaring their harsh, shadowless light on the burnt-out wreckage like the illumination of the infield during a night game. In that glare men moved back and forth like actors in the movie, and it was impossible to believe there were any rational reasons for all that activity up there. It was as though a director somewhere had told them to mill around, and that’s what they were doing, but none of them knew why.

It had been a long wait down here, and it wasn’t over yet. When the Mercury had blown up it had spread the fire to the grass all around, and when Parker had come out of a semi-daze and staggered back to his feet it was to find both the barn and house sheets of flame and the whole hilltop running orange. He’d been standing on bare ground in the middle of it all, the heat evaporating the sweat off his face.

He’d come leaping and jumping through the flames and down the slope into the woods again, knowing some sort of fire department would have to respond to this sooner or later before it got downslope and set the whole woods ablaze. A man dressed in a suit and white shirt and tie, carrying identification that could quickly be proved phony, should not be found here with the burned bodies of two murdered men and one blown-up car — not half an hour after a robbery in a town twelve miles away. Parker worked his way deep into the woods, the ground sloping gradually downward, till he came to a small, quick, cold, shallow stream that ran down the bottom line of the valley. He went across that and a little ways farther, and when he found a dry grassy spot he sat down to wait.

He heard the sirens when the fire engines arrived, but he was too far away to see them or see how much work they had to do. He waited, listening, hearing nothing more, and by early afternoon he was hungry. Were there any edible berries in season now? He didn’t know. He’d been born and raised in cities; these woods were another world.

When his watch said three o’clock he got up and stretched and moved again. He drank some water at the stream, washed his face, and moved on. He came to the edge of the woods and looked up, and both house and barn were gone; nothing left but a few blackened sticks jutting up. The grass was charred and black halfway down the slope.

The fire engines were gone too, but they had been replaced. The hilltop was full of police cars, and as Parker watched, a white closed van arrived with blue lettering on the sides: mobile lab.

So it was going to be a wait. But he wasn’t likely to get anywhere striking off blindly into those woods behind him. It was the road or nothing, and until the law finished up there it was going to be nothing.

Вы читаете The Sour Lemon Score
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату