administered to a small and badly scared creature by another creature nearly as small but not quite so badly scared; she had the vision of the blows intercepted (often with her own head), of a door held desperately shut against a man’s rage (not for very long); of a poker flung once (not very far), which stilled that particular storm into the dumb and awful silence which follows a thunder-clap. And all these scenes of violence came and went accompanied by the unrefined noise of deep vociferations proceeding from a man wounded in his paternal pride, declaring himself obviously accursed since one of his kids was a “slobbering idjut and the other a wicked she-devil.” It was of her that this had been said many years ago.
Mrs Verloc heard the words again in a ghostly fashion, and then the dreary shadow of the Belgravian mansion descended upon her shoulders. It was a crushing memory, an exhausting vision of countless breakfast trays carried up and down innumerable stairs, of endless haggling over pence, of the endless drudgery of sweeping, dusting, cleaning, from basement to attics; while the impotent mother, staggering on swollen legs, cooked in a grimy kitchen, and poor Stevie, the unconscious presiding genius of all their toil, blacked the gentlemen’s boots in the scullery. But this vision had a breath of a hot London summer in it, and for a central figure a young man wearing his Sunday best, with a straw hat on his dark head and a wooden pipe in his mouth. Affectionate and jolly, he was a fascinating companion for a voyage down the sparkling stream of life; only his boat was very small. There was room in it for a girl-partner at the oar, but no accommodation for passengers. He was allowed to drift away from the threshold of the Belgravian mansion while Winnie averted her tearful eyes. He was not a lodger. The lodger was Mr Verloc, indolent, and keeping late hours, sleepily jocular of a morning from under his bed-clothes, but with gleams of infatuation in his heavy lidded eyes, and always with some money in his pockets. There was no sparkle of any kind on the lazy stream of his life. It flowed through secret places. But his barque seemed a roomy craft, and his taciturn magnanimity accepted as a matter of course the presence of passengers.
Mrs Verloc pursued the visions of seven years’ security for Stevie, loyally paid for on her part; of security growing into confidence, into a domestic feeling, stagnant and deep like a placid pool, whose guarded surface hardly shuddered on the occasional passage of Comrade Ossipon, the robust anarchist with shamelessly inviting eyes, whose glance had a corrupt clearness sufficient to enlighten any woman not absolutely imbecile.
A few seconds only had elapsed since the last word had been uttered aloud in the kitchen, and Mrs Verloc was staring already at the vision of an episode not more than a fortnight old. With eyes whose pupils were extremely dilated she stared at the vision of her husband and poor Stevie walking up Brett Street side by side away from the shop. It was the last scene of an existence created by Mrs Verloc’s genius; an existence foreign to all grace and charm, without beauty and almost without decency, but admirable in the continuity of feeling and tenacity of purpose. And this last vision has such plastic relief, such nearness of form, such a fidelity of suggestive detail, that it wrung from Mrs Verloc an anguished and faint murmur, reproducing the supreme illusion of her life, an appalled murmur that died out on her blanched lips.
“Might have been father and son.”
Mr Verloc stopped, and raised a care-worn face. “Eh? What did you say?” he asked. Receiving no reply, he resumed his sinister tramping. Then with a menacing flourish of a thick, fleshy fist, he burst out:
“Yes. The Embassy people. A pretty lot, ain’t they! Before a week’s out I’ll make some of them wish themselves twenty feet underground. Eh? What?”
He glanced sideways, with his head down. Mrs Verloc gazed at the whitewashed wall. A blank wall—perfectly blank. A blankness to run at and dash your head against. Mrs Verloc remained immovably seated. She kept still as the population of half the globe would keep still in astonishment and despair, were the sun suddenly put out in the summer sky by the perfidy of a trusted providence.
“The Embassy,” Mr Verloc began again, after a preliminary grimace which bared his teeth wolfishly. “I wish I could get loose in there with a cudgel for half-an-hour. I would keep on hitting till there wasn’t a single unbroken bone left amongst the whole lot. But never mind, I’ll teach them yet what it means trying to throw out a man like me to rot in the streets. I’ve a tongue in my head. All the world shall know what I’ve done for them. I am not afraid. I don’t care. Everything’ll come out. Every damned thing. Let them look out!”
In these terms did Mr Verloc declare his thirst for revenge. It was a very appropriate revenge. It was in harmony with the promptings of Mr Verloc’s genius. It had also the advantage of being within the range of his powers and of adjusting itself easily to the practice of his life, which had consisted precisely in betraying the secret and unlawful proceedings of his fellow-men. Anarchists or diplomats were all one to him. Mr Verloc was temperamentally no respecter of persons. His scorn was equally distributed over the whole field of his operations. But as a member of a revolutionary proletariat—which he undoubtedly was—he nourished a rather inimical sentiment against social distinction.
“Nothing on earth can stop me now,” he added, and paused, looking fixedly at his wife, who was looking fixedly at a blank wall.
The silence in the kitchen was prolonged, and Mr Verloc felt disappointed. He had expected his wife to say something. But Mrs Verloc’s lips, composed in their usual form, preserved a statuesque immobility like the rest of her face. And Mr Verloc was disappointed. Yet the occasion did not, he recognised, demand speech from her. She was a woman of very few words. For reasons involved in the very foundation of his psychology, Mr Verloc was inclined to put his trust in any woman who had given herself to him. Therefore he trusted his wife. Their accord was perfect, but it was not precise. It was a tacit accord, congenial to Mrs Verloc’s incuriosity and to Mr Verloc’s habits of mind, which were indolent and secret. They refrained from going to the bottom of facts and motives.
This reserve, expressing, in a way, their profound confidence in each other, introduced at the same time a certain element of vagueness into their intimacy. No system of conjugal relations is perfect. Mr Verloc presumed that his wife had understood him, but he would have been glad to hear her say what she thought at the moment. It would have been a comfort.
There were several reasons why this comfort was denied him. There was a physical obstacle: Mrs Verloc had no sufficient command over her voice. She did not see any alternative between screaming and silence, and instinctively she chose the silence. Winnie Verloc was temperamentally a silent person. And there was the paralysing atrocity of the thought which occupied her. Her cheeks were blanched, her lips ashy, her immobility amazing. And she thought without looking at Mr Verloc: “This man took the boy away to murder him. He took the boy away from his home to murder him. He took the boy away from me to murder him!”
Mrs Verloc’s whole being was racked by that inconclusive and maddening thought. It was in her veins, in her bones, in the roots of her hair. Mentally she assumed the biblical attitude of mourning—the covered face, the rent garments; the sound of wailing and lamentation filled her head. But her teeth were violently clenched, and her tearless eyes were hot with rage, because she was not a submissive creature. The protection she had extended over her brother had been in its origin of a fierce an indignant complexion. She had to love him with a militant love. She had battled for him—even against herself. His loss had the bitterness of defeat, with the anguish of a baffled passion. It was not an ordinary stroke of death. Moreover, it was not death that took Stevie from her. It was Mr Verloc who took him away. She had seen him. She had watched him, without raising a hand, take the boy away. And she had let him go, like—like a fool—a blind fool. Then after he had murdered the boy he came home to her. Just came home like any other man would come home to his wife. . . .
Through her set teeth Mrs Verloc muttered at the wall:
