Romance

the west, mounted and rode home over the plain, making for the head of the ravine, as their way lay. And, as they cantered along the side opposite to the cave, one of them caught sight of the length of rope dangling down the precipice. They pulled up at once.

The first I knew of their nearness was the snorting of a horse forced towards the edge of the chasm. I saw the animal's forelegs planted tensely on the very brink, and the body of the rider leaning over his neck to look down. And, when I wished to shout, I found I could not produce the slightest sound.

The man, rising in his stirrups, the reins in one hand and turning up the brim of his sombrero with the other, peered down at us over the pricked ears of his horse. I pointed over my head at the mouth of the cave, then down at Seraphina, lifting my hands to show that I was unarmed. I opened my lips wide. Surprise, agitation, weakness, had robbed me of every vestige of my voice. I beckoned downwards with a desperate energy, Horse and rider remained perfectly still, like an equestrian statue set up on the edge of a precipice. Sera-phina had never raised her head.

The man's intent scrutiny could not have mistaken me for a Lugareno. I think he gazed so long because he was amazed to discover down there a woman on her knees, stooping over a prostrate body, and a bareheaded man in a ragged white shirt and black breeches, reeling between the bushes and gesticulating violently, like an excited mute. But how a rope came to hang down from a tree, growing in a position so inaccessible that only a bird could have attached it there struck him as the most mysterious thing of all. He pointed his finger at it interrogatively, and I answered this inquiring sign by indicating the stony slope of the ravine. It seemed as if he could not speak for wonder. After a while he sat back in his saddle, gave me an encouraging wave of the hand, and wheeled his horse away from the brink.

It was as if we had been casting a spell of extinction on each other's voices. No sooner had he disappeared than I found mine. I do not suppose it was very loud but, at my aimless screech, Seraphina looked upwards on every side, saw no one anywhere, and remained on her knees with her eyes, full of apprehension, fixed upon me.

'No! I am not mad, dearest,' I said. 'There was a man. He has seen us.'

'Oh, Juan!' she faltered out, 'pray with me that God may have mercy on this poor wretch and let him die.'

I said nothing. My thin, quavering scream after the peon had awakened Manuel from his delirious dream of an inferno. The voice that issued from his shattered body was awfully measured, hollow, and profound.

'You live!' he uttered slowly, turning his eyes full upon my face, and, as if perceiving for the first time in me the appearance of a living man. 'Ha! You English walk the earth unscathed.'

A feeling of pity came to me—a pity distinct from the harrowing sensations of his miserable end. He had been evil in the obscurity of his life, as there are plants growing harmful and deadly in the shade, drawing poison from the dank soil on which they flourish. He was as unconscious of his evil as they—but he had a man's right to my pity.

'I am b—roken,' he stammered out.

Seraphina kept on moistening his lips.

'Repent, Manuel,' she entreated fervently. 'We have forgiven thee the evil done to us. Repent of thy crimes— poor man.'

'Your voice, Senorita. What? You! You yourself bringing this blessing to my lips! In your childhood I cried 'viva' many times before your coach. And now you deign—in your voice—with your hand. Ha! I could improvise—The star stoops to the crushed worm....'

A rising clatter of rolling stones mingled from afar with the broken moanings of his voice. Looking over my shoulder, I saw one peon beginning the descent of the slope, and, higher up, motionless between the heads of two horses, the head of another man—with the purple tint of an enlarged sky beyond, reflecting the glow of an invisible sun setting into the sea.

Manuel cried out piercingly, and we shuddered. Seraphina shrank close to my side, hiding her head on my breast. The peon staggered awkwardly down the slope, descending sideways in small steps, embarrassed by the enormous rowels of his spurs. He had a striped serape over his shoulder, and grasped a broad-bladed machete in his right hand. His stumbling, cautious feet sent into the ravine a crashing sound, as though we were to be buried under a stream of stones.

'Vuestra Senoria' gasped Manuel. 'I shall be silent. Pity me! Do not—do not withdraw your hand from my extreme pain.'

I felt she had to summon all her courage to look at him again. She disengaged herself, resolutely, from my enfolding arms.

'No, no; unfortunate man,' she said, in a benumbed voice. 'Think of thy end.'

'A crushed worm, senorita,' he mumbled.

The peon, having reached the bottom of the slope, became lost to view amongst the bushes and the great fragments of rocks below. Every sound in the ravine was hushed; and the darkening sky seemed to cast the shadow of an everlasting night into the eyes of the dying man.

Then the peon came out, pushing through, in a great swish of parted bushes. His spurs jingled at every step, his footfalls crunched heavily on the pebbles. He stopped, as if transfixed, muttering his astonishment to himself, but asking no questions. He was a young man with a thin black moustache twisted gallantly to two little points. He looked up at the sheer wall of the precipice; he looked down at the group we formed at his feet. Suddenly, as if returning from an abyss of pain, Manuel declared distinctly:

'I feel in me a greatness, an inspiration....'

These were his last words. The heavy dark lashes descended slowly upon the faint gleam of the eyeballs, like a lowered curtain. The deep folds of the ravine gathered the falling dusk into great pools of absolute blackness, at the foot of the crags.

Rising high above our littleness, that watched, fascinated, the struggle of lights and shadows over the soul entangled in the wreck of a man's body, the rocks had a monumental indifference. And between their great, stony faces, turning pale in the gloom, with the amazed peon as if standing guard, machete in hand, Manuel's greatness and his inspiration passed away without as much as an exhaled sigh. I did not even know that he had ceased to breathe, till Seraphina rose from her knees with a low cry, and flung far away from her, nervously, the strip of cloth upon which his parted lips had refused to close.