“How in the world did you manage it, mother?”
As not affecting the inwardness of things, which it was Mrs Verloc’s principle to ignore, this curiosity was excusable. It bore merely on the methods. The old woman welcomed it eagerly as bringing forward something that could be talked about with much sincerity.
She favoured her daughter by an exhaustive answer, full of names and enriched by side comments upon the ravages of time as observed in the alteration of human countenances. The names were principally the names of licensed victuallers—“poor daddy’s friends, my dear.” She enlarged with special appreciation on the kindness and condescension of a large brewer, a Baronet and an M. P., the Chairman of the Governors of the Charity. She expressed herself thus warmly because she had been allowed to interview by appointment his Private Secretary—“a very polite gentleman, all in black, with a gentle, sad voice, but so very, very thin and quiet. He was like a shadow, my dear.”
Winnie, prolonging her dusting operations till the tale was told to the end, walked out of the parlour into the kitchen (down two steps) in her usual manner, without the slightest comment.
Shedding a few tears in sign of rejoicing at her daughter’s mansuetude in this terrible affair, Mrs Verloc’s mother gave play to her astuteness in the direction of her furniture, because it was her own; and sometimes she wished it hadn’t been. Heroism is all very well, but there are circumstances when the disposal of a few tables and chairs, brass bedsteads, and so on, may be big with remote and disastrous consequences. She required a few pieces herself, the Foundation which, after many importunities, had gathered her to its charitable breast, giving nothing but bare planks and cheaply papered bricks to the objects of its solicitude. The delicacy guiding her choice to the least valuable and most dilapidated articles passed unacknowledged, because Winnie’s philosophy consisted in not taking notice of the inside of facts; she assumed that mother took what suited her best. As to Mr Verloc, his intense meditation, like a sort of Chinese wall, isolated him completely from the phenomena of this world of vain effort and illusory appearances.
Her selection made, the disposal of the rest became a perplexing question in a particular way. She was leaving it in Brett Street, of course. But she had two children. Winnie was provided for by her sensible union with that excellent husband, Mr Verloc. Stevie was destitute—and a little peculiar. His position had to be considered before the claims of legal justice and even the promptings of partiality. The possession of the furniture would not be in any sense a provision. He ought to have it—the poor boy. But to give it to him would be like tampering with his position of complete dependence. It was a sort of claim which she feared to weaken. Moreover, the susceptibilities of Mr Verloc would perhaps not brook being beholden to his brother-in-law for the chairs he sat on. In a long experience of gentlemen lodgers, Mrs Verloc’s mother had acquired a dismal but resigned notion of the fantastic side of human nature. What if Mr Verloc suddenly took it into his head to tell Stevie to take his blessed sticks somewhere out of that? A division, on the other hand, however carefully made, might give some cause of offence to Winnie. No, Stevie must remain destitute and dependent. And at the moment of leaving Brett Street she had said to her daughter: “No use waiting till I am dead, is there? Everything I leave here is altogether your own now, my dear.”
Winnie, with her hat on, silent behind her mother’s back, went on arranging the collar of the old woman’s cloak. She got her hand-bag, an umbrella, with an impassive face. The time had come for the expenditure of the sum of three-and-sixpence on what might well be supposed the last cab drive of Mrs Verloc’s mother’s life. They went out at the shop door.
The conveyance awaiting them would have illustrated the proverb that “truth can be more cruel than caricature,” if such a proverb existed. Crawling behind an infirm horse, a metropolitan hackney carriage drew up on wobbly wheels and with a maimed driver on the box. This last peculiarity caused some embarrassment. Catching sight of a hooked iron contrivance protruding from the left sleeve of the man’s coat, Mrs Verloc’s mother lost suddenly the heroic courage of these days. She really couldn’t trust herself. “What do you think, Winnie?” She hung back. The passionate expostulations of the big-faced cabman seemed to be squeezed out of a blocked throat. Leaning over from his box, he whispered with mysterious indignation. What was the matter now? Was it possible to treat a man so? His enormous and unwashed countenance flamed red in the muddy stretch of the street. Was it likely they would have given him a licence, he inquired desperately, if—
The police constable of the locality quieted him by a friendly glance; then addressing himself to the two women without marked consideration, said:
“He’s been driving a cab for twenty years. I never knew him to have an accident.”
“Accident!” shouted the driver in a scornful whisper.
The policeman’s testimony settled it. The modest assemblage of seven people, mostly under age, dispersed. Winnie followed her mother into the cab. Stevie climbed on the box. His vacant mouth and distressed eyes depicted the state of his mind in regard to the transactions which were taking place. In the narrow streets the progress of the journey was made sensible to those within by the near fronts of the houses gliding past slowly and shakily, with a great rattle and jingling of glass, as if about to collapse behind the cab; and the infirm horse, with the harness hung over his sharp backbone flapping very loose about his thighs, appeared to be dancing mincingly on his toes with infinite patience. Later on, in the wider space of Whitehall, all visual evidences of motion became imperceptible. The rattle and jingle of glass went on indefinitely in front of the long Treasury building—and time itself seemed to stand still.
At last Winnie observed: “This isn’t a very good horse.”
Her eyes gleamed in the shadow of the cab straight ahead, immovable. On the box, Stevie shut his vacant mouth first, in order to ejaculate earnestly: “Don’t.”
The driver, holding high the reins twisted around the hook, took no notice. Perhaps he had not heard. Stevie’s breast heaved.
“Don’t whip.”
The man turned slowly his bloated and sodden face of many colours bristling with white hairs. His little red eyes glistened with moisture. His big lips had a violet tint. They remained closed. With the dirty back of his whip- hand he rubbed the stubble sprouting on his enormous chin.
“You mustn’t,” stammered out Stevie violently. “It hurts.”
“Mustn’t whip,” queried the other in a thoughtful whisper, and immediately whipped. He did this, not because his soul was cruel and his heart evil, but because he had to earn his fare. And for a time the walls of St Stephen’s, with its towers and pinnacles, contemplated in immobility and silence a cab that jingled. It rolled too, however. But on the bridge there was a commotion. Stevie suddenly proceeded to get down from the box. There were shouts on the pavement, people ran forward, the driver pulled up, whispering curses of indignation and astonishment. Winnie lowered the window, and put her head out, white as a ghost. In the depths of the cab, her mother was exclaiming, in tones of anguish: “Is that boy hurt? Is that boy hurt?”
