on her face, her eyes, big and dreamy, gazing out over the sunlit sea. He laid down the book and took her hand.
“There is something,” he began in a low voice, “which I have been trying to say ever since we met, something which I think you must have read in my eyes.”
Her head was bent. She did not withdraw her hand.
“Until this voyage began,” he went on, “I did not know what life meant. And then I saw you! It was like the gate of heaven opening. You’re the dearest girl I ever met, and you can bet I’ll never forget….” He stopped. “I’m not trying to make it rhyme,” he said apologetically. “Billie, don’t think me silly … I mean … if you had the merest notion, dearest … I don’t know what’s the matter with me … Billie, darling, you are the only girl in the world! I have been looking for you for years and years and I have found you at last, my soul-mate. Surely this does not come as a surprise to you? That is, I mean, you must have seen that I’ve been keen … There’s that damned Walt Mason stuff again!” His eyes fell on the volume beside him and he uttered an exclamation of enlightenment. “It’s those poems!” he cried. “I’ve been boning them up to such an extent that they’ve got me doing it too. What I’m trying to say is, Will you marry me?”
She was drooping towards him. Her face was very sweet and tender, her eyes misty. He slid an arm about her waist. She raised her lips to his.
Suddenly she drew herself away, a cloud on her face.
“Darling,” she said, “I’ve a confession to make.”
“A confession? You? Nonsense!”
“I can’t get rid of a horrible thought. I was wondering if this will last.”
“Our love? Don’t be afraid that it will fade … I mean … why, it’s so vast, it’s bound to last … that is to say, of course, it will.”
She traced a pattern on the deck with her shoe.
“I’m afraid of myself. You see, once before—and it was not so very long ago,—I thought I had met my ideal, but….”
Sam laughed heartily.
“Are you worrying about that absurd business of poor old Eustace Hignett?”
She started violently.
“You know!”
“Of course! He told me himself.”
“Do you know him? Where did you meet him?”
“I’ve known him all my life. He’s my cousin. As a matter of fact, we are sharing a stateroom on board now.”
“Eustace is on board! Oh, this is awful! What shall I do when I meet him?”
“Oh, pass it off with a light laugh and a genial quip. Just say: ‘Oh, here you are!’ or something. You know the sort of thing.”
“It will be terrible.”
“Not a bit of it. Why should you feel embarrassed? He must have realised by now that you acted in the only possible way. It was absurd his ever expecting you to marry him. I mean to say, just look at it dispassionately … Eustace … poor old Eustace … and
“Does Mr. Hignett keep pigs?” she asked, surprised.
“I mean that poor old Eustace is so far below you, darling, that, with the most charitable intentions, one can only look on his asking you to marry him in the light of a record exhibition of pure nerve. A dear, good fellow, of course, but hopeless where the sterner realities of life are concerned. A man who can’t even stop a dog-fight! In a world which is practically one seething mass of fighting dogs, how could you trust yourself to such a one? Nobody is fonder of Eustace Hignett than I am, but … well, I mean to say!”
“I see what you mean. He really wasn’t my ideal.”
“Not by a mile.”
She mused, her chin in her hand.
“Of course, he was quite a dear in a lot of ways.”
“Oh, a splendid chap,” said Sam tolerantly.
“Have you ever heard him sing? I think what first attracted me to him was his beautiful voice. He really sings extraordinarily well.”
A slight but definite spasm of jealousy afflicted Sam. He had no objection to praising poor old Eustace within decent limits, but the conversation seemed to him to be confining itself too exclusively to one subject.
“Yes?” he said. “Oh yes, I’ve heard him sing. Not lately. He does drawing-room ballads and all that sort of thing still, I suppose?”
“Have you ever heard him sing ‘My love is like a glowing tulip that in an old-world garden grows’?”
“I have not had that advantage,” replied Sam stiffly. “But anyone can sing a drawing-room ballad. Now something funny, something that will make people laugh, something that really needs putting across … that’s a different thing altogether.”
“Do you sing that sort of thing?”
“People have been good enough to say….”
